Saturday, 11 November 2023

June 1940

It must have appeared wondrous.

In 1940, someone in Morristown, New Jersey or White Plains, New York could sit at home, turn on a television set, and hear and see a live political convention taking place in Philadelphia.

The Republican National Convention of June 1940 was a history-making event in broadcasting. It was the first one to be televised. And it was televised over a network, as the NBC relay system from Philadelphia to Schenectady to New York City put the broadcast on the air from stations in all three cities. Televising turned out to be a wonderful sidebar for the print media looking for convention stories that didn’t involve hard, cold politics.

(The Democrats weren’t so lucky. Their convention was in Chicago. No relays from there. Coverage had to be filmed and taken to New York for uploading).

The other major TV story of June 1940 was the F.C.C. finally granting more than two dozen licenses. The coming war postponed some of the planned stations. Others, like the ones Howard Hughes wanted to put on the air, never got there. The New York Herald Tribune helpful published a complete list.

We don’t hear at all about CBS’s tests during this month. There are occasional squibs about the Du Mont station.

As for Don Lee’s W6AXO, it carried on with programming as well as construction of its new facilities on Mt. Lee. The Pasadena Post continued to put a vague daytime programme schedule in print. The station also broadcast from its studios 8 to 9 at night, Monday through Saturday (sports remotes excepted) but little is mentioned about what was aired.

Below, you’ll find selected stories and reviews, as well as W2XBS’s schedule compiled from several different New York City-area newspapers. Interestingly, W2XBS aired two “one-minute movies.” They were animated commercials (I believe they were done at Paul Fennell’s Cartoon Films, Inc. studio) for Pepsi featuring the two cops it used in print ads.

Saturday, June 1, 1940
2:00-5:00—Races from Belmont, Clem McCarthy.
9:00-10:00—“Hits and Bits of 1890,” variety.

Television Review
BELMONT PARK
With Clem McCarthy
Horse Racing
90 Mins.
Saturday, 3:30 p.m. (June 1)
RCA-NBC, New York
The races are the latest addition to RCA-NBC sports telecasts, and since the recent meeting opened at Belmont the mobile apparatus has been spotted there Saturdays and sometimes at midweek. Because of the greater distance involved over that required for football, baseball and boring, the reception of race events is not as clear, but as the camera is on the clubhouse roof directly over the finish line, visibility at the special moments is most satisfactory in some respects than for fans actually present at the track. Also those at the set know just how the races are progressing, while persons at the races rarely do.
Three events covered June 1 included the two feature races, with finishes so close that the sight was sensational. Clem McCarthy’s description of the races was clear and expert and there was no interference from crowd noises, the broadcasting position being removed from the main body of race fans.
Sending trucks were located not far from the paddock. Comments on the horses being paraded around the paddock ring came from McCarthy and Jay [Ray] Forrest. When the thoroughbreds were ready to go onto the track, Forrest took over. McCarthy ascending to the roof, there to join Joe McCarthy, who announced prior to the contests and afterwards, data on the price paid by the first three horses being the most pertinent.
Turf reporter McCarthy beat the camera in warning those with sets that Damaged Goods was coming fast to beat out Rosetown just at the wire in the principal race. Winner was so far back that her chances in the rather short Belmont stretch looked slim. There was a photo finish in the previous race and it could have been a dead heat. A claim of foul was registered, but not mentioned by the telecasters. Incident could be heard, however, by listeners, a nearby radio commentator speaking about it. Last Saturday McCarthy again showed his stuff in describing the race in which Bimelech beat Your Chance.
Among the atmosphere matters mentioned by McCarthy was the news that the straightaway or Weidner chute which racegoers dislike, is to be eliminated. Ibee. (Variety, June 12)


Xavier Cugat and his orchestra, Dinah Shore and Dick Todd will be the featured performers at the regular Saturday Swing-Fest at 3:30 p. m. today in the Television Gardens of the R. C. A. Building at the World’s Fair. The program, postponed from last week, will be televised and broadcast by the National Broadcasting Company. (Herald-Tribune)

Monday, June 3, 1940
New York.—Dumont Television expects to have a full television program on the air from its new station, W2XWZ, by Christmas. Will Baltin, who has been radio and picture editor of Daily Home News and the New Brunswick, N. J., Sunday Times, will be program director.
The station, now under construction. is located on the roof of a 42-story building at 515 Madison avenue. (Hollywood Reporter)


Keye Luke was interviewed by Shirley Thomas yesterday [3] in a television demonstration before a meeting of the Television Engineers Institute of America at the Hollywood Roosevelt. The Chinese actor also displayed his black and white drawings in the telecast. (Hollywood Reporter)

Tuesday, June 4, 1940
3:30-4:30—Jimmy Lynch and his Devil Drivers, at the Goodrich Building, World’s Fair.
6:45-7:00—News—Lowell Thomas.
9:00-10:00—Magnolia Floating Theatre, a television showboat, featuring “Dr. Jekyll and Mr. Hyde,” with Paula Stone, Winfield Hoeny, Judson Laire, W. O. Macwatters and Jack Cherry.
“The Magnolia Floating Theatre,” with Paul Stone as the star of a super-colossal production of “Dr. Jekyll and Mr. Hyde,” and a little polite vaudeville thrown in for good measure, will sail on the electron stream as a television presentation Tuesday, beginning at 9 p. m. over Station W2XBS.
Warren Wade, an old showboat and medicine showman himself, is the production’s director. He has a cast including Winfield Hoeny, Judson Laire, W. O. MacWatters and Jack Cherry. The vaudeville will be presented by Anne Crosby, John Cantwell and Dan Cavanaugh. (Sunday Times, New Brunswick, N.J.)


Television Review
Reviewed Tuesday. 9-10:10 p.m. Style—Hoke drama and specialties. Reviewed on RCA Television Receiver. Station—W2XBS. New York.
The National Broadcasting Co.’s television producers Tuesday presented one of their more sprightly efforts, The Magnolia Floating Theater. With a solid cast in the lead roles, the production was high in atmospheric value and was ingeniously presented—particularly those shots showing the backstage theater works, including ropes, pulleys. etc.
Chief item on Magnolia’s menu was a performance of R. J. Stevenson’s, Dr. Jekyll and Mr. Hyde. Cast played it with a strong dose of hoke and plenty of overacting, as befitted a showboat performance. Winfield Hoeny, as Jekyll and Hyde, switched from one to the other, making excellent use of a set of false buck teeth.
Specialty singers and dancers appeared between the acts, doing numbers reminiscent of past theatrical days. Paula Stone, of the noted family, danced and hoofed; Judson Laire did an emsee and spieler turn and John Cantwell, Jack Cherry, Anne Crosby and W. O. MacWatters were in the bill. They were all capable.
Unlike most of the television programs thus far, this opus used applause—the men in the studio coming thru at appropriate intervals. Applause was necessary in a program of this type and possibly aided the performers in addition to creating a more realistic effect for the audience.
Program was decidedly a good effort on NBC’s part. Camera work was fluid.
Warren Wade directed. Paul Ackerman. (Billboard, June 15)


Nearly 500 Orange county legionnaires as well as peace officers and civilians last night [4] answered the dress rehearsal for an emergency mobilization of California legionnaires after a radio and bomb signal. A check-up revealed today that an estimated 65,000 persons in the state answered the emergency call. ...
Participating with radio stations in issuing the mobilization call in Los Angeles was the Thomas S. Lee television station, W6XAO. It sent out a half hour telecast showing the 10-man team of Hollywood Legion post No. 43 presenting a pledge; Aime Reinwald, state champion bugler of the legion, and Jimmie Kasbeer, state champion drum major.
“The test call brought further proof that all legionnaires are available at a minute’s notice,” said William S. Dunn, California Legion commander. “The only advance notice they had was that the call would be issued over the radio during the three day period of June 3 to 5, inclusive.” (Santa Ana Register, June 5)


Wednesday, June 5, 1940
3:30-“Last of the Mohicans,” film.
3:50—“Let’s See America,” travelogue.
4:00—“Pepsi and Pete’s Radio Patrol,” film.
4:01—“Faro Nell,” film.
4:20—“Farm Foolery,” 1930 Aesop Fable.
4:25—“My Friend the Harti,” film.
6:45-7:00—News—Lowell Thomas.
9:00-10:15—Films, “Dark Sands,” with Paul Robeson, baritone.

TO CONFORM to the new rules governing television, licensees and applicants alike are applying to the FCC for new wave bands allotted for visual services. Present license or construction permit holders applying for wave shifts are: W2XBT, NBC-New York, seeking change from 156462 mc. to 162-168 mc. for portable station; W9XZV, Zenith Radio Corp., seeking change from 42-50 mc. and 60-86 mc. to 50-56 mc.; W9XUI, University of Iowa, Iowa City, seeking change from 42.56 mc. and 60-8G mc. to 60-66 mc.; W10XKT, Allen B. DuMont Laboratories, New York, seeking reinstatement of old CP, asking for 258-270 mc. for portable mobile.
Among recent new [June 5] television applications are those of: Crosley Radio Corp., Cincinnati, seeking 50-56 mc.; R. B. Eaton, Des Moines, seeking 44-50 mc. (now allocated to FM); Balaban & Katz Corp., Chicago, seeking 66-72 mc.; Leroy’s Jewelers, Los Angeles, seeking 66-72 mc.; Television Productions Inc., seeking 66-72 mc.; Don Lee Broadcasting System, San Francisco, seeking 50-56 mc. (Broadcasting, June 15)


Zenith Radio corporation soon will begin production of frequency modulation radio receiving sets, and delivery will start in the autumn, E. F. McDonald, Jr., president, announced yesterday [5]. Making his annual report to stockholders...The report also contained comment on the controversy in the television industry over the question of sale of television sets to the public. Zenith has opposed such sales.
Says Television Not “Ready.”
“The management’s position remains unchanged, McDonald said, “and until such time as it considers television ready for the public it does not propose to be stampeded into premature production of television receivers for sale.”
Zenith transmits experimental television programs five days a week from Chicago. On May 27 the FCC banned commercial sales of television sets, holding that the Industry had not agreed on standards. Radio Corporation of America had been selling sets to the public. (Chicago Tribune)


Thursday, June 6, 1940
3:30-4:30—Films, “Sights of Paris”: “Office 13,” with Monte Blue.
6:45-7:00—News bulletins.
9:00-10:00—Drama, “Double Door,” by Elizabeth McFadden.
Having created the role of Victoria Van Bret and played it in motion pictures, Mary Morris will repeat it in a television version of “Double Door,” a drama by Elizabeth McFadden to be presented by the National Broadcasting Company over Station W2XBS Thursday night, beginning at 9 o’clock.
Also from the original Broadway cast will be Richard Kendrick as Rip Van Bret. Kay Strozzi, one of the stage’s better known actresses, will appear also in the drama which is set in the gloom-pervaded Van Bret mansion in lower Fifth avenue about 1910. The production will be directed by Edward Padula.
Miss Morris has a long record of successes in the Broadway and London theatres. Her plays here have included “Within the Gates,” “Criminal at Large” and “Empress of Destiny.” (Sunday Times, New Brunswick, N.J.)


Friday, June 7, 1940
3:30—“Holland,” film travelogue.
3:45—“Pennywise,” film.
4:00—“Cuckoo Newsreel,” film with Ray Knight.
4:20—“Birds of a Feather,” film.
6:45-7:00—News, with Clem McCarthy.
9:00-11:00—Wrestling, at Jamaica Arena.

Saturday, June 8, 1940
3:30-5:00—Racing, at Belmont Park, including the Belmont Stakes at 4:45. Clem McCarthy, announcer.
9:00-10:00—“Out of the Kaleidoscope,” variety show, with the Radio Ramblers, novelty act; the Gaudsmit Brothers, comedians; Frank Eliacu, “You’re an Artist”; Ted Steele, novachord; Nicholas Brothers, dancers; Princess Aurelia.

Sunday, June 9, 1940
3:30-4:30—World’s Fair Beauty Contest.
Fifty girls representing state and foreign pavilions and industrial exhibits at the World’s Fair will compete today in a “Peace and Freedom” beauty contest in the Television Gardens of the RCA Building. The contest will be televised from 3:30 to 5 p. m. by the National Broadcasting Company’s transmitter, W2XBS. Reporters from metropolitan newspapers will be the judges. Glenda Farrell and Esther Ralston, film actresses, will, make the presentation addresses to the two winners, who will be named “Miss Peace” and “Miss Freedom.” The winners will receive RCA radio sets as prizes. (Herald Tribune)

Tuesday, June 11, 1940
3:30—“From Roundhouse to Roadbed,” film short.
4:00—“Finland Speaks,” film.
4:08-4:30—Industrial Film.
6:45—News, Lowell Thomas.
9:00-10:00—Novelty Hour.
Resort clothes for the smart woman will be shown by television in “Dawn to Dark Holiday Fashions” Tuesday at 9 o’clock over Station W2XBS. Carol Lynn, author of “Modeling for Money,” will be the fashion commentator. Zadel Skolovsky, young pianist, Julio Martinez Oyanguren, South American guitar virtuoso, and Jayne Cozzens, soprano, will appear on the program also. (Sunday News)

Television Review
Reviewed Tuesday, 9-10 p.m. Style—Variety. Reviewed on RCA Television, Receiver. Station—W2XBS (New York).
Tuesday’s variety program ranged from magic to opera, the longhair stuff absorbing a good part of the hour session.
Emsee was Fairfax, magician, who worked cloth, cards and other stunts between the acts. Fairfax spoke well, did his own business in a minimum of time, and brought on the performers with a minimum of fuss.
Program had some solid classical talent, including Gulio Martinez Oyangueren, guitarist; Zadel Skolovsky, concert pianist: Jane Cozzens, vocalist, and Salzedo Harp Duo, Oyangueren did three numbers, the intricate linger work showing beautifully on the tele screen. Skolovsky and Miss Cozzens also cud three each, the pianist staying strictly in the classical groove. Miss Cozzens, excellent soprano, made one concession to the lighter musical forms with a rendition of Only a Rose.
Outstanding in these renditions—from a television point of view—is the audience sense of intimacy. Performer seems to be right in the room. This fact is likely to make or break a lot of performers trying to crash tele. Program also included a fashion show, conducted by Carol Lynn. Miss Lynn trotted out a batch of clothes horses who were probably pretty, but who didn’t look too well on the tele screen. As gals paraded Miss Lynn gave a running comment on the fashions.
Okeh direction by Thomas Riley. Ackerman. (Billboard, June 22)


Wednesday, June 12, 1940
3:30—“Fly’s Bride,” 1929 Aesop Fable cartoon.
3:35—“The Last of the Mohicans,” film serial, Episode VII.
3:55—“City of Contrasts,” film travelogue.
4:15—Pleasure Previews,” film.
4:29-4:30—“Pepsi and Pete,” film.
6:45—News with Lowell Thomas.
9:00—“Hell’s House,” film feature with Bette Davis and Pat O’Brien.

Several of the hundreds of pictures submitted during The News’ amateur alum photo contest last Apri1 today had been used in a television broadcast.
The pictures were televised over W6XAO, the Don Lee station, during a 30 minute program last night [12] in which housing problems were discussed by George P. Tucker, public relations director for the federal housing authority here. (Los Angeles Daily News)


Thursday, June 13, 1940
3:30—Launching of Battleship North Carolina at Brooklyn Navy Yard.
6:45—News, with Clem McCarthy.
9:00—“Jack Rabbit Flats,” new play.
Television will flash its first graphic record of the launching of a man o’ war Thursday when the new 35,000-ton battleship North Carolina slides down the ways at the New York Navy Yard, Brooklyn. The launching, first to be telecast anywhere in the world, will be seen by televiewers over the NBC Station W2XBS.
The exact hour of the North Carolina’s launching has not yet been announced but the electric cameras will go on the air at 3:30 o’clock in ample time for the smash of a champagne bottle against the warship’s prow by Miss Isabel Hoey, daughter of North Carolina’s Governor Clyde R. Hoey.
A new play by a new playwright will be presented on Station W2XBS Thursday night at 9 o’clock. The play, “Jack Rabbit Flats,” is by Alladine Belle, a native of Utah and holder of a Guggenheim Fellowship. The comedy, which has been adapted for television by Donald Davis of the NBC staff, will be Miss Bell’s first produced work.
In the cast for the production will be Barbara Robbins, Dorothy Mathews. Kendall Clark, seen recently in “The Fifth Column” on Broadway, Ethel Remey, who is remembered by local stock-goers, Thomas Speidel, Edwin Michaels, Robert Allen, Jabez Gray and Harry M. Cooke. (Sunday News)


Two hundred workmen have rushed construction on special bleachers to accommodate more than 10,000 sightseers at the world premiere tomorrow [13] of “All This, and Heaven Too” at the Carthay Circle Theater.
A crowd of 15,000 is expected to fill the lobby, patio and midway leading to the theater to catch a firsthand glimpse of celebrities, but physical accommodations limit the bleacher capacity, so the seats will go to early comers. The box office reservation list, headed by Bette Davis and Charles Boyer, stars of the picture, includes practically all of Hollywood.
The opening will be the first such event to be broadcast by television. (Los Angeles Times)


Friday, June 14, 1940
3:30—“Let’s See America,” film travelogue.
3:40—“Just My Luck,” film feature with Charles Ray.
6:45—News.
9:00—Wrestling at Jamaica Arena.

Saturday, June 15, 1940
3:30—Aqueduct Park.
9:00—“Out of the Kaleidoscope,” variety with Blossom Russell and Royal Islanders Hawaiian Troupe; Paul Wing’s Spelling Bee.
Televised horse racing will shift its scene of operations next week to follow the gee-gees and the pari-mutuel odds at the Aqueduct Park plant. The first afternoon races will be put on the air by NBC Saturday afternoon from 3:30 to 5 o’clock. The feature race will be the Tremont and Clem McCarthy will be the announcer.
A half-hour of the sinuous rhythms of the hula and the languorous strains of Hawaiian music will be presented by Blossom Russell and Her Royal Islanders Saturday at 9 p. m. Paul Wing’s popular spelling bee is listed to share time on the NBC program. (Sunday News)


With sight as well as sound, radio will cover the 1940 Republican National Convention from opening gavel to finish, starting with pre-convention programs before the conclave formally goes into session June 24 in Philadelphia and continuing “for the duration”. ....
Highlighting radio’s activities this year, NBC and Philco will cover various phases of convention activity via television for lookers in the New York and Philadelphia areas....
According to lists submitted to the GOP headquarters, the participants will include....
NBC-Television—Staff of 23, including Alfred H. Morton, vice-president in charge of television; A. E. Cook, assistant; Thomas H. Hutchinson, program director; Leif Eid, C. W. Farrier and H. E. Kersta, producers; Ray Forrest and Jack Fraser, announcers; R. E. Shelby, chief television engineer; Harold P. See, technical director of outside events.
Philco Radio & Television Co.—Staff of 15, including E. M. Alexander, program director; W. N. Parker, technical director; A. H. Brally, Charles Stec and E. E. Maxham, technicians; M. A. Merryfield and F. G. Marble, announcers. (Broadcasting, June 15)


Allen B. DuMont Laboratories has moved its 50—watt experimental television transmitter from Passaic, N. J. to New York and will shortly begin making field strength tests from the location of its 1,000-watt transmitter at 515 Madison Ave. Work on the new transmitting apparatus is proceeding rapidly, according to Mortimer W. Loewi, vice—president, and installation will begin as soon as the city building supervising officials have approved the erection of the transmitting antenna. Mr. Loewi, who returned to New York June 12 from Florida, said that his company is receiving more orders for receivers than it can keep up with, adding that they are chiefly from restaurants and taverns rather than from private individuals for home use. (Broadcasting, June 15)

Monday, June 17, 1940
In answer to the numerous requests for television tickets: All you have to do is drop down to W6XAO, located in the Don Lee building, 1078 West Seventh street, any p.m. except Sunday, between 8:00 and 9:00 p.m. (By the way, the presentations are hitting a new high . . . we suggest you take a look into one of the “lookers.”) (Highland Park Herald-News)

Tuesday, June 18, 1940
3:30-4:30—Film, “Sunset Range,” with Hoot Gibson.
9:00-10:00—Film, “Crooked Circle,” with Zasu Pitts and Jimmy Gleason.
WASHINGTON, June 18.—New regulations announced today by the Federal Communications Commission provide for opening television broadcast channels in an increased number of stations in leadlng cities from coast to coast, on an experimental basis. There will be adequate safeguards against monopolistic practices, the announcement stated.
In this latest step by which the commission appears to be seeking to extricate itself from the controversy which arose recent1y over its attitude toward this infant industry, tentative approval was given to twenty—three applications for television stations in various parts of the United States. At the same time the commission announced that it would consider nineteen remaining applications and outstanding 1icenses in the immediate future.
The announcement stated that most of these stations would be permitted to furnish television programs to the public, and that it was expected that when the industry had developed uniform transmission standards offering a satisfactory level of performance, such standards would be adopted by the commission as a basis for regular commercial television operation.
Research Required
Meanwhile, the announcement when on, “every television station will undertake to carry on substantial research and experimentation on the different engineering problems and to assist in the development of television for wide-spread public service.”
The following, with proposed channel assignments, is the complete list of applications which the commission plans to grant promptly upon a proper showing of a program of research and development: New York:
       National Broadcasting Company, Channel 1
       Columbia Broadcasting System, 2
       Bamberger Broadcasting Service, 6
       Allen B. Dumont Laboratories, 4
Chicago:
       Zenith Radio Corporation, 1
       Balaban and Katz, 2
       National Broadcasting Company, 5
Los Angeles:
       Don Lee Broadcat1ng System, 1
       Television Productions, 4
       Hughes Tool Company, 2
Washington:
       Allen B. Dumont Laboratories, 1
       National Broadcasting Company, 2
San Francisco:
       Don Lee Broadcasting System, 1
       Hughes Tool Company, 2
Philadelphia:
       Philco Radio and Television Corporation, 3
       x—Radio Corporation of America (Camden), 5
       WCAU, 5
Cincinnati:
       Crosley Corporation, 1
Albany:
       General Electric Company, 3
Fort Wayne:
       x—Philo T. Farnsworth, 3
West Lafayette, Ind.:
       x—Purdue University, 3
Passaic, N. J.:
       Allen B. Dumont Laboratories, 4
Iowa City, Iowa:
       x—Iowa State University, 1 & 12
       x—Indicates stations primarily for laboratory research or training; no public program authorized.
It was stated that of the nineteen cases held in abeyance, fifteen were new applications and four were existing licenses under the old regulations. The pending cases are:
Boston:
       *General Television Corporation.
       Boston Edison Company.
Des Moines:
       R. B. Eaton.
Hartford:
       Travelers’ Broadcasting Service Corporation.
       WDRC
Iowa City:
       *Iowa State University (2100-2200 kc.)
Kansas City, Mo.:
       *First National Television.
       Midland Broadcasting Company.
Los Angeles:
       Earl C. Anthony.
       May Department Stores.
       LeRoy’s Jewelers.
Milwaukee:
       Milwaukee “Journal.”
Manhattan, Kan.:
       Kansas State College.
New York:
       *Radio Pictures, Inc.
       Metropolitan Television, Inc.
Philadelphia:
       National Broadcasting Company.
Springfield, Mass.:
       Henry Walczak.
Sacramento, Calif.:
       Grant Union High School.
St. Paul:
       KSTP, Inc.
       *Indicates existing licenses.
Seek Early Commercialization
The commission stated that all licenses would be on a basis of research and experimentation tending to promote the development of television and to help the engineers of that industry reach an agreement on uniform transmission standards which would permit the early and general commercialization of television “until accord is reached on this vital point, no changes—either direct or indirect—-may be made for the transmission of any type of television program,” the statement asserted.
In order to put to the fullest possible use the eighteen regular channels (50,000-108,000 and 112,000-294,000 kilocycles) plus any 6,000-kilocycle band above 300,000 kilocycles (excluding 400,000-401,000 kilocycles), made available to television ‘under commission order No. 07, the commission will not, except for extraordinary cause, authorize any television broadcasting station to use more than one channel in the main seven channels constituting Group A (50,000-108,000 kilocycles).
At the same time, the commission stipulates that no person, directly or indirectly, shall operate or control more than three public programming television stations in this important group of channels, or operate or control more than one such station in the same service area. This, however, does not apply to stations which do not transmit programs for public reception. (Herald Tribune)


Wednesday, June 19, 1940
3:30—“Last of the Free,” film.
3:58—“Last of the Mohicans,” film.
4:10—“Pleasure Preview,” a film preview of the new Pennsylvania turnpike.
4:20—“Midnight,” an Aesop Fable, 1930.
6:45-7:00—News, Lowell Thomas.
9:00—Editors and writers interviewed: Ralph Ingersoll, George Lyon, Wesley Price, John McManus, Elizabeth Hawes, William McCleary. Or:
9:00—“Pleasure Preview,” a film preview of the new Pennsylvania turnpike.
9:10—“Switzerland,” travelogue.
9:25—“Rooftops of London,” film.
9:40—“Egypt,” travelogue.
9:50—Film.

Thursday, June 20, 1940
3:31—“Let’s See America,” travelogue.
3:40—“Blame it on Love,” Film.
6:45-7:00—News, Lowell Thomas.
9-10—Drama, “The Last Warning,” by Thomas F. Fallon, with Paula MacLean, Judson Laire, W. O. MacWatters, Frederick Tozare and Alice Buchanan.

The Ben Bard Junior Players are organized at the Ben Bard Playhouse to give dramatic training to children end prepare them for social and professional careers under the guidance of Beryl M. Roscoe and Celeste Grunn.
Beryl M. Roscoe staging a style show for the Broadway Department Store over KHJ’s television station on June 20 at 2 p.m., to feature vacation cloth., for children from 3 to 16 years of age. (Hollywood Citizen-Reporter, June 6)


Friday, June 21, 1940
3:30—Republican Convention.
3:45—“Testing Machinery,” film.
3:55—“White Heat,” film.
6:45—Governor Ralph Carr from the convention.
9:00—American Red Cross Volunteers, a demonstration of surgical dressings for war relief.
9:30—”Finland,” a March of Time film.
9:50—“Waltz of the Flowers,” film.

Scenes from Convention Hall in Philadelphia were flashed on television screens In New York yesterday [21] in a preview of the Republican National Convention conducted by the National Broadcasting Company.
The pick-up, which was relayed over 108 miles of cable circuits supplied by the Bell Telephone Laboratories, was described as the “longest cable transmission of television.” Previously the longest distance spanned from field station to broadcasting transmitter was twenty-six miles.
During the twenty-four-minute program Robert E. Lamberton, Mayor of Philadelphia, and Manan E. Martin, assistant convention chairman, were interviewed. Observers at Radio City described the received images as “excellent.” The preview was held to test the circuits, since the NBC plans to telecast from the convention. It will be the first political event ever to be televised. (NY Times)


Television chose Philadelphia yesterday [21] to don its ‘long pants,’ when pictures were transmitted from the entrance of Convention Hall to television receivers in New York City.
The experiment, a prelude to telecasting the Republican National Convention, the first television coverage of a political event in the world, marked the first time in history that action pictures were transmitted via the new method from one city to another.
PRYOR IN TALK
A handful of newspaper men gathered in the Bourse Building, where the transmission was picked up from Convention Hall and sent by the longest cable used for such a purpose, saw and heard Samuel H. Pryor, Jr., of Connecticut, chairman of the Committee on Arrangements for the Convention, tell of the elaborate plans made to take care of the delegates.
Next Miss Marion Martin, assistant National Republican chairman, stepped before the television camera.
Then came Mayor Lamberton with James H. Malone, Director of Public Safety, who reviewed the work of police assigned to cover the Convention. The police standing at attention as the Mayor passed were clearly visible on the television screen.
Just before the Mayor came in view of the television camera, an airplane could be heard droning overhead.
Street noises were clearly audible, especially the honking of horns.
EASILY DISCERNIBLE
The daylight television was easily discernible to onlookers in the Bourse Building. The size of the screen on the receiving set was 7½ inches by 10 inches.
Actual telecasts from Convention Hall will begin on Monday. Iconoscope cameras have been installed in Convention Hall for the pick-up to the Bourse Building, a distance of four miles.
At that point Bell Telephone Laboratory engineers have installed a wire circuit, which will take the pictures over a distance of 10 miles to New York via a coaxial cable.
The final circuit is at Radio City, New York. Every five miles between this city and Manhattan there are amplifiers Installed in man-holes to keep the television signal at the same level of clarity until it is put on the air. (Philadelphia Inquirer, Frank Rosen)


Saturday, June 22, 1940
3:30-4:35—Film, “Murder on the Campus.”
9:00-10:00—”The Revuers” in satirical tour of World’s Fair, with Grace McDonald.

NEW YORK, June 22.—Cut in National Broadcasting Co.’s summer television program schedule has necessitated dropping three men from the program department and seven out of engineering. In addition, nine engineers were transferred to other NBC departments.
Schedule will not lose very much in total number of hours, plans calling for telecasting of nearly 15 hours. But dramatic programs will not be used for duration of summer. Film will be used more extensively. Probably three outside pick-ups a week will be telecast. (Billboard, June 29)


Sunday, June 23, 1940
WCAU has announced an immediate acceleration of plans to begin active television broadcasting experiments as a result of the Federal Communication Commission’s release of June 18, tentatively approving WCAU’s application for a television station.
The only Philadelphia broadcasting station to receive such a license, WCAU was assigned to Channel 5, operating from 84 to 90 megacycles.
Fired by the FCC’s announcement that regular telecasts would be “granted promptly upon proper showing of a program of research,” WCAU intends to swing into action on experimental work just as quickly as authorities is received from Washington. Television audience are being readied in the WCAU Building at 1622 Chestnut st. and plans are going forward for the construction of a mobile unit for picking up sporting events and other outside programs. (Philadelphia Inquirer)


Monday, June 24, 1940
11:00 a.m.—Republican National Convention Opening Session.
9:00—Republican National Convention Evening Session.

Television cameras made their first appearance at a political convention yesterday at the opening of the Republican National Convention in Philadelphia, and National Broadcasting Company officials in New York estimated that 50,000 persons looked in on the proceedings.
Four cameras were used at the convention, one trained on the crowds at the entrance, two facing the speakers’ rostrum from a balcony platform and one in a special studio for interviews with party personalities and political commentators.
What the cameras televised was carried 108 miles by co-axial cable to New York City and broadcast over Television Station W2BXS. The signals were broadcast also by the Philco station in Philadelphia [W3XE] and the General Electric station at Schenectady [W2XB], which picked them up by radio relay from New York.
N. B. C. experts said the telecast could be received as far away as upstate New York, Massachusetts and remote parts of Pennsylvania.
Sixty receiving sets were placed in the South Museum, adjoining Convention Hall in Philadelphia, to enable those who could not gain admission to see the proceedings.
Excellent reception was reported at public viewings in stores, bars and hotels in New York City and at the R. C. A. exhibit at the World’s Fair, where 1,000 persons saw the telecast in groups admitted at fifteen-minute intervals. N. B. C. will continue its telecasts at intervals during the convention. (Herald Tribune)


In the first telecast of a political event, scenes of the opening of the Republican National Convention at Convention Hall in Philadelphia were relayed to New York yesterday[23] by the National Broadcasting Company.
An estimated audience of 50,000 televiewers, some of them 200 miles away, since the images rebroadcast here also were picked up by the General Electric Company’s station in the Helderberg Mountains near Schenectady, looked in on the convention, according to an NBC representative.
The telecast was the first of a series to be conducted daily during the convention. The pick-ups will be made from 11 A. M. to 1 P. M., 2:30 to 4:30 P. M., and 9 to 11 P. M.
The scenes included one of Chairman John D. M. Hamilton calling the meeting to order and another of Alfred M. Landon posing for photographers with the Kansas delegation’s banner.
Other shots were made of the scene within the Convention Hall. The telecast opened outside the ball with pick-ups of the crowd and shots of the arriving delegates. Observers here described the images as “very good.”
In Philadelphia television was used to accommodate the overflow of spectators who could not get into Convention Hall. These people watched the proceedings on a battery of sixty receivers in South Museum, adjoining the Republican meeting place. The Philco Radio and Television Corporation gave service in that area.
New Yorkers not owning television sets gathered before receivers in stores, bars and hotels to watch the show, according to the NBC spokesman. At Bloomingdale’s the crowd numbered about 100, while at Gimbel’s about seventy-five people assembled to look in on the conclave.
It was said that almost 1,000 visitors to the RCA exhibit at the World’s Fair saw the telecast in fifteen-minute shifts.
The transmission from Philadelphia to New York was handled over a 108-mile wire circuit supplied by the Bell Telephone Laboratories. Ninety-three miles of this line consists of coaxial cable, or television “pipe.” On arrival here the images were rebroadcast through Station W2XBS, the NBC television transmitter atop the Empire State Building. (New York Times)


Tuesday, June 25, 1940
11:00 a.m.-1:00 p.m.—Republican National Convention, including the address of Representative Joseph W. Martin.
2:30-4:30—Republican National Convention.
6:45-7:00—News with Lowell Thomas.
9:00-11:00—Republican National Convention, including address of Former President Hoover at 9:30.

In an interview heard and seen here yesterday [25] by television from the Municipal Auditorium in Philadelphia, the consensus of six newspaper men was that deals were under way for the votes of large unpledged delegations and that a break might be expected any time after the third ballot.
The convention was described as “groping in the shadow of war in Europe for a strong leader to take charge of Republican party destinies.”
Seen and heard in the interview were Barry Paris, editor-in-chief of the International News Service; Brian Bell, chief of The Associated Press, Washington bureau; Neil MacNeil, assistant night managing editor of The New York Times; Lyle Wilson, Washington bureau chief of The United Press; William Fulton, chief of the New York bureau of The Chicago Tribune, and William C. Murphy Jr., Washington correspondent of The Philadelphia Inquirer.
The telecast came from the National Broadcasting Company’s studio at the auditorium and was sent by wire to Station W2XBS, atop the Empire State Building, which rebroadcast the images. The aural interview was broadcast over WJZ’s network. Other telecasts will be sent out as the convention goes on. (Times)


Tel-Arc Productions under the direction of Jack M. Kellman, will present a playlet titled “Sweet Friends” by Florence Pierce Reed on W6XAO’s television program at 8. (Hollywood Citizen-News)

A deal has been completed between Television Film Corporation of America and the Thomas Lee television station, W6XAO, for the former company to supply specially made shorts for weekly televising.
Production has already begun with first release to feature Lane Truesdale, femme singer. Wingy Mannone and Cliff Nazarro are featured in others of the series, which Dan Milner directs. (Hollywood Reporter, June 25)


Wednesday, June 26, 1940
11:00 a.m.—Republican Convention Interviews.
11:30-4:30—Convention Proceedings.
6:45-7:00—News with Lowell Thomas.
9:00—Convention Interviews.
9:30-11:00—Convention Proceedings, Evening Session.

American television—which still means RCA-NBC despite the FCC—passed another imagination-stirring milestone Monday night (24) when the Republican convention in Philadelphia was brought to receiving sets in New York City 90-odd miles away. The distance the program travelled was, however, but one aspect of the wonder-provoking occasion. The actual social-political-educational implications of what the iconoscope picked up transcended even the engineering accomplishment. Here for the first time the immense advantage of seeing was added to the hearing of a political convention. Television, limited today but immeasurable in the future, may do more, much more, than radio did—and radio did a lot—to change and improve and speed up and decorn [sic] the great party raffles to the possible benefit of the parties and the country and democracy.
Actually the Monday night session climaxed by keynote-giver Stassen of Minnesota served to dramatize—via television—the fact that 1940 is not just four years as the clock ticks, but a revolution away tram the 1936 campaign which the Republicans ignominiously [sic] fought and lost on a basis of the quality of American maple syrup. The Republicans have now deliberately chosen to do their stuff under the television eye as one of many steps consciously taken to streamline, snap up and glamorize the party. The television rendition of the convention was, in terms of sheer innovation, matched by the singing of ‘Ballad for Americans’ and in the bombast-free address of the keynoter himself. Television was the mark and the symbol of a profound change, and improvement, in G.O.P. showmanship.
Starting about nine and continuing until after 11 p. m. the RCA-NBC pick-up was, considering the incredibly difficult engineering set-up and the bad mist-laden night, surprisingly smooth and clear. The iconoscope was, of course, too far from the speakers platform to permit the features of John Hamilton, Ray Middleton, Cardinal Daugherty or Gov. Stassen to be distinguished, but it still was possible to get the broad outline of their persons and personalities via coaxial.
Two, and possibly three, television cameras seemed in action. While bearing down mostly on the rostrum they switched on occasion to the audience in long shots (poor) and in semi-closeups (good). The color of the gathering was partly captured by panning through the state delegations and picking up the state signs and insignia. At one point the taking of a photograph of the convention destroyed television lighting conditions, whereupon there was a jump to a studio where Stuart Finley of KYW, Philadelphia, was the stand-by announcer (able, also photogenic). There were other studio bits in the beginning, notably between two good-looking newspaper gals, Melia Underwood and Jane Cochran, interviewing each other. NBC’s Baughage also stepped before the lens briefly.
The television—and auditorium—circumstances did not entirely favor maximum results of which ‘Ballad for Americans’ is capable. The chorus under Lynn Murray was musically appealing but placement of mikes mitigated against the diction of their lyrics. Ray Middleton’s rich, round robust baritone, however, got every syllable of his lines across and the total effect of the ‘Ballad’ both as a performance by Middleton and a novelty for a political convention was, despite captious points, sockeroo. Victor Bay expertly waved stick. (Variety, Robert J. Landry, June 26)


Thursday, June 27, 1940
10:00-11:30 a.m.—Interviews at Republican Convention.
11:30-4:50—Republican Convention.
6:45-7:00—News, Lowell Thomas.
9:00-11:00—Republican Convention.

Television Review
Reviewed Thursday evening. Style—Telecast of Republican National Convention. Station—W2XBS (New York).
Telecast of the Grand Old Party soiree at Convention Hall, Philadelphia, shaped up as television’s most auspicious undertaking to date, the transmission taking place via coaxial cable between Philadelphia and New York, a distance of about 100 miles.
Telecasts, occurring all week, had terrific significance from the educational standpoint, bearing out belief expressed earlier by tele execs that the medium would probably find its most important outlet in special events.
From video standpoint, images were by no means as satisfactory as those of studio-produced programs, but decrease in clarity, particularly on mass shots, was expected. Generally, image appeared rather washed out, but still good enough to distinguish faces without much difficulty.
Event was a milestone for tele, and carried off with nice aplomb, all things considered. Ackerman. (Billboard, July 6)


Friday, June 28, 1940
11:00—Republican Convention.
6:45-7:00—News, Lowell Thomas.
9:00-11:00—Republican Convention.

Scenes of the Republican National Convention in Philadelphia were picked up by television in Tulsa, Okla., about 1,800 miles distant, establishing a new American long distance record for television reception, the National Broadcasting Company reported yesterday [28]. At Lake Placid, 325 miles distant, another long range pick-up was reported by the General Electric Company.
One of the images seen was that of Wendell L. Willkie as he appeared before the convention, marking the first time that a Presidential nominee was televised. The expression and gestures of the Republican nominee were said to be “clearly mirrored” and each utterance was described as “distinct” by observers at Radio City.
The telecasts seen in Tulsa and Lake Placid were tuned in from Station W2XBS, on the Empire State Building, where the images are rebroadcast after having been received by wire from Philadelphia. An N. B. C. representative, Watt Stinson, made the following report on the telecast from Tulsa:
“The pictures came through every minute or so for several seconds at a time over a two-hour period. Voting score sheets and close-ups of the chairman, in particular, were quite distinct. The sound channel was clear about 50 per cent of the time.”
The scenes of the convention were picked up at Lake Placid on White Face Mountain by Willard Cody of the New York University-Rensselaer Polytechníc Institute Weather Observatory. He picked up the program from W2XB, near Schenectady, where the images ate rebroadcast for a second time after having been received from W2XBS, New York. The quality of the reproduced scenes was not described.
The telecast from Philadelphia was conducted by the N. B. C. from its studio in the Municipal Auditorium as part of its daily series covering the convention by television.
The longest distance yet traveled by television signals occurred when indistinct images from London were picked up at Riverhead, L. I., by the N. B. C. (New York Times)


Monday, June 29, 1940
Summer activities and professional appearances of Jack Stern pupils continue, to the encouragement of those students who have worked and studied during the past season. Among the Stern pupils signed this week for work in pictures are Patricia Peters, daughter of the former silent screen star, House Peters.
Patricia, ambitious to make a name for herself, had studied at the Stern Studios, 6112 Wilshire Blvd., in radio, drama and television, and has appeared on the Don Lee television station W6XAO, as well as on the “Jack Stern Presents” KFAC radio show. Meanwhile, she accepted small parts in pictures...
Jack Stern’s arrangement with Thomas S. Lee, and the television station W6XAO continues with weekly television productions of Stern’s adult drama group appearing in plays written epecial1y for television by Charles Wilhelm, and directed by Grace Hamilton. The junior drama department telecasts a weekly play, “Half Moon Boys,” a junior stock company whose antics are gaining favor with each performance. Cast in this are Tommy Batten, Bob Whatley, Norman Salling, Frank Rantz, Marjorie Whatley, Gerry Norris, Linda Morgan, Van Dyke Hirst and Truman Van Dyke....
Cast in the junior radio drama playlet are Gerry Norris, Linda Morgan, Marjorie Whatley, Elmer Wreden, Van Dyke Hirst, and Truman Van Dyke.
Wednesday night the Television Players will present over W6XAO an original play “Two After One,” written by Charles Wilhelm and directed by Grace Hamilton (Hollywood Citizen News, June 29, 1940)
[Note: omited from this transcription is part of a study mentioning a Stern student working in pictures. His name was Darryl Hickman).

Sunday, June 30, 1940
Preliminary tests to study the field strength of televised signals in the New York area are to be launched immediately by engineers erecting the new Allen B. Du Mont television station, W2XWZ, at 515 Madison avenue, New York City.
Determined to have his station operating on a regular program schedule by this fall, Du Mont has supervised the installation of a temporary 50-watt transmitter on the 42nd floor of the Madison avenue building to be used in the tests.
The experimental unit began flashing signals last week. No images or patterns are utilized at the start, the tests merely being conducted to gauge the field strength and radiation pattern.
When W2XWZ officially goes on the air in the autumn, with the programs to be produced by William Baltin, former Daily Home News and Sunday Times reporter, it will be operated with an effective receptive range of more than 30 miles.
Du Mont also has a mobile transmitter license which is to be operated in conjunction with the New York station for remote pickups of news, sports and other outside features.
Du Mont announced another progressive step last week when production of big—screen television sets provided the largest in the United States. (Sunday News)

Saturday, 4 November 2023

May 1940

You couldn’t blame David Sarnoff if he mumbled some uncomplimentary comments at the F.C.C. in May of 1940.

The Commission made two rulings, basically telling Sarnoff if RCA wanted to force an NBC monopoly on television, it wasn’t going to happen.

First, it re-allocated the air waves to accommodate F.M. That meant NBC would have to move W2XBS in New York off its channel (the same decision affected Don Lee’s W6AXO in Los Angeles and Zenith’s W9XZV in Chicago, though an AP story from May 27 said only NBC and Don Lee were on the air). Then it reaffirmed a decision to pretty much ban commercial television until transmission standards were standardised. RCA and its allies had one system, while DuMont had developed another one. Both were trying to sell television their sets. And the Commission also said it would open up more cities for television. In other words, to companies other than RCA.

NBC modified its schedule this month, ending Sunday broadcasts, and operating Tuesday through Saturday, with a live remote on Saturdays. W2XBS gave up baseball for horse racing. Its 16 mm. camera was doing a lot of unspooling; the schedule is full of cartoons from the defunct Van Beuren studio.

There’s incomplete information available about W6XAO. The Pasadena Post was the only paper that published a schedule and it was only for daytime broadcasts. Newspapers gave bits and pieces of information about the station’s evening programmes. In fact, one appliance store was open at night to allow people to come in and watch W6XAO broadcast sports. The daytime schedule looked like this:

Tuesdays and Wednesdays, 3:00—Films.
Thursdays, 3:00—Round Table, films.
Saturdays, 5:30—Film, Discussion.

The only exception in May was Tuesday the 28th, when an interview at 2:30 p.m. was added to the schedule, though there are hints in one newspaper story of live programming. Nelson McEdward worked at the station and contributed this on W6XAO’s programming to the “Television” column in the June 1940 edition of International Photographer magazine:

Thomas S. Lee's mobile unit W6XAO has been telecasting the baseball games at the Gilmore Stadium on Saturday and Sunday afternoons, with great success. Last Sunday was the only time in our outdoor broadcasts where we had a decent break in the light. On Monday and Friday nights Station W6XAO televises the wrestling and boxing matches at the Legion Stadium. Ray Coffin, W6XAO's talent scout and 24-hour-a-day man, stated that one could see the hair on the legs and very clear facial expressions on the wrestlers as they were throwing each other's noses and ears about the stadium. He was "seeing-in" on the Gilfillan receiver installed at the Brown Derby. Bob Gregory smashed Yukon Jake's face so bad it looked like a raw beefsteak. Gregory is a clean fighter and fine gentleman. I will televise him at W6XAO in a few weeks. Our new 24-inch lens is an added improvement on these telecasts. Dwight Warren and I bumped into Norman Taurog, Hollywood veteran and an old time friend, at the fights the other night and he was very much interested in the telecasting of the matches.
Col. Nix, the kindly 79-year-old gentleman who fired the first shot allowing the settlers new land grants in Oklahoma in the early '70's, was telecasted last night again and is a remarkable character. The members of my staff at W6XAO who so faithfully stay with these telecasts are Dwight Warren, Hatto Tappenbach and John Polito, operative cameramen; Bill Collins and Keva Marcus, assistants. All but Marcus, who is a member of Local 644, are members of Local 659, IATSE. From Local 728, handling studio set lighting, are Tom Fay, Ralph Slater and Eric Wybrow.


In the May issue, McEdward described the technical issues for W6XAO to broadcast matches at the Legion:

The camera was placed in the rear of the stadium up high with the telephoto which covers nearly all the ring. The lights were not bad but Otto K. Olsen is rigging up some more for better results. I will have a telephoto lens about 30 feet from the ring for a close angle, and hope the wrestlers don’t throw each other in my lap as they near did before.

However, with maybe 300 sets in the Los Angeles area at the time, W6XAO didn’t warrant a lot of publicity. The NBC station in America’s biggest city got most of it. Below are listings for W2XBS in New York and selected stories about American television for the month.

WEDNESDAY, May 1, 1940
3:00-5:00—Baseball: N. Y. U. vs. Manhattan, at Ohio Field.
6:45-7:00—News, Lowell Thomas.
8:30-10:30—First anniversary television celebration, with Diosa Costello, dancer; Hildegarde, singer; Gertrude Berg in “The House of Glass,” drama; Pages and Guides minstrel show; fashion show; “Harlem Highlights,” with Avis Andrews and the Berry Brothers; “The Ugly Duckling,” a Walt Disney cartoon, etc.

Television Review
Reviewed Wednesday, 8:30-11 p.m. Style—Variety and dramatic, using live talent and film. Reviewed on RCA television receiver. Station—W2XBS.
On Wednesday (1) NBC presented its Television Birthday Party, occasion being in celebration of one year of regular telecasting. Scheduled for two hours, program lasted two and one-half hours, and talent ranged from bad to very good. Significant thing in the layout was that it held interest fairly well despite its unusual length. Session started with a brief talk by Dr. Alfred H. Morton, NBC vice-president in charge of television, and included a raft of vaude and night club acts, a drama, a cartoon by Walt Disney, ballet dancing, opera singers, a fashion show and a minstrel show presented by the NBC page boys.
Definition and use of camera was generally good on this program, as was the lighting, but sometimes performances ended with a certain flat quality. It’s quite possible that applause would remedy this to a great extent and provide better working conditions for the performers. Comics, particularly, would show up better under such circumstances.
From standpoint of popular appeal, best items in the show were the singers, including Hildegarde, Avis Andrews and Peters Sisters; the Berry Brothers, eccentric dancers; a play by Gertrude Berg, The House of Glass, and Walt Disney’s great cartoon, The Ugly Duckling. Disney opus came over with amazing clarity. The Berg play, too, was particularly well adapted for tele, being written originally for television. It had a small cast, few scenes and its action was kept well within the compass of the camera. A few film clips were cut into the presentation.
Fashion show was given by Frances Hawks, of Franklin Simon, in conjunction with Lentheric, perfume manufacturer. Angle of the tie-up was to mention and show bottles of perfume which complemented certain fashions. Minstrel show by the page-boys was not so good, but one of the admirals.
Casper Kuhn, did a very capable imitation of Waiter Winchell and looked as tho he could do an emsee job.
Emnsee was Ray Perkins, just fair. Ray Forrest announced. Ackerman. (Billboard, May 11)


‘MILESTONE IN TELEVISION’
With Ray Perkins, Alicia Markora, Anton Delia, Avis Andrews, Hildegarde. Gertrude Berg, Annamary Dickey. Leonard Warren, Berry Bros., Peters Sisters, NBC Minstrels.
RCA-NBC, New York.
This lengthy telecast, marking the elapse of one year since regularly scheduled programs began, established pertinent points on how far sight-sound broadcasting has progressed. One angle was that after-dinner speakers, who go across at banquets, often click as well on television. Alfred H. Morton, NBC vice-president for television, proved this, his personal appearance coming through well. Ray Perkins, m.c., clicked nicely with ad libs and piano-ballading as in radio.
Alicia Markova and Anton Dolin, ballet dancers, also gave the favorable side of new medium. Television camera’s ability to shift from one terp artist to the other, move from closeup to distance shots and catch twinkling toes, said much for the improvement over a year ago.
Fashion revue, blatantly a plug for a N. Y. women’s store and a perfume concern, illustrated a weakness of telecasting to date—dull movement of models with a fashion stylist reading equally dull patter. Hint here, too, of how obnoxious commercial plugs might become when television is commercialized.
Negro entertainment, introduced by Avis Andrews of Kit Kat Club, revealed the future need for careful pruning of performer time. Miss Andrews, admittedly good in her first song, could have trimmed her second and eliminated the third. Same true of Berry Brothers, three eccentric dancers, Three Peters Sisters had the identical failing — too much. Clyde Hart, pianist, did one specialty.
Annamary Dickey and Leonard Warren two younger members of the Met Opera, in contrast, offered their pet songs and bowed off. Edward Johnson, director of the Met association, introduced pair.
‘The Ugly Duckling,’ prize winning Walt Disney short. Showed that cartoons may have a future. Line drawings were more impressive than some live talent on show.
Hildegarde not only proved photogenically perfect for television but her personality went as well as at a swank hotel.
Production of ‘House of Glass’ sketch, prepared particularly for television, indicated what might be accomplished with radio serials when sight-sound broadcasting becomes general. Gertrude Berg’s playlet registered Impressively as it had done in the past on airway programs.
Minstrel show of NBC pages and guides sized up well considering amateur talent. Wear. (Billboard, May 15)


NEW YORK, April 27.—National Broadcasting Co. is preparing a television production, titled “21 Men and a Girl.”
Understood the production will use NBC page boys as singers, and breaks in May 1.
Marcia Harris, vaude singer and dancer, will be the girl, Joining the May 13 program from the studio and the May 10 program from the stage of the Ritz Theater. (Billboard, May 4)


THURSDAY, May 2, 1940
3:30—“Oriental Odyssey,” film travelogue.
4:00—“Pleasure Time,” film musical with Fred Waring Pennsylvanians.
4:20—“Let’s See America,” film travelogue, and/or “The Burning of Canton,” Chinese war film.
6:45-7:00—News, Lowell Thomas.
8:30-9:30—“Out of the Kaleidoscope,” variety hour, with Helen Morgan, songs; Frank Eliscu in “You’re an Artist”; Senor Wences, novelty act; Poldi Mildner, piano; “Maid of Cotton,” interview, and Geraldine and Joe, comedy dancers.

FRIDAY, May 3, 1940
3:30—“The Last of the Mohicans,” film serial, episode II.
3:50—“Tiger, Tiger,” animal hunt film.
4:00—“Let’s Sing,” musical film.
4:10—“Willie, the Worm,” 1938 film cartoon.
4:15—“Master of the Camera,” film on Edward Steichen’s methods.
4:25—“Springtime in Australia,” film travelogue.
8:30—Esso Television reporter.
8:45—”The Artist as Reporter,” with John Sloane, artist.
9:00-11:00—Boxing, Buddy Baer-Nathan Mann, Madison Square Garden. Jack Fraser announcer. Sponsored program.

SATURDAY, May 4, 1940
3:30-5:30—Baseball: Fordham vs. Villanova, at Fordham Field.
7:30-9:50—“The Bat Whispers,” 1930 United Artists mystery film with Chester Morris, Una Merkel.

The Chicago office of the National Broadcasting company yesterday announced a new American record for long distance television reception. Images flashed from station W2XBS, atop the Empire State building in New York City, were picked up at the NBC office here, 717 air miles distant, on Thursday night [2].
“After a few moments of unrecognizable patterns on the receiver screen,” the broadcasting company said, “the image cleared. The sound portion of the program was very good, but the image gradually faded. Both sound and image completely disappeared after 16 minutes altho the program continued in New York for 11 more minutes.” (Chicago Tribune, May 4)


SUNDAY, May 5, 1940
3:30-4:35—Film, “Cipher Bureau.” with Leon Ames and Charlotte Winters.
8:30-9:30—Comedy, “Three Wise Fools,” by Austin Strong, with Percy Kilbride, Stephen Courtleigh, James Craven and Betty Furness.

At least 3,000 television sets are “looking in” on the New York air, according to the National Broadcasting Company. As the basis of count, it is pointed out that 2,000 program cards are mailed weekly to homes equipped with tele-radios. It is believed that this mailing list reaches from one-half to two-thirds of the set owners. In addition cards are mailed to 110 restaurants and taverns which have television sets in the New York area served by the telecasts from the Empire State Building’s aerial. (Times, May 5)

TUESDAY, May 7, 1940
For the first time in history, actual scenes of a motion picture company making a production were televised last over Station W6XAO under the supervision of Thomas S. Lee, head of the Lee Broadcasting System, from RKO studio.
Subjects chosen for the initial picture—making telecast were two sequences from “Dreaming Out Loud,” which Jack Votion and Sam Coslow are producing for RKO with Lum and Abner, Irving Bacon and Bobs Watson [sic] appearing. As a standard sound camera photographed the regular takes, twin telecameras were used to transmit the complete record of preliminary dressing activity, rehearsals and okayed shots to 1100 television receiving sets within a 35-mile radius of W6XAO. A wide angle unit of the television twins picked up the general action while, for the close-ups, a telephoto unit was used.
A dipper-shaped cathode-ray tube in the television camera head changed the light into sound and shot the impulses by cable to a ten-foot antenna atop the highest building on the lot to the base transmitter at Seventh and Bixel streets.
While noise interference created by the curious crowd of spectators present on the stage hampered sound reproduction, immediate reproduction of the screens shot were sharply and clearly reflected on miniature glass screens in the rear of the camera auxiliaries.
Telephone reports coming in both to RKO studio and the W6XAO offices indicated that viewers of the television version were highly pleased with what they had seen.
Through the courtesy of Votion, Coslow and Lee, a special showing of the broadcast was presented at the Hollywood Brown Derby on an 8½ by 9½ inch screen. Here the results proved to be only fair, but gave assurances that, with better transmission of sound and images in future tests, practical television may not be such a long way off. (Hollywood Reporter, May 8)


ACTUAL scenes of a motion picture company making a production were televised May 7, 8:30-9:30 p. m. over W6XAO, under supervision of Thomas S. Lee, president of Don Lee Broadcasting System, Los Angeles, from the RKO studios in Hollywood. Subjects chosen for the initial picture-making telecast were two sequences from “Dreaming Out Loud,” which Voco Productions is producing with Lum & Abner, Irving Bacon, Bob Watson and Sheilah Sheldon.
As a standard sound camera photographed regular takes, twin telecameras were used to transmit the complete record of preliminary dressing activity, rehearsals and okayed shots to 1,100 television receiving sets within a 35-mile radius of W6XAO. A wide-angle unit of the television twin cameras picked up the general action, while, for closeups, a telephoto unit was used.
A dipper shaped cathode-ray tube in the television camera head converted the light waves and shot the impulses by cable to a 10-foot antenna atop the highest building on the RKO studio lot to the base transmitter of W6XAO in downtown Los Angeles, six miles away.
While noise interference created by the crowd of spectators present on the stage hampered sound re-production, immediate television reproduction of the scenes shot were sharply and clearly reflected on miniature glass screens in the rear of the camera auxiliaries. (Broadcasting, May 15)


RCA’s new system of large-screen television was given its first public demonstration May 7 at the company’s annual stockholders’ meeting, held in one of the larger NBC studios and attended by some 400 persons. Program, featuring stars of opera, symphony, stage and radio, was projected by a laboratory model instrument on an ordinary moving picture screen, producing images 4½ x 6 feet in size that were comparable to home television reception in quality.
Asked why the increase in size did not cause a diffusion in the images, which were broadcast on the RMA standard of 441-line definition, comparable to the diffusion that accompanies magnification of a half-tone reproduction, RCA engineers explained that as the size of the image was increased, the size of the spot made by the beam of electrons scanning the picture was also increased, with the result that the large-screen pictures were as good as the smaller images viewed on a regular home receiver, with the scanning lines just as invisible. Too much increase in the size of the scanning spot would cause a loss of definition in the image, it was explained, but experiment located the happy medium at which no lines are visible nor is there any decrease in definition.
How It Is Done
While the unit was built as an intermediate step in developing apparatus for projection of larger images, suitable for use in motion picture theatres, the present size has “interesting possibilities for use in clubs, schools and other similar places where the viewing group numbers from 100 to 150 persons,” RCA reports. There are no immediate plans for marketing this apparatus, it was stated, and from a year to 18 months would be required for its commercial development.
Projection optics of extremely wide aperture, a kinescope capable of high-voltage operation, using 56,000 volts as compared with the 6,000 or 7,000 volts used by the kinescope in an ordinary home receiver, and apparatus suited to those conditions are said to be the basic elements of the new system. The image on the face of the kinescope, where it measures only 2.4 by 3.2 inches, faces not toward the screen but in the opposite direction, being thrown upon a concave mirror surface 16 inches in diameter. The mirror collects the strong light from the kinescope and magnifies the image 22½ times; the magnified image is then projected back through a glass lens surrounding the neck of the kinescope and thence 20 feet through space to the screen.
Signals are received at the Kinescope either through the air as broadcast or by direct wire line. Both methods were employed during the demonstration, with no noticeable difference in the resultant images on the screen. (Broadcasting, May 15)


New York. — Stating that it has arranged with a group of theatres (not named) on the Pacific coast to reproduce television programs, the Don Lee System, owner of W6XAO, has filed a brief with the FCC asking immediate full commercialization of the new entertainment. The brief states that the arrangement with the theatres was made as a result of the FCC order of February 29 allowing limited commercialization an order that was later rescinded.
The brief states that the arrangement with the theatres will permit a program expenditure of from $18,000 to $20,000 a week and that the programs would be available to all television receivers as well as those in the theatres. Also, Lee’s brief says several advertisers are willing to use the new method. There are understood to be between 300 and 400 receiving sets in the Los Angeles area, and the brief contends that this number could easily be increased to 10,000 within a short time if the plea is granted. (Hollywood Reporter, May 7)


WASHINGTON, May 7—Front row spectators at the 1940 Republican National convention at Philadelphia beginning on June 24 wall be the television cameras of both the National Broadcasting Co. and the Philco Radio & Television Corp. This will mark the first time in history that national political convention has been televised. Companies involved in the television operation estimate that about 43,000 persons will be able to look in on the proceedings. (Wall Street Journal)

WEDNESDAY, May 8, 1940.
3:30—“Norwegian Sketches,” travelogue.
3:40—“Mother Melodies,” film.
3:45—“Screw Drivers of 1940,” Roland Reed film for Shell, with Lew Lehr and Don Wilson.
4:05—“The King’s Stamp,” film.
4:25—“See America,” travelogue.
6:45-7:00—News, Lowell Thomas.
8:30-9:30—Midweek Varieties, with Eleanor French, songs; “Joe and Mary’s Place,” dramatic sketch, and a fashion revue.

Clarence Brown will be interviewed by Ray Coffin over Don Lee’s Mutual Television broadcast, May 8th, on “Edison the Man.” (Hollywood Reporter, May 1)

In a telecast, or television broadcast, with this reporter Wednesday night [8] over station W6XAO, [Jack] MacKenzie [of Hollywood Park] scorched Kentucky racing officials who turned thumbs down on the new electrical gate for starting the Kentucky derby.
“If the gate is good enough for any race at all,” was the way Jack put it, “It is good enough for the derby, too. ...
Incidentally, Mr. M. has made arrangements with Phil Schaffer of W6XAO to telecast the feature race every Saturday from Inglewood. You’ll see the horses and hear the crowd as the field parades from the paddock to the post; you’ll see and hear the start and the entire run through the stretch, which can be shown through wide range lens.
On the day of the Gold cup, station W6XAO will outdo itself.
Movies will be taken of every step, or jump, of the race in the afternoon, and telecast throughout the city only a few hours later. (Los Angeles Daily News, Bob Hebert, May 10 column)


THURSDAY, May 9, 1940
3:30-4:30—Preview of racing season, Belmont Park.
6:45-7:00—News, Lowell Thomas.
8:30-9:30—Finals of Miss RCA Television beauty contest.

Television Review
Reviewed Thursday, 8:30-9:30 p.m. Style— Interview. Reviewed on RCA Television Receiver. Station—W2XBS.
Thursday studio presentation consisted of a batch of interviews by Alan Kent, and constituted the final session of a contest to choose Miss RCA Television for the RCA exhibit at the World’s Fair.
The girls, most of them pretty, came on and were quizzed as to where they came from, what they did, their ambitions, etc. Some of them had talent of a sort—either dramatic or musical—and these wound up their session with Kent by emoting, playing piano, etc.
This type of presentation offered none of the technical problems encountered in either a variety or dramatic program, but it did indicate that the tele camera will not be particularly kind to persons submitting to interviews over the new medium. Owing to terrific intimacy of television, it became apparent quickly that most of the girls interviewed we’re posing and striving for effect. This would not be nearly so noticeable over radio, but the tele camera reveals it brutally, and those who go before it for such a purpose will be vulnerable to adverse audience reaction on this account [sic].
Prom the standpoint of make-up, the NBC producers have advanced measurably in the last year—so much so that a pretty girl will usually look pretty over television. This was not so a year ago. But make-up can still be improved. Emsee Kent, hemmed in by a continuous succession of femmes, handled his assignmnt with grace and wit. Voting to pick Miss RCA Television is done by the tele audience. Among those considered on this program were Helen Jemison, Carol Joyce, Janice Holter, Martha English, Helen Harmon, Patricia Fitzgerald. Mabel Ellis, Nancy Clarke and others. Ackerman. (Billboard, May 18)


FRIDAY, May 10, 1940
3:30—Selections from films, “Casamiento en Buenos Aires” and “Gente Bien.”
3:40-4:45—Film, “Mystery in Swing,” with a Negro cast.
6:45-7:00—News. Lowell Thomas.
8:30—Esso Television Reporter.
8:45—Collectors’ Corner, with Joan Atkinson.
9:00-11:00—Wrestling in Jamaica Arena.

Through arrangements completed today by managing director F. D. McDonald Jr., an outstanding feature of the third annual Southern California Home show which opens at the Pan Pacific auditorium on May 25 for a 12 day run, will be daily television receptions.
Each night during the engagement of the home show, three of the latest television receiving sets will pick up broadcasts of various events. Each set will be the product of a different manufacturer, which will furnish an interesting demonstration for all those interested in television.
Arrangements are also under way to have portions of the show televised from the Pan Pacific auditorium.
On Tuesday and Saturday afternoons during the home show there will be a one hour program, while the evening exhibitions will encompass demonstrations from the boxing and wrestling matches at the Hollywood American Legion stadium to the televising of motion pictures. The nightly exhibitions will start at 8:15 while the afternoon demonstrations will run from 3 to 4 o’clock.
Exhibits in this year’s home show will occupy 10,000 square feet more than the 1939 exposition. (LA Daily News, May 10)


With nationally-advertised appliances filling every available inch of space, beautiful Leimert Park Appliance company will stage its grand opening today and tomorrow at 3351 West Forty-third- place, in the Leimert Theater building. ...
Feature of Leimert Park Appliance Is the huge television theater, which is open to the public every evening between 8 and 9:30. Wrestling matches from Hollywood Legion stadium may be seen every Monday night, while plays and similar broadcasts are visible on other evenings. (LA Southwest Wave, May 10)


SATURDAY, May 11, 1940
2:30-4:00—Opening of the New York World’s Fair.
8:30—”Crisis in the Pacific,” a March of Time film.
8:50-10:00—“Panama Patrol,” mystery film with Leon Ames.

The National Broadcasting Company televised the formal ceremonies of the opening of the New York World’s Fair yesterday [11] in the Court of Peace, thereby bringing a reproduction of the event to possibly 3,000 homes in the metropolitan area, where television sets are now distributed.
Preceding speeches by the chief executives of the Fair, city and state, a milling throng was shown as it jammed its way into the court, recalling the crowds that gathered by the visit of King George VI and Queen Elizabeth of England to the Fair last summer. At the Fair the program was picked up both in the Radio Corporation of America exhibit, which will be opened to the public May 18, and in the General Electric building.
The sight of Kate Smith, star of radio and screen, as she greeted the throng from a ribbon-decorated rostrum before singing “God Save America,” [sic] and of Mayor F. H. La Guardia as he gesticulated during his speech, did much to bring home the value of the visual recording.
The most telegenic members of the gathering, however, were Mrs. Sara Delano Roosevelt, mother of the President, and Mrs. Herbert H. Lehman, both of whom wore white flowered hats. Through the use of an orthicon tube, not in use at the Fair last year, shadows were largely eliminated from the devised image. Most of the time reproduction was clear enough to permit the reading of the letters on the radio microphones in front of the speakers. (Herald Tribune, May 12)


The opening ceremonies of the 1940 N. Y. World’s Fair provided Saturday afternoon’s broadcasting highlight (WJZ, WNYC, WOV-3). Governor Lehman, Mayor LaGuardia, Finnish Commissioner General Y. A. Palheimo, Harvey Gibson, Grover Whalen, Kate Smith and many others passed before the microphones and the NBC television cameras in the Court of Peace.
The telecasting of the ceremonies was extremely helpful (W2XBS—2:30 to 4). Kate Smith, perched high on her own platform, drew a long round of applause from the spectators before she formally opened the fair by singing “God Bless America.” A great popular favorite, Kate. One amusing trick effect of the cameras resulted from the presence of a woman seated a few rows behind the speakers’ stand, wearing a hat with a huge, white turned-up brim. This seemed to invest each of the orators with a halo.
The television camera emphasized another point: How little attention many of the invited guests really give to the speeches of the various dignitaries. A number of those seen by this listener were having a good time gossiping among themselves, while the speakers held forth. With picture broadcasting to the fore, there will have to be a new etiquette for public gatherings. (Daily News, Ben Gross column)


SUNDAY, May 12, 1940
3:30-4:40—“The Mother,” film.
3:40—“The Lady in Scarlet,” 1935 film mystery with Reginald Denny.
8:30-9:30—Play, “Mrs. Moonlight,” by Benn Levy, with Frances Reid, Dennis Hoey, Frieda Altman and Barbara Robins.

MONDAY, May 13, 1940
2:00-5:00—Racing, opening day at Belmont Park—the Fashion Stakes and the Toboggan Handicap.

Television cameras have turned to new sports prey. Having spied on wrestlers, fighters, ball players and hockey stars, the energetic camera eyes are now focusing on the ponies. Yesterday, at Belmont’s get away day, the races were caught by television. Clem McCarthy, leather-tongued, syllable-spouting sports commentator, and announcer Ray Forrest combined their talents for the seeing and hearing. A fashion parade lent a feminine touch to the proceedings as trim, dreamy-eyed girls paraded to the style post. The ladies and the ponies are a sure-fire parlay. Too bad the camera pickups weren’t sharper, but it was interesting listening and looking. (Daily News, Ben Gross column, May 14)

TUESDAY, May 14, 1940
3:30—“The Last of the Mohicans,” film.
3:50—“Hinterland Trout,” film.
4:00—“Evolution,” educational film.
4:25—“Let’s See America,” film.
6:45-7:00—News, Lowell Thomas.
9:00-10:00—NBC Pages and Guides Minstrel Show.

WEDNESDAY, May 15, 1940
3:30—“The Office Boy,” 1930 Van Beuren film cartoon.
3:40—“The Idaho Kid,” Western film.
6:45-7:00—Sunoco News, Lowell Thomas.
9:00-10:00—Midweek Varieties, with Paul Wing’s spelling bee; Richard Van Calio, the one-man band; Mr. America.

Television Review
Reviewed Wednesday, 9-10 p.m. Style—Variety. Reviewed on RCA Television Receiver. Station—W2XBS.
Wednesday’s studio program was made up of a number of very diverse elements, and the novelty of the acts presented gave show some experimental value. Judging on the basis of entertainment, it was not as effective as a more orthodox variety layout—but at this stage of the game it is obviously desirable for producers to take a crack at as many types of presentation as possible.
Session included talks by Ruth and Helen Hoffman, explorers and writers; a display of weight-lifting by Sigmund Klein and a bevy of lads with thick necks and wonderful muscles; a one-man band, namely, Richard Van Callio, and Paul Wing’s Spelling Bee.
Hoffman girls, twins, spoke of their experiences in Oriental countries, telling of sheiks, harems and details of life among the Bedouins. During the talk they donned native costume and sat on the floor and smoked water pipes. It was of fair interest, but there was come artificiality in the method of presentation—a method requiring one of the girls to cut in on the other to bandy the conversation back and forth. Listener began to wonder at exactly what point the interruption would come.
Sigmund Klein and his mighty men deuced. Klein’s men were Frank Light, Bob Harley and Johnny Davis. While these lads startled the yokels with their muscular development. Klein gave a quite pedantic discourse on the art of weight-lifting. Later proved he was not merely a talker by doing some fancy stuff himself.
Richard Van Callo played a few numbers calling for the use of sonic 13 instruments. This is a musical feat, but not particularly entertaining. During one of the numbers he was accompanied by a very’ robust-appearing vocalist who also sang.
Wing’s spelling bee had eight contestants, chosen from the television audience. Three winners were presented with dictionaries which they’ can very well use. Most of the people participating appeared so completely negative that they were interesting only from the comedy angle. Their faces assumed the aspect of frozen etchings, some smiling and some deathly grim. Wing carries on very capably.
Definition was good. Ackerman. (Billboard, May 25)


Mrs. John S. Merritt of 9 Leffingwell Place, who claims to be the city’s first participant in a television broadcast, appeared last night [15] on Paul Wing’s spelling bee televised by NBC from their studios in New York.
Friends and relatives, who were gathered about the Merritt home, waited anxiously for Mrs. Merritt’s appearance.
She came on and the announcer asked her to spell “yoicks.”
Mrs. Merritt hesitated a bit and then answered “y-o-i-c-k-e-s.” She got the “gong.”
“I’d never seen or heard the word before,” she said today. Yoicks is an exclamation used to urge foxhounds in a chase.
It was Mrs. Merritt’s first venture in radio or television—and “undoubtedly my last,” she said. (New Rochelle Standard-Star, May 16)


ACCORDING to a survey of radio dealers in the metropolitan New York area, conducted by Radio Today magazine, at least 100 television sets are now being sold each week. Dr. O. H. Caldwell, editor of the magazine and former Federal Radio Commissioner, pointed out that despite the FCC’s recent cautionary statements regarding the new art, which caused a temporary drop to about 10 television set sales a week, purchases resumed “as rapidly as the public discovered that entertaining television pictures were still on the air”. Dealers estimated during the Radio Today survey that as soon as full-commercial television is available, with CBS joining NBC in regular transmission, they expect to increase present sales five-fold—about 500 sets a week or 25,000 sets a year in the New York area. With the public “unmistakably demanding television”, Dr. Caldwell estimated that extension of service to Boston, Hartford, Philadelphia, Schenectady and Washington, set sales would increase to over 50,000 yearly, representing sales of more than $15,000,000. (Broadcasting, May 15)

In cooperation with Tom Lee, president of the Don Lee Broadcasting System, the Hollywood Roosevelt Hotel inaugurated television programs in its Cinegrill Thursday evening. Programs will be broadcast twice daily. (Hollywood Reporter, May 15)

THURSDAY, May 16, 1940
3:15-5:00—Edison Pageant of Progress Parade, at Orange, N. J.
6:15-7:00—Sunoco News, Lowell Thomas.
8:30—Opening night of film “Edison, the Man,” at the Hollywood Theatre, Orange. N. J.
9:15-9:35—“Crisis in the Pacific,” a March of Time film.

Television Images flashed from Station W2XBS, atop the Empire State Building, were picked up 234 land miles at sea aboard the liner President Roosevelt Wednesday night [16], establishing an American distance record for shore-to-ship television reception, it was announced yesterday by the National Broadcasting Company. Engineers who arrived here yesterday aboard the vessel from Bermuda said the scenes were tuned in for a full hour without fading or distortion, as usually happened in other long distance pick-ups. ‘While it is true images have been received in unusual instances over long distance, the record Wednesday, with respect to clarity, constitutes the greatest distance for good reception,” it was said. (New York Times, May 17)

Elsa Lanchester (Mrs. Charles Laughton) has been set by the Don Lee-Mutual network to appear over station W6XAO, Mutual’s television station, in a dramatic presentation tomorrow night [16] at 8 o’clock. (Hollywood Reporter)

FRIDAY, May 17, 1940
3:30—“Recovery Road,” film.
3:40—“Blind Justice,” film with Eva Moore, Frank Vosper, John Stuart.
6:45-7:00—Sunoco News, Lowell Thomas.
8:45—Esso Television reporter.
9:00-11:00—Wrestling, at the Jamaica Arena.

SATURDAY, May 18, 1940
2:00-5:00—Racing, at Belmont Park—The Withers.
9:00-10:00—Play, “We’ll Take the High Road,” drama by Leslie W. McLeod, with William Podmore, Frances Fuller, Edgar Kent, Maurice Wells.

SUNDAY, May 19, 1940
Television had a prominent part in the “I Am An American” national broadcast May 19. A feature of the all-star show was the skit entitled “We Are Americans,” written by Rupert Hughes and billing Lewis Stone, Hedda Hopper, Marjorie Rambeau, Mickey Rooney, Rosemary Lane and Jane Wyman.
This portion of the program was televised, simultaneously with the radio broadcast, by Thomas S. Lee’s W6XAO, the only television station in the entire eleven states west of Kansas City. (International Photographer, June 1940)


Frequency modulation, a type of radio transmission and reception which eliminates static and gives near—perfect, clarity in voice—tone and music, progressed from the experimental to the commercial stage yesterday [19], through an announcement from the Federal Communications Commission that forty air channels had been made available to an unlimited number of station for use of the new method.
Describing frequency modulation (FM) as “one of the most significant contributions to radio in recent years,” the F. C. C. said in its announcement in Washington that FM would be assigned to forty channels, each 200 kilocycles wide, in the 42-to-50 megacycle band. Thirty-five channels will be for commercial and five for non-commercial, educational stations.
An indirect and immediate result of the F. C. C. announcement is that television station W2XBS, operated by the National Broadcasting Company, will have to shift to a new air channel. Its present channel is included in the wave band assigned yesterday to FM.
During a hearing in Washington last March the N. B. C. and its parent, the Radio Corporation of America, fought assignment or its channel to FM. contending that switching to another channel would cost $100,000 and put its station off the air for four months. Pending perusal of the F. C. C. announcement, N. B. C. officials withheld comment last night, but Maj. Edwin H. Armstrong, inventor of FM, has agreed to pay the bill. As part of the adjustment making room for FM on the air, the F. C. C. discontinued television service in channels No. 1 and 8. Respectively, these had been used by N. B. C. and the government. The former channel No. 2 will become No. 1 and a new No. 2 will be created, assigned from 50,000 to 66,000 kilocycles. (News Tribune, May 20)


TUESDAY, May 21, 1940
2:30—Test Pattern, Sound Transmission.
3:30-4:30—Film, “Murder at Midnight.”
4:30—Test Pattern, Sound Transmission.
6:45-7:00—News bulletins.
7:00—Test Pattern, Sound Transmission.
9:00-10:00—Variety show: Mrs. Carveth Wells presenting an illustrated lecture on travel in Mexico and Panama; Moore and Revel, dance team; James McCall, impersonator; Marionettes.

WEDNESDAY, May 22, 1940
3:30—“Frozen Frolics,” 1930 Van Beuren film cartoon.
3:40—“Let’s See America,” film; “The Last of the Mohicans,” film serial.
4:04—“American Portrait.”
6:45-7:00—Lowell Thomas, news.
7:00-7:10—Film, “More Power to You.”
9:00—“Jungle Jazz,” an Aesop fable, 1930.
9:08—“Torpedoed,” with Noah Beery.

Daily television programs at Griffith observatory are attracting interest, M. K. Baughman, chief engineer of the observatory, reported yesterday [22].
WPA workers assigned to the observatory installed a television receiving set which is proving an outstanding drawing card so far as the public is concerned in connection with This Work Pays Your Community week, being observed by sponsors of WPA white collar projects. (Los Angeles Daily News, May 23)


THURSDAY, May 23, 1940
3:30—“Long Road,” film short.
3:38—“Law and Lead,” Western film with Rex Bell.
6:45-7:00—Lowell Thomas, news.
9:00-10:00—Sketch, “The Old Book Shop,” with Simpson Boys [Arthur Allen and Parker Fennelly]; Joan Hardy’s French lesson; Michael Bartlett, songs; Your American Army—Captain Edwin Glavin.

Television Review
Reviewed Thursday, 9-10:10 p.m. Style—Variety. Reviewed on RCA Television Receiver. Station—W2XBS, New York.
NBC has presented much better television programs than this one. Thursday’s session, however, indicated forcefully and concretely to what extent the medium might be used for propaganda and educational purposes.
Specific instances were a talk by Capt. Edwin Glavin, titled Your American Army, and a lesson in French conducted by Joan Hardy.
Glavin used maps and posters to illustrate his spiel, and then had various army officers conduct an interview with a man who, for program purposes, was trying to join the army. Propaganda value was nothing short of terrific.
Suffice to say, this particular item ended with the American flag waving on the tele screen and appropriate patriotic music on the sound track.
Miss Hardy’s French lesson was conducted with Ray Forrest, tele announcer, as the pupil. Scene was the Stork Club, where Miss Hardy showed Forrest how to order a French meal. She described the dishes on the menu, had Forrest practice pronunciation, etc. It was of undeniable interest and indicates an educational medium of vast possibilities.
Program opened with a hayseed serial drama, of passing interest, and included some three or four operatic numbers, spotted at different intervals and very well sung by Vivian Della Chiesa. Garcia-Overlin fight concluded.
Definition and camera good this session. Ackerman. (Billboard, June 8)


HOLLYWOOD—The Lehman Trio, children’s ensemble on the air here many times last winter and who made many appearances before civic clubs, returned to Amarillo last night [23] from Hollywood where they recently completed a television picture.
They were the first child entertainers signed for television performance and made a two-hour picture at which Don Wilson, announcer of the Jack Benny program, officiated as master of ceremonies.
The performance was broadcast for television by state [station] W6XAO.
The group will be in Amarillo for several weeks. (Amarillo Globe, May 24)


FRIDAY, May 24, 1940
3:30—“Toy Town Tale,” film cartoon.
3:40—“A Fire Has Been Arranged,” comedy film.
6:45-7:00—News, Clem McCarthy.
8:45-9:00—Esso Television reporter.
9:00-11:00—Wrestling, at the Jamaica Arena.

SATURDAY, May 25, 1940
2:00-5:00—Racing, at Belmont Park—The Metropolitan Handicap.
9:00-10:00—Drama, “The Barker,” by Kenyon Nicholson, with Len Doyle, John Craven, Ann Thomas and Judy Parish.

MONDAY, May 27, 1940 Washington, D. C., May 27.—The Federal Communications commission tonight announced that commercialization of television will not be permitted so long as the industry is in disagreement over transmission standards. By making the announcement the FCC stood by its controversial decision halting commercialization of television, but attempted to place the responsibility for its action on the industry itself.
At the same time, the commission moved to create a loophole by which it can escape from its position against the development of television. It announced that it is prepared to approve full commercialization of the invention as soon as the industry is prepared to approve any one of the present competing television systems.
Promises More Licenses.
To this end, the commission said, it stands ready to license applicants to carry on further comparative experiments on the different systems. It added that cities under consideration for allotment of these licenses. In addition to New York, include Chicago, San Francisco, Los Angeles, Washington, Albany, Cincinnati, and Boston.
The commission stand on commercialization of television came about as follows: It issued an order permitting limited commercialization of television beginning next Sept. 1. Then, last April, it suspended this order because it did not approve of the methods by which television sets were being offered for sale by the Radio Corporation of America.
The FCC said it feared the buyers of the first sets offered would lose their money because the newer sets would make their sets obsolete. This assertion brought a storm of criticism. It was charged that the FCC was standing in the way of progress and inventive genius.
Holds Others Don’t Back RCA.
In defense of the latter order, the commission said today:
“In the television field a major portion of the industry takes the view that successful promotional activities at this time can act only as an anchor on experimental efforts to go forward.
“Premature crystalization of standards removes the incentive for technical research toward higher 1evels of efficiency.
“It is obvious that the industry as a whole does not share the RCA view of forging ahead regardless of the untested possibility of improvements on the horizon. It further appears that the industry was not prepared to accept Sarnoff’s [David Sarnoff, president of RCA] promise of ‘We 1ive on obsolescence’ as a basis for justifying a heavy public investment at current of efficiency. (Chicago Tribune)


Leonia Players Guild, with its recent mystery farce, “One Mad Night,” will feature in the first experimental television comedy drama presented by Philco’s Philadelphia studios. June 15 is the tentative date set for the production which will hive the entire original cast which played in Leonia recently at the High School.
George H. H. Lamb of Leonia, who directed the show locally, was invited by the Philadelphia studios to strike his production there for the experiment. Recently while in Philadelphia, Lamb was on television himself with a comedy monologue, the first of its kind the studíos had broadcast.
It was because of this contact that the Leonia group of players was invited. (Bergen Evening Record, May 27)


ASCAP yesterday [27] issued its first television license in the country to the Brown Derby in Hollywood, the only restaurant in town with receiving equipment.
While the Society’s jurisdiction over broadcast music has been included to cover television for some time past, this is the first instance where it has invoked its right, and will probably become the forerunner of a national move to cover television spots. (Hollywood Reporter)


TUESDAY, May 28, 1940
3:30—“Oom Pah Pah,” an Aesop Fable cartoon, 1930.
3:40—“Let’s See America,” film travelogue.
3:48—“The Toppers,” film musical.
4:00—“The Last of the Mohicans,” episode V.
4:20—“School of Another Chance,” film.
6:45-7:00—News Bulletins.
9:00-10:00-—Variety: Arthur Upham Pope on “6,000 Years of Persian Art”; Russell Swann, magician, on the exercycle, and Earle B. Perkins on “Marine Invertebrates,” with film. Also Centenary Junior College Players in “Overtones,” a dramatic sketch; Russian folk songs, Indian dances.

Television Review
Reviewed Tuesday, 9-10:10 p.m. Style—Variety. Reviewed on RCA Television Receiver. Station—W2XBS (New York).
Studio television program Tuesday was one the National Broadcasting Co.’s better efforts and of particular interest from an educational viewpoint. There were four educational Items. There were Dancing Drums, a presentation of North American Indian dances and music: an exhibition of Persian art, with comment by Arthur Upham Pope; a lecture on pictorial journalism by the art editor of Life, and a talk on marine invertebrates by Earl B. Perkins, of Rutgers University.
Best of the lot was Perkins’ period, with the art presentation a close second. Perkins had some excellent film shots to illustrate his spiel on marine life, and the tele screen showed these films with terrific detail. Pope’s lecture on Persian and Iranian art was illustrated by a batch of artistic objects he had collected.
The Indians gave a hoky touch to the program, appearing amid plenty of feathers, stomping, drum beating and yelling. Troupe was presented by Roland Killingsworth, who commented on each performance.
Talk on pictorial journalism was illustrated by both photos and drawings, with comment on problems arising in connection with war coverage. Solid stuff.
Remainder of the program was in a more orthodox show-business vein. Rasha and Milko, who sing Russian songs while strumming guitars, are known to New York cabaret patrons. They are good performers and appeared to advantage. Closer was a dramatic piece done by students of Centenary Junior College, of Hackettstown, N. J. Cast in this, a fair amateur effort, included Betty Cooper, Louise Monos, Louise Bowne and Helen Stein.
Ray Forrest announced. Ackerman. (Billboard, June 8)


WEDNESDAY, May 29, 1940
3:30—“Roving America’s North Cape,” film travelogue.
4:00—“Jerry Pulls the String,” puppet film.
6:45-7:00—News, Lowell Thomas.
9:00-10:15—Film, “Street Scene,” with Sylvia Sidney and William Collier, Jr.

An all-Negro television show was exhibited over the Don Lee Television station last night, W6XAO.
The public was invited to be present at the novel program “shooting.” (Hollywood Reporter, May 30)


THURSDAY, May 30, 1940
2:00-5:00—Racing, at Belmont Park—Suburban Handicap.
6:45-7:00—News—Lowell Thomas.
9:00-10:00—Drama, “The Rescuing Angel,” by Clare Kummer, with Sally O’Neill, Eric Dressler and Robert Allen.

FRIDAY, May 31, 1940
3:30—“Summertime,” an Aesop fable.
3:38—“Men of the Plains,” with Rex Bell.
6:45-7:00—News, Lowell Thomas.
8:45—Esso Television Reporter.
9:00-11:00-—Wrestling, at Jamaica Arena.