Showing posts with label W3XPF. Show all posts
Showing posts with label W3XPF. Show all posts

Saturday, 7 June 2025

July 1937

NBC in Washington, D.C. opened a new building in June 1937, and studio space was reserved for television. The station didn’t actually get on the air until 1947, though the network had applied for a license before World War Two.

It shows that companies were preparing for TV broadcasts at the time. There was still plenty of speculation (and there would be for several more years) when television would “arrive.” No less a person than FDR, in honour of the new Washington studios, mused it would be sooner than later, and people would even read news on video while eating breakfast. That was a little further off.

Below are stories for July 1937. There’s another roundup of a broadcast from NBC’s station in New York, W2XBS, viewed thanks to a home-built set. Getting the necessary picture tube would normally be impossible, except the constructor had been an engineer at Du Mont, which was developing a television set. The broadcast was dominated by newsreel film, as well as a cartoon from the defunct Van Beuren studio; Van Beuren cartoons would appear often on TV across the U.S. until the explosion of stations in 1948.

There’s also a little news about W6XAO in Los Angeles and some experimental stations in the Midwest.

SATURDAY, JULY 3, 1937
Television’s Status in Connection With Movie Production Scrutinized
By ELIZABETH YEAMAN
[Three paragraphs on Hayes Office investigating television and a recommendation by the son of the FCC chairman for the film industry to acquire control of a radio network, then pool TV rights].
Few people realize that there are local television broadcasts twice a day. One hour of televised programs is broadcast during the day, and another series of programs is sent out over the ether every night between 6:30 and 7:30 [on W6XAO]. There are several hundred television enthusiasts in this locality, who have made their own receiving sets and tune in on these experimental television programs.
* * *
Life Work Cut Out
The man responsible for these television programs is Harry R. Lubcke, who graduated from the University of California in 1929 and ever since has been working on television. For five years he has been employed by the Don Lee Mutual Broadcasting System. Other major radio networks conduct experimental broadcasts of television in the East. The Federal Communications Commission forbids anyone to obtain revenue from television as yet, and you can be certain that these experimental broadcasts cost hundreds of thousands of dollars annually. However, there seems to be little doubt that the big radio networks which are spending so much money in television experimentation will be preferred petitioners when the commercial licenses are eventually issued.
Lubcke is of the opinion that when television is a commercial product, at least 60 per cent of the programs sent out will be motion pictures. Performances of living actors may be alternated with those of motion pictures, to avoid the delay caused by changing of sets in a series of living programs.
There is little argument against the prediction that when the general public is able to see and hear entertainment in the home, that all commercial public entertainment will suffer for a time. The novelty of the new invention will develop a rabid audience at first, and the fact that it may be free entertainment, paid for by advertising sponsors as on the radio, is another big selling point. in the early stages, television is bound to be menacing competition for motion picture theaters.
However, Lubcke points out that the film studios may capitalize on the new invention if they wish, by producing motion pictures for the television programs. What the film theaters and film distributors would have to say about such a move in the studios is another matter.
* * *
Tips for Film Players
From his work with daily experimental broadcasts, Lubcke has formulated a list of motion picture requirements for television. Brunettes are the beet physical types, and prominent features and normal complexion also televise with the greatest clarity. Hair may be blonde if it stands out in contrast to the background and the rest of the face. The success of the television subject is dependent upon proper contrast of all the features.
Clear pictorial photography is absolutely necessary. Great masses of dark shadow or ultra artiness in photography do not reproduce well in television. The detail of a scene must be carried in intermediate tones or half tones. Checkerboard contrast in the photographic composition of a scene is essential. That means dark and light objects must he interspersed throughout the area of the picture. The over-all contrast range must be limited. Extremes of black and white, more accurately described as extremes of light intensity, must be limited. The laboratory must supply prints of medium density. Black frame lines must be present in motion picture films. These are absent in some newsreel cameras. Lap dissolves or quick fades are preferable for scene changes. Slow fades give the momentary impression that the receiving set is out of order. The television scene, during a fadeout, remains grey instead of going black as on the movie screen.
Of the motion picture subjects televised by Lubcke, Loretta Young and Claudette Colbert have been the best. Herbert Marshall has the best face among the men.
Lubcke believes that most television programs will be confined to a 15-minute period. Serial programs, like Amos and Andy, probably will be popular, and that opens a great range for motion picture serials. Short film comedies can be made successfully for the 15-minute period, but few dramas can be successfully condensed to that time limit. So perhaps they will be presented as serials, in 15-minute episodes. Dancers, acrobats, impersonaters [sic], and all the entertainers of vaudeville will be in demand.
When commercial receiving sets for television go on the market next year, they probably will cost around $300. The budget for the film programs will depend upon the amount of money an advertising sponsor wishes to pay, and he will pay in direct ratio to the size of the receiving audience. The larger the audience, the more sets will be sold, and the cheaper the sets will become. (Hollywood Citizen-Reporter)


SUNDAY, JULY 4, 1937
Television Is in the Air—And Norman Van Heuvel Sees It
Local Experimenter Picks Up N. Y. Signal
Newsreels, Cartoon Movies and Other Entertainment Flashes From Empire State Bldg. in N. Y. to This City; Uses DuMont Cathode Ray Tube
By WILL BALTIN
"TELECASTER"
Norman Van Heuvel sat before his experimental television set at his home in Colonial Gardens last Tuesday night [June 29] and fingered several dials on a complex-looking instrument that was spread out across an improvised workshop bench erected in the sun-parlor of his dwelling.
As he did so he peered at the base of an odd-shaped tube that resembled more an old-fashioned type wine bottle. A rectangular-shaped light about three inches in dimension blazed brightly on the tube's base.
Suddenly the light flickered momentarily.
"Here it comes now!" Mr. Van Heuvel said enthusiastically to a group of young men who surrounded him. And in an instant, like a miniature motion picture, appeared the lettering "PATHE NEWS" on the three-inch screen.
And another experimental television program came whizzing through the air from the Empire State Building in New York City.
Amazing ... incredible ... a challenge to the imagination—the television program was, even in a somewhat crude form, the most thrilling experience ever encountered by the writer, who was among the few invited friends present to witness what Mr. Van Heuvel termed, his “first public demonstration.”
The phonograph in its day was considered an exceptional feat of man-made-magic. The telephone, too, made people gape with amazement. The incandescent lamp revolutionized modern ways of living. And the radio was considered about the most amazing invention ever conceived by human mind.
The Biggest Wonder
All of these seem infinitesimal when placed beside the magic of television. Imagine watching a complete show being staged in the metropolis 40 miles away, while you sit in your own home. Or imagine watching the news of the day un-reeling before your eyes as it occurs, or did occur a few hours before, while you lounge in the comfort of your living room.
The few invited guests at the Van Heuvel home had a “preview” of what the future holds when they witnessed the 30-minute television show that the Radio Corporation of America experimenters staged for the benefit of a handful of experimental owners in the metropolitan district last week.
Although the screen on the local set is tiny compared with those developed at RCA and being used on their experimental sets, the observers here thoroughly enjoyed the "show."
Pathe News was first and as the reel came through the ether, events of the day were revealed. Jim Braddock appeared on the small screen to tell his side of the recent boxing battle and Joe Louis was also there with a few words. The ballet dancers of the Radio City Music Hall were shown as they departed for Europe. The Princeton Invitation Track Meet moved across the television screen.
See Irwin's Face
And then the face of Robert Irwin, confessed slayer of Ronnie Gedeon, her mother and family boarder, was shown. Other news shots appeared under the title of Pathe "News Flashes" before the reel ended. A Van Buren cartoon comedy was next to be shown and here the little drawn objects cavorted on the screen much as you see them in the movies.
With the short program over, the observers agreed that television, technically, is a fact, and that as far as they were concerned they were eagerly awaiting the sale of sets—which manufacturers insist must still be held in abeyance [sic] until “the time is ripe”. Which means exactly nothing!
Mr. Van Heuvel spent several months building the set and now that he has gained the knowledge of how a television machine operates, he will rip apart the present equipment and rebuild it with a much larger screen for public showings.
Construction of the set was difficult enough to discourage a less industrious individual than Mr. Van Heuvel. Set designs were rare and are, in fact, still hard to find, due to the stubborn efforts by leading experimenters to guard any new developments from the amateur.
Actual work began late last fall and by this spring, the experimental set, which will become the property of The Daily Home News and The Sunday Times when it is completed, was ready for operation. Repeated efforts to pick up the sight signal failed, although the sound portion of the television were received regularly.
Not Discouraged
Hardly discouraged, "Van" as Mr. Van Heuvel is known in radio circles, continued his experiments. He found that a broad tuning amplifier was essential to bring in the signal, with distance from the station a determining factor on how broad the amplifier had to be. Constant experimenting brought about the necessary amplification, and it was with considerable gratification that "Van" witnessed his first home television show about a month ago.
Quite bulky in appearance now, the set which Van Heuvel is to re-build will be made compact and will give the appearance of a regular floor model radio. At present employing the 3-inch Du Mont cathode ray tube, Mr. Van Heuvel intends to use the 5 or perhaps 7-inch Du Mont tube in his larger set.
Unquestionably the most important part of the television receiving equipment is the cathode ray tube through which the televised electrical impulses charge and are reflected into a complete picture on the base of the tube. These tubes range in size from one-inch to 12-inches and require delicate manufacture.
Up-and-Coming Leader
One of the leading cathode ray tube manufacturers in the country land certainly one that will someday take the front rank in the television industry is Allen B. Du Mont, a young engineer, who conducts his laboratories in Upper Montclair.
Mr. Du Mont's knowledge of the tube manufacturing was gained through years of study and experiment at the De Forest Manufacturing Laboratories in Passaic, where he was chief enginner [sic]. It was at the De Forest labs that Du Mont had a first glimpse at television equipment and sensed then that the future in this field was one that sparkled with opportunity.
Television in 1928 was operated on the Jenkins scanning disc principle, and the De Forest firm was the first to obtain a broadcast license for the operation of an experimental station. Its call letters were W2XCD. Scanning disc television was doomed for failure, it was learned after these experiments, but television itself was due to progress into a realm of even greater possibility with the discovery of the cathode ray tube.
Western Electric was first to make these tubes and in this field, Du Mont decided to cast his lot. He started his own cathode ray laboratory in the basement of his home, and experimented with equipment purchased for a few hundred dollars. He perfected a tube all his own, had it patented, and immediately set about to manufacture them.
Laboratory Grows
The laboratory outgrew the basement and a double garage in the back of his home was utilized for the manufacturing. Business thrived as television interest grew. A market arose in England and other European countries where television is today already public property.
The "backyard" shop finally proved entirely inadequate and the energetic and determined-to-make-good Mr. Du Mont rented what appeared to be a spacious shop not far from his home in Upper Montclair. A staff of engineers were employed to make the tubes to meet the increasing order list. A shop next door to the one originally rented had to be taken over to meet the business demands, then another store, and recently a fourth store was taken over on the same block to extend operations.
Increased use of the oscillograph for which most of the cathode ray tubes now made are used, resulted in the thriving business. Mr. Du Mont told this writer the other day that business has tripled every year for seven consecutive years, with every indication of even greater future success.
At present 40 men are working for the young man, who, less than 40 years old, is a leader in American television operations. His chief assistant is Thomas Goldsmith Jr., who is director of research for the Du Mont Laboratories, Inc. "Doc" Goldsmith is a graduate of Cornell University and has been experimenting primarily with television cathode ray tubes. Allen and "Doc" are a “perfect team” in the laboratory.
"As far as the pictures I have seen," Mr. DuMont, "there is no question but that television is here." He pointed out that technical advancement has been rapid luring the past few years, and the pictures televised are "in some cases better than home movies." He estimates that Great Britain is making its mark in television already and that 50.000 television sets were told there during the past year.
Mr. Du Mont holds 25 patents on cathode ray and other television developments. His name is linked among the front rank television authorities in the country today. (Home News, New Brunswick, N.J.)


TUESDAY, JULY 6, 1937
Television Option Denied
Application filed by General Foods Corp. with NBC requesting option on the first commercial television broadcast has been turned down by the network. Web has had similar requests of this nature in the past. Whole episode was more in the nature of a publicity stunt to draw attention to General Foods' new Maxwell House "Show Boat" program. Ralph Starr Butler, vice-president in charge of advertising for General Foods, made the request to NBC through Roy C. Witmer, network's vice-president in charge of sales. (Radio Daily)


WEDNESDAY, JULY 7, 1937
Philadelphia Companies Vie For Honor of Being First Under the Wire With Television
PHILADELPHIA, July 7—The cradle of American television!
That is the title Philadelphia is getting ready to claim when mass production of sight-and-sound radio sets starts soon in this country.
Grounds for the pretensions of the civic boosters and manufacturers lie in the fact that three of the leading television research laboratories are situated in the Philadelphia area. They are those of the Farnsworth Television, Inc., the Philco Radio and Television Corporation, and the RCA-Victor Company.
Each of the three concerns thus far has spent tens of thousands of dollars on preliminary work essential to the development of a practical radio-vision receiver.
They are now preparing to make even more lavish financial outlays in the hope of being first under the wire with a popular priced and efficient product of America's number one infant industry. The cost to the producer before this new receiver is put on sale to the public will run into the millions.
As a natural consequence of such high finance an intense rivalry exists between the king-pins of television today. Production plans and research problems are jealously guarded. Control of patent rights is a vital factor in the competition. Already two of the principals hare locked horns in a court action.
Although recent demonstrations of television receivers here have shown pictures as clear as home movies if viewed 10 feet from the vision screen, company officials say they aren't good enough for the American public and possibly won't be for another year.
Meanwhile, however, the British Broadcasting Corporation has come out with a sound-sight receiver that goes into the home for a down payment of a small deposit and weekly payments of $5. Costing approximately $408 this de luxe machine has a capacity for long, medium and short-wave reception. A simpler model sells for $360.
In the research laboratories of the Farnsworth and Philco plants and the Radio Corporation of America across the river in Camden, N. J., engineers and experts in the fields of physics and chemistry are hard at work setting the stage for the television industry's debut in the United States.
Many knotty problems must be solved be-fore the new invention becomes an everyday factor. The development of larger and brighter pictures, discovery of a transmission system that will give nation-wide coverage, and the origination of entertainment programs are only a few of the difficulties to be hurdled.
Plans of the experts for the months ahead call for field tests in the Philadelphia area that will send the faces of people and scenes flashing through the air over rooftops and through the walls of homes. The man in the street and the family around the dinner table as yet cannot see these fast traveling images being shot through the ether, but they are slowly observed for imperfections or improvements by the pioneers engaged in the creation of this most amazing product of man's ingenuity. (Springfield, Mass Republican)


FRIDAY, JULY 9, 1937
Television Type
Philadelphia — Carol Weymann, former KYW songbird now heard with NBC, has been selected as a "perfect television subject" by the Farnsworth Television Corp. Miss Weymann is 23 years old, light-complexioned and has clear-cut features. She comes here from New York each week to participate in Farnsworth's experimental television transmissions [W3XPF]. (Radio Daily)


Television Antenna Set Up
Kansas City — Kenneth Alexander, chief of the engineering staff of First National Television, Inc., and Les Hotsenpiller, research engineer, have completed the erection of a 10 1/2-foot half wave vertical antenna between the towers of the Fidelity building for ultra-high wave television broadcasts. They also have constructed a 300 watt transmitter with which they are making daily experimental broadcasts, testing the efficiency of different numbers of lines. Television broadcasts of W9XBY are also broadcast by First National Television's radio station, KXBY, in the Fidelity Building. [The company used W9XAL for television] (Radio Daily)


TUESDAY, JULY 13, 1937
20 SCHOOL OF AIR FINALISTS RETURN; TIRED BUT HAPPY
Young Georgians Home After Visiting New York, Washington
Travel worn but jubilant, twenty state finalists in The Atlanta Journal School of the Air returned here late Tuesday [13] from a tour of Washington and New York.
Led by Director Louis T. Rigdon, Mrs. Rigdon and Elsie Galkin Smerling, School of the Air officials, the party was met by a welcoming committee at the Terminal Station which included John Paschall, associate editor and managing editor of The Journal, and Lambdin Kay, general manager of The Journal's radio station, WSB.
Youthful members of the party were elated over their royal reception in the national capital and in New York. In the latter place they made a complete tour of Radio City and shortly before their departure were given a preview of television.
Major Lenox R. Lohr, president of the National Broadcasting Company, in receiving the Georgia delegation of winners in his Radio City office in New York, told the group that "The Journal School of the Air is expected to furnish its share of talent for television.”
Prior to being greeted by Major Lohr a special television demonstration for the students was arranged by R. M. Brophey, manager of the stations relations department and the NBC engineering staff, and was transmitted from the Empire State Building to their reception room in Radio City.
The NBC executive in talking with the twenty winners, paid a special tribute to Mr. Kay and John A. Brice, general manager of The Journal, in making it possible for Georgia school boys and girls to have the opportunity of participating in the annual auditions. (Atlanta Journal, July 14)


THURSDAY, JULY 15, 1937
No Television Sets in 1937
By C. E. BUTTERFIELD
Associated Press Radio Editor
NEW YORK, July 15.—The question as to when this country is to have television sets on the market still lacks an answer.
Authorities say simply: "We do not know." But they will amplify this comment a little with "We do not know anyone who does know.”
They are certain, though, such a development will not take place this year.
One authority quoted is David Sarnoff, president of the Radio Corporation of America, a leader in television research.
Here's what he has to say: "Will there be television commercially at any time during the balance of this year? The answer is 'No' as far as RCA is concerned, and I know of no other plans anywhere else to put television on the market during the present year.
"Then, when will there be commercial television receivers on the market? The answer is ‘I don't know,’ and ‘I do not know anyone who does know’."
Not Being Held Back
Such comment, he went on, is "not due in the slightest degree to any policy or program on the part of RCA, or, so far as I know, of anyone else in this country to hold television back or to pull it like a rabbit out of the hat on some unsuspected day. The reasons are due solely to the fact that many problems yet remain to be solved in this complicated new field of transmission."
In adding that he was a firm believer in television, he said he thought "that television can no more be stopped by anybody's desire to stop it than can the waves of the Atlantic Ocean be stopped" for "I think there is a great need for television."
He touched, too, on another item important to the future television audience, the cost of the receiver.
"I think that even today a receiver could be built and sold perhaps at prices in the neighborhood of $400 or so—of course I am only guessing at this figure."
Meanwhile, apparently in keeping with these statements, plans have been announced for probably the first public television tests in this country to be conducted from a special radio-television building at the New York World's Fair two year hence.


SATURDAY, JULY 17, 1937
Television Near, But Who's to Pay Leaves Biggest Question Up in Air
Washington, July 17.—(AP)—The national resources committee said today the most significant trend in communication developments was the "relative imminence of television." The committee reported to President Roosevelt that the basic engineering work of television development already had been accomplished and the next major problem was to find a method of presenting television broadcasting at a reasonable cost.
Technical Problem to Be Solved.
The study of television, prepared by the engineering department of the Federal Communications Commission, conceded that many technical problems remained to be solved, but pointed out that since 1929 visual broadcasting had reached such perfection as a scientific tool that it is possible "to transmit over a local area of 10 to 20 miles radius fairly good pictures having the clarity and details of the average home moving picture."
"The next corner to be turned, however, is an economic rather than an engineering one," the report said, "and it can be briefly stated in one short question—'Who is to pay for television?' Will the public accept a television service ''based upon a continuance of the present system of a commercial aural broadcasting and its extension into television? Will a 'looker-in' be willing to sit in a darkened living room at home intently peering into the screen of his television receiver?"
Point to Social Influence.
In trying to measure the social influence of television when it reaches the commonplace stage of present day radio receivers, the committee said it is likely that the main impact of television will be to intensify the social effects which broadcasting is already producing." In discussing the future use of visual broadcasting, the committee said "it seems reasonable to expect that the most popular type of entertainment by television will be the drama."
"The drama," the report stated, "may grow in importance at the expense of music, which, not requiring the sense of vision, has occupied such a large share of aural broadcasting time. The motion pictures, rather than the legitimate stage, doubtless will provide the dramatic patterns, since the televisioned drama need not be limited to the walls of a single indoor stage.
"The competition of the home theater with the moving picture theater may lead to important economic readjustments, rapidly or gradually, depending on the enlargeability of television screens, the abundance of televisors in homes, and on the controlling of patents and programs."
Look for Strict Censorship.
The committee also pointed out that the advent of the home theater with television would bring on a censorship more drastic than in present radio broadcasting since fewer broadcasting bands would be available for television.
The committee also pointed out that political speakers would be both seen and heard, and said facsimile transmission, akin to television, would open the way for radio delivery of newspapers by metropolitan and chain newspapers.
The report said color television was already a laboratory accomplishment and that developments had already started in three dimensional sight and sound, adding that it was not too much to expect fragrant odors of nature eventually would be transmitted by radio.


THURSDAY, JULY 23, 1937
Roosevelt Congratulates NBC Upon New Studios
WASHINGTON, July 22.—(AP)—President Roosevelt declared tonight that it is not within the province of the reactionaries to put obstacles in the way of orderly development.
He made the statement in a letter congratulating the National Broadcasting Company upon the opening of new studios in Washington.
“The watchword of silence must he progress," he said. "It is not within the province of reactionaries to put obstacles in the way of orderly development nor to mark boundaries beyond which radio may not go.
Television Expected
"I believe that sooner than many of us realize television will be established in homes throughout the country. Indeed it may not be long before radio will make it possible for us to visualize at the breakfast table the front pages of daily newspapers or news reports, no matter how remote we may be from the place of their publication and distribution."
Wheeler Speaks
Senator Wheeler, Democrat of Montana, a leader of the forces which brought about the shelving of the president's court reorganization bill, spoke at the opening of the new studios. He said radio, by providing a medium for the discussion of national issues by the leaders on both sides, has contributed to the efficiency of democratic government.
"It can continue to perform this duty only if free and uncensored use of radio facilities is maintained," Wheeler declared.
Postmaster General Farley also spoke, asserting radio has brought about a keener interest in public affairs than ever before.


MONDAY, JULY 26, 1937
Iowa University Buys Equipment For Television
IOWA CITY, Ia., July 26.—(Special)—Prof. E. B. Kurtz, head of the electrical engineering department, today announced the purchase of new television equipment with which to launch a new experimental program for the coming year. The new equipment will make the television pictures [on W9XUI?] about 10 times as clear as that formerly used here, and will also transmit the pictures once again as fast. Iowa is one of the few colleges in the country taking part in television experimentation [on W9XK]. (Daily Times, Davenport, Iowa)


Television Patents Agreement Reached
PHILADELPHIA, July 26.—(AP). Announcement was made Monday that a licensing agreement has been entered into between Farnsworth Television, Incorporated, and the American Telephone and Telegraph Company whereby each grants extensive rights under its patents to the other.
Donald K. Lippincott, of San Francisco, representing the Farnsworth interests, said "this clears the path for co-operation between the Bell System, Farnsworth and certain Farnsworth licensees, helps to clarify a difficult patent situation and brings one step nearer the broad use of television and other advances in communications."
The agreement was signed in New York last week by C. P. Cooper, vice president of the American Telephone and Telegraph Company, and Philo T. Farnsworth.

Saturday, 26 April 2025

January 1937

The picture quality of television began improving at the start of 1937 as NBC continued occasional tests of W2XBS in New York. But TV still wasn’t for the home viewer. RCA distributed sets to engineers to pass a verdict of the quality of transmissions.

NBC had assigned an announcer/hostess for its broadcasts and she outlined the difficulties in getting one on and off the air in a feature story that first appeared in newspapers in January that year.

Also that month, W6XAO in Hollywood began simulcasting with KHJ radio for 15 minutes every Saturday night. Unfortunately, local newspapers didn’t reveal what specific programming was offered. And on January 11, 1937, KMTR radio aired a half hour “television exhibit.” There’s nothing to suggest what the show was, but as the station didn’t have a TV outlet, it was likely audio only.

In Philadelphia, Philo T. Farnsworth continued inventing, and announced tests of W3XPF’s new transmitter were on the horizon.

As for CBS, one of its board directors (related to Bill Paley by marriage) predicted television wouldn’t be feasible for a long time. Evidently, he didn’t know the company was about to reactivate its TV operations and barely got on the air in time for the start of commercial television on July 1, 1941.

Below are some newspaper stories about the industry from the first month of 1937. We’ve skipped a lot of speculation and long situational articles.

WEDNESDAY, JANUARY 6, 1937
FARRIER MERGING NBC'S TELEVISION
THE POST of "television coordinator" has been created by NBC with the appointment of C. W. Farrier, an executive of the Tennessee Valley Authority, to NBC effective Jan. 18. NBC President Lenox R. Lohr asserted Jan. 6 that Mr. Farrier, a well-known engineer, would coordinate various television activities within the organization. He probably will be assigned for brief periods to various departments, such as programming, engineering, sales and operations to become accustomed to the manner in which they function, with the objective of eventually applying this type of operation to television.
NBC, Mr. Lohr declared, is not shooting at any particular dead-line with respect to introduction of practical television. However, he pointed out, the development now going forward should be recorded and coordinated. Mr. Farrier will be responsible for this coordination effort in all departments.
Practical television tests are being conducted by NBC and its parent organization RCA, with a television transmitter atop the Empire State Bldg. It is understood that. 441-line scanning is being experimented with and that the results have been encouraging. "Looking-in" centers are contemplated in the New York area. At present a number of sets have been placed in the homes of engineers and other NBC and RCA employes for experimental reception of the Empire State transmissions. (Broadcasting, Jan. 15)


FARNSWORTH PLANS FIELD EXPERIMENTS
FARNSWORTH Television Inc., 127 E. Mermaid Lane, Philadelphia, will begin field tests of its experimental television transmitting station on or before Feb. 1, according to a statement by A. H. Brolly, chief engineer [made Jan. 6, according to the Associated Press]. The company recently was authorized by the FCC to operate a 1,000-watt transmitter in the high-frequency bands between 42,000 and 56,000 kc. and 60,000 and 86,000 kc. under the call letters W3XPF.
With RCA's transmitters at Camden and atop the Empire State Bldg. in New York and Philco's transmitter atop its Philadelphia plant already in operation for secret field tests, the Farnsworth tests will likewise be designed to show its engineers what field results can be obtained with its system. It is understood it will broadcast 441-line images, whereas both RCA and Philco heretofore have used 343 lines and are now rebuilding to 441.
Mr. Brolly explained that Farnsworth Television Inc. is not a manufacturing organization and that the beginning of its field tests "does not necessarily indicate the immediate production of receivers for popular use." The company has granted licenses under its patents to various firms in this country, England and Germany, and, according to Mr. Brolly, anticipates that when television is commercialized its development will be widely used by manufacturers. (Broadcasting, Jan. 15)


SATURDAY, JANUARY 9, 1937
Radio Movies Are Becoming More Practicable
By C. E. BUTTERFIELD
NEW YORK, Jan. 9.—(AP)—This, the new year, may not take television entirely out of its laboratory status, but it is expected to do a lot in pointing the way.
In other words, engineers at work on the task of making radio movies practicable are of the opinion that by the end of the summer they should be in a position to give a pretty clear indication of the prospects.
They feel they will be well along with a big share of the technical problems, although program production puzzles, and financial questions such as paying the way of television no doubt will be present for some time to come.
♦ ♦ ♦
For the most part, however, 1937, as far as can be determined right now, is to be another twelve-month of continued field test experimentation and demonstration, on something of a more advanced scale than in 1936.
The experiments under way in New York are predicated on that thesis. One of the present jobs is a change over of the transmitter and experimental receivers to accommodate greater detail in the images that is provided by 441 lines. This is the generally recommended standard and is quite a boost over the previous 343 lines.
When the task is completed, field test experiments will be resumed for further exploration of reception and other conditions.
♦ ♦ ♦
ANOTHER IMMEDIATE PROBLEM has to do with receivers. It deals with enlargement of the picture from its approximate five by seven-inch dimensions to one probably twice as large or larger. There are two present means of doing this. One is a larger receiving tube having a viewing-end diameter of fifteen inches.
The other, peculiarly enough, is by making the tube much smaller but with an intensely brilliant image. Enlargement is then possible by projection on an external screen through a suitable lens system.
While both have been partly worked out in the laboratory, neither has gotten as far as the field test receivers.
Also, the receiver itself is undergoing simplification, including both tube elimination and circuit consolidation. The present sets are crowded with from thirty-three to thirty-six tubes and other equipment almost without end. Outside of the activity behind the scenes, any further public attention toward television in this country probably will be held in abeyance until the 441-line images are ready for the next expected demonstration. That will be in the spring or late spring.
All this activity naturally is forwarding television toward its ultimate public arrival—still without date or birth.


MONDAY, JANUARY 11, 1937
HOPE OF TELEVISION MINIMIZED BY LEVY
Miami Beach, Fla., Jan. 11. —"We'll all be wearing long grey beards before television is developed to the point where it is feasible for general broadcast use!"
So did one of radio's leading executives dispose here today of the question which has been a major matter of interest to the world of entertainment since the first crude televisor made its appearance. Isaac D. Levy, a director of the Columbia Broadcasting system and chairman of the board of radio station WCAU, Philadelphia, sees little hope that television will become a popular reality in less than ten years. Mr Levy, with Mrs. Levy, is a guest at the Atlantis Hotel.
"England has gone wild over television," he commented, explaining he has recently returned from a tour of Europe, "but I didn't see any demonstration over there that would by any means satisfy the American public, except as a novelty. Right now the British Broadcasting company is televising current events, but since there are only a very few receiving sets in the country, the value of the program is doubtful.
"Such television receivers as are available to the public today cost about $800," the radio executive pointed out, "and broadcasting stations are limited in range to about 25 miles. Thus in order to obtain coverage of the nation, several thousand complete television broadcasting stations would have to be set up, sending the cost of production to an insurmountable level.
"Instead of television, the American public should look to radio for great improvement in audible broadcasts. A general cleansing of the air through elimination of undesirable programs and the development of finer talent among the young singers, musicians and actors of today is needed.
Mr. Levy thinks great strides will be made in future years in the beauty and efficiency of American broadcasting studios.
"Right now, Holland—oddly—has the finest radio studios," he said, "Though the U.S. is not far behind in that respect." (Staunton News-Leader, Jan. 12)


TUESDAY, JANUARY 12, 1937
Television Man faces Charges
Lee De Forest, reputed "father of television," was named in an action on file in Superior Court today charging him and others with falsely representing stock in the De Forest Television Corp., Ltd.
The suit, brought by Walter C. and Louise S. Arensberg, alleges that De Forest, in company with Pearl Braid and Ralph D. Lemert, induced the plaintiffs to purchase stock in the corporation "under false representations."
The Arensbergs seek to recover $10,000—the sum they say they expended and ask that the agreement to purchase be rescinded.
They asserted they had been persuaded to invest in the stock "on alleged representations that the corporation held five basic patents on television and other devices, that the foreign rights to these patents had been sold for $70,000 and that the proceeds from the sale were to be invested in the corporation."
The Arensbergs hold there is no truth in these asserted statements.
De Forest recently filed a petition of voluntary bankruptcy in Federal Court. (Hollywood Citizen-News)


THURSDAY, JANUARY 14, 1937
TELEVISION INVENTION
Former S. S. F. Man Makes New Discovery
Special to The Times
SOUTH SAN FRANCISCO, Jan. 14.—A new invention by Philo Farnsworth, who conducted his early experiments here, was hailed today as one of the outstanding developments in television.
According to announcement from the Farnsworth television laboratory of Philadelphia, Pa., the new invention involves use of an X-ray beam with a television transmission to produce an image of unlimited size on the reception screen.
Previously the small screen, usually eight to ten inches square, on which images were received, had been one of the limitations of television, as this required grouping viewers around a screen for observation purposes.
Use of larger tubes was impossible because of the danger of collapse. The alternative method was use of a projector with expensive enlarging lenses, which made receiving instruments too costly for public use.
Already internationally famous for his development of the cold cathode tube, Farnsworth began experimenting with the problem of a larger image several months ago, and his discoveries are said to open an entirely new field for television projection.
His invention involves use of a tiny, pencil-thin X-ray beam which is scanned by incoming signals within the tube. Because of its peculiar penetrating quality, the X-ray goes through the glass of its prison and projects, cone-shaped, without the use of lenses, on the reception screen. Thus the television images reach the screen vastly magnified.
The invention opens the way for throwing received television images of any size on a reception screen and eliminates the small night-inch screen now in general use. (San Mateo Times)


SUNDAY, JANUARY 17, 1937
Television, whose practicability was demonstrated in interesting form by means of special broadcasts in Radio City for the New York press, probably will not be made available to the general public for from three to five years.
So believes Don E. Gilman, vice president in charge of the Western Division of the National Broadcasting Company, who has just returned from New York where he witnessed the latest development in this new medium.
"Television is so far advanced at present and the images it projects so nearly perfect that most of the foreign broadcasters who witnessed the Radio City demonstrations agreed we were far ahead of the European developments," Gilman said. "The natural question therefore is, 'Why not give television to the public in its present form?' RCA and NBC executives have decided not to do so because every day brings new developments, new changes, new discoveries about television.
"One of the factors in their decision to withhold television until it reaches a stable form is the vast difference between sound broadcasting and sight broadcasting. In the early days of radio it was possible for enthusiasts to build their own crystal sets, inexpensive affairs whose parts could be purchased at a dime store. No matter how much radio improved, those sets could always pick up broadcasts; the principle of transmitting and receiving sound remained the same.
"This is not the case in television. Every new development is a change so complete as to render receiving sets not merely obsolete but useless.
"The 100 loan sets which NBC has distributed in the New York vicinity will be recalled shortly because they will be unable to function as soon the next stage, expected soon, begins. It will include a 441 line image, much more distinct, therefore, than the one seen through a televisor at present."
Television receiving sets, Gilman explained, cost from $200 to $1,000 at present, and RCA and NBC heads believe it would be a short-sighted policy to permit such sets to be built and sold to the public, knowing that within six months they would be worthless to the purchasers.
"There will be no amateur sets built," Gilman pointed out. "Television sets are so difficult to make that an experienced radio engineer, given blue-prints, could not possibly make one without assistance from someone who had actually been engaged in such work. A television transmitter costs a quarter of a million to build—so there will be no television ‘hams’ operating their own amateur stations."
Another problem to be solved before television can become general property is that of network broadcasts, Gilman said. NBC engineers now are engaged in experiments to decide whether a system of relay transmitters, each costing a small fortune, would be better than a cross-continent network of coaxial cable, the only kind which can carry pictures transformed into electrical impulses. The cable costs $5,000 a mile at present.
"And any day,” concluded the head of NBCs Western Division, "some entirely new principle may be discovered which will revolutionize the entire process. That is why my guess is that three to five years will intervene before we have television broadcasts for the public. (Honolulu Advertiser)


TUESDAY, JANUARY 19, 1937
ANOTHER IMPROVEMENT MADE IN TELEVISION
By C.E. BUTTERFIELD
NEW YORK, Jan. 20 (AP)—Television of high definition under field test in New York City [19] has reached another objective—much clearer reproduction of electrical images sent into the air on the ultra short waves.
This has been accomplished by increasing the detail so that 441 lines per image are transmitted instead of the 343 of previous tests.
Announcement that the New York testing, being conducted jointly by engineers of RCA and NBC, would hereafter be operated with the higher definition, the standard recommended by the radio industry, carried with it the indication that this was just another step in the "orderly development" of television.
To make possible the increase in lines, engineers have been at work for some time changing over the transmitter in the Empire State building and the limited number of experimental receivers. The experimental television studio is located in Radio City.
How soon the improved pictures will be ready for demonstrations similar to those held last Summer and Fall, has not been indicated but this is not expected before Spring. At present not all of the field test receivers have been changed over.
In announcing the improvement, Lenox R. Lohr, president of NBC, explained that "television receiving sets cannot precede a television program service of satisfactory fluidity, which will be available at the beginning only in sharply restricted metropolitan areas following the eventful evolution of technical, economic and program problems."
He gave no hint of a date for the "eventful solution."
Mr. Lohr, in explaining that "pictures of 441-line definition are much clearer than those of 343 lines," added that this was "another significant advance in our work of television development."
He went on: "As we proceed in this fascinating adventure of bringing radio sight to distant eyes, it is encouraging to be able to report this substantial progress.
"The development of television services promises to be orderly and evolutionary in character."
This statement is along lines of previous comment to the effect that public introduction of television will depend entirely upon the progress in the laboratory. Among the needs are more easily operated equipment for the public and more practical means of handling the new art from studio to viewing semen. However, there is no one who doubts that these problems ultimately will be wired.


THURSDAY, JANUARY 21, 1937
Delivers His Farewell Address by Television
PHILADELPHIA, Jan. 21. (INS)—After a practical demonstration, members of the Franklin Institute today expressed themselves as greatly impressed by the advancement made in television. Following an address on television, 600 members of the institute discovered their retiring president, Nathan Hayward, had disappeared. A frantic search was being organized when the lights went out, a small screen glowed, and Hayward's image appeared on a television screen.
From a point five miles away, Hayward apologized for slipping out of the meeting and delivered his scheduled farewell speech. He also told his wife, who was in the audience, that he'd send his car back for her.


SATURDAY, JANUARY 23, 1937
W6XAO Hollywood
8:45-9:00—Television (sound on KHJ, KGB, KDB and other Mutual-Don Lee stations).

Synchronized Television Broadcasts
First of a new series of television broadcasts in which sight-and-sound are sychronized [sic] will be inaugurated over the combined facilities of W6XAO, the experimental television station owned and operated by the Don Lee Broadcasting System, and KHJ and other stations of the Mutual-Don Lee network, from 8.45 to 9:00 p. m. PST, Saturday, January 23.
The "sight", or images will go out from W6XAO . . . the "sound", including voices, music and accompanying sound-effects, from KHJ. At present, the broadcast material consists of news-reels.
And, while most of the audience, dialers of one Mutual-Don Lee station or another, will receive only the "sound", a group of persons seated before the television receiver located 3 ¾ miles from the Don Lee Building at 7th and Bixel streets. Los Angeles, where the transmitters of both W6XAO and KHJ are situated, will witness the perfectly synchronized sight-and-sound broadcast. (California Eagle, Jan. 21)


RCA Achieves Clearer Television Images
By C.E. BUTTERFIELD
NEW YORK, Jan. 23 (AP) — When engineers get 441-line television working to their full satisfaction, that will mean, they feel, the hurdling of a big obstacle to practicable movies via radio.
Some go so far as to indicate that this is one of the last important technical steps to be taken in the present field development work going on in New York City and in other centers such as Philadelphia and Los Angeles.
The 441 lines, recommended as the standard to be used when public pictures arrive, are believed to be about the ultimate number of lines possible. While more could be used, physical and other problems tend to counteract any advantages.
The New York City field tests, started last June with 343 lines per image, now are being conducted with 441. Three important improvements are immediately apparent:
1—The 30 per cent lineage increase is easily noticeable to the eye in the clearer pictures that unfold themselves on the viewing screen.
2—The line-pattern in the received image tends to disappear. Thus, if the looker is no closer to the reproducer than three feet, the eye does not take cognizance of the minute lines by which the picture is put together electrically.
3—Along with the clearer pictures, detail that seemed to be missing in 343 lines is distinctly noticeable. For instance on 343, closeups were considered strikingly good. More distant views blended out in certain aspects. It is the hope that with 441 lines it will be possible to follow the progress of an image as small as a football in motion.
Give Ultimate Detail
While 441 lines give just about the ultimate in vertical detail, engineers say development work in definition can proceed in other directions. Possibilities of adding to the detail of each line horizontally haven't been exhausted. The engineers may even find ways in improving horizontal definition as much if not more than has been done by adding to the number of lines.
Another means of improvement lies in the receiver. There, like it has been with sound sets, the amplifier—in television it is called video rather than audio—offers numerous opportunities for better handiwork. Naturally, ideal amplifiers mean better reproduction. With pictures, that has the effect of increasing detail.
Though more lines may help out the eye at the receiver, they complicate transmission. For 343, the space required in the ether is measured as 3,000,000 cycles; with 441 it is 5,000,000. Thus the lines increase only 30 per cent but the transmission requirements jump 66 2-3 per cent.

SATURDAY, JANUARY 30, 1937
W6XAO Hollywood
8:45-9:00—Television (sound on KHJ, KGB, KDB and other Mutual-Don Lee stations).

Head of Big Broadcasting Firm Expects Television to Be Commonplace in 3 Years
By HENRY WOOD
United Press Staff Correspondent.
SAN FRANCISCO, Cal., Feb. 1 (UPI)—Television within the next two or three years will become the greatest competitor of the radio broadcast, the movie, the automobile and the theatre for America's entertainment according to Major Lenox R. Lohr, president of the National Broadcasting company, who arrived at San Francisco Saturday for a Pacific coastwide study of the field for the extension of television to the west.
Within the current year, Lohr declared that television will he continuously on the air within the New York radius. The extension to the rest of the nation will be made as fast as technical progress permits.
Television, he admitted, will be expensive but nevertheless he expressed his firm conviction that it would be brought within the reach of all families able to maintain automobiles.
Present plans, he declared, are for the construction of transmitting centers only in cities of 100,000 population or more of which there are about 100 in the United States. As concerns the Pacific coast, Lohr declared that while Hollywood would probably be the center for finding talent, for the simple reason that talent of all kinds is centering there, regardless of whether it is employed in the radio and movies or not, but that San Francisco would be the center for the extension of television on the Pacific coast.
Lohr predicted that this latest form of American entertainment would inevitably cut in on every other form of entertainment from magazine reading to radio, movies, the automobile and the theatre, but without necessarily harming them to any great extent.
As regards the theatre, he expressed the belief that while television will cut down immediately the number of road shows and stock companies it will not kill the theatre entirely as the most serious productions of New York and other larger centers will constitute precisely the kind of entertainment that will be brought within the reach of everyone who can afford a television set.
Television, he predicted, is also destined to have profound social effects on the entire life of the nation for it will be used not only for entertainment purposes but for conducting the highest educational courses of the leading universities.
Aside from studio productions, Lohr stated that there will be movable transmitting sets that can be taken to any great event such as the world series, football games of national importance, presidential inaugurations and other national events which will be carried immediately onto the receiving set of every family that possesses one.
Lohr promised one relief to the long suffering radio fan who has to listen to commercials by declaring that the commercials in television will be able to embrace everything that is best in magazine advertising, the movies, broadcasting and theatrical presentation.

SUNDAY, JANUARY 31, 1937
RADIO STUDIO HAS ‘GONE HOLLYWOOD’
Tests In Television Demand Makeup Like Films
By BETTY GOODWIN
National Broadcasting Company Television Announcer.
ONE NBC studio in Radio City these days is different entirely from all the rest. It has gone Hollywood. Artists who perform in it wear orange, brown and red paint on their faces. Spotlights and floodlights pour brilliance from the ceiling. The microphone is rigged up on a pulley and skims silently over people's heads.
Great black boxes with glass eyes close in on this studio's actors—actors, incidentally, who do their roles from memory.
It all comes under the head of experimental television technique, for the National Broadcasting company is quietly preparing for the day when pictures, as well as sound, will be sent through the air to your home. That day is distant, because television has a lot of growing to do before it's ready to try its wings in the outside world. And don't make the mistake, when you think of this art, of thinking of it as anything except experimental television. There are really no programs in television today. There are only demonstrations given for extremely limited audiences with RCA equipment and picked up on a handful of television receivers in New York and its suburbs The more elaborate demonstrations include both film and live talent. First thing on the television screen (and you might just as well get used to calling it by its right name, which is Kinescope) is a film trailer, flashing the insignia of both RCA and NBC against a background of Radio City skyline and announcing "a demonstration of NBC tele-pictures."
Martial music accompanies this picture and then the scene shifts to NBC's television studio on the third floor of the RCA building.
THE Instant this studio is “on the air” a small signal light flashes red on the front and back of the Iconoscope camera. Both the performers and the technical staff wait for this signal—it's their only way of knowing when privacy ceases and the studio becomes a goldfish bowl.
Once the act is started there's no turning back. Unlike the motion picture film, the television skit cannot be cut. Unlike the sound broadcaster, the television actor can't turn his head away from the microphone and sneak in a quick cough. As long as the signal light burns red the television "eye" is on him—he'd better not forget his lines and he'd better not make funny faces as he says them.
As a matter of fact, there are three television "eyes" or Iconoscopes, in the studio. One is equipped with telephoto lens for closeups; one is mounted on a moving platform or dolly, so the "Ike" and its master may be wheeled back and forth before the scene of action. The third is just an extra.
(One of television's first jokes had to do with the Iconoscope's nickname. The microphone, as you know, long has been affectionately referred to as the "mike." So, many months ago, it was observed "Mike and Ike — but they don't look alike.")
"Ike" has to be pampered quite a bit at this stage of television's development. Actors are given a small area in which to do their stuff. Tap dancers have to shrink their routine. Anyone who moves more than a foot or two to left or right is likely, literally, to be out of the picture.
Suppose, just to make everything a little more clear, that you are about to do a pianologue for television. You have been chosen not only for your ability to play but for your appearance and for your talent in pantomime. Straight musical numbers, delivered as they might be for a radio program, aren't considered good television material. Hildegarde, who not only sings but also plays the piano, who is not only talented but vivacious and beautiful, is the best example of a television soloist. For purposes of this story we'll take for granted that you're as good as Hildegarde.

THE first thing you have to do, whether you're a man or woman, is apply a television makeup. Eventually, of course, NBC will have a makeup staff. There will be professionals on hand in white smocks to do your makeup for you. At present television performers put on their own makeup according to certain basic principles which already have been discovered during demonstrations from the studio.
Eyes and lips must be accentuated. Much black and brown is used for eye-shadowing and eyebrow penciling. Lips are painted reddish-brown—the red has no effect except on the artist's state of mind. It is one of the colors that "washes out” under television's bright lights. A thick cream, similar to the panchromatic foundation used in motion pictures, is smeared on the face to give it a smooth, evenly high-lighted surface.
Once this makeup is on you must forget all about thirst and hunger. To eat a sandwich or drink hot coffee would muss your painted mouth. The best you can do toward relieving your pangs is to sip water through a straw.
But don't worry. You'll have plenty of things to think about besides eating. You already have rehearsed your act a number of times without being televised. You now are ready for a dress rehearsal.
A piano is wheeled on the television stage, lights go up and you take your position before the keyboard. Production directors probably will try you out in several spots, push your piano bench forward and back, to this side and that. Finally they'll find the one best place where you ore perfectly in focus, correctly lighted and showing your best profile to the Iconoscope lens.
"Keep that position," they'll warn you. "Don't wave your arms or throw your head around too much when you sing."
From the sidelines someone rushes out with a piece of chalk. He traces the legs of the piano bench, the outline of your toes as they rest on the floor. He also marks with a chalk X the place where the Iconoscope camera rests. That's so the pack of you can be restored to the same positions when you finally go on the air.
IF YOU'RE accustomed to radio broadcasting, where the microphone always is smack in front of your face, you're probably a little uneasy when the director says, "Now run through your song."
Where will you sing it? How loudly? Does that glassy-eyed box pick up your voice as well as your picture?
No, voice in television is picked up by microphone but the microphone has wings. It is mounted on a metal arm or boom and is moved around to be directly over the head of anyone speaking. It takes all of one man's time to control the mike. He stands on a high stool overlooking the scene and holds the television script in his hand so he can follow the action. You have to use more voice for television, whether you re speaking or singing, because the mike is two or three feet away instead of two or three inches.
If you have any awkward mannerisms, such as opening your mouth before you begin to speak, pulling on your ear or sticking your finger between your collar and your throat you'll have to train yourself out of them. Those things are as bad as stammering from a television standpoint.
Lights will be shining in your face but you'll have to learn to keep your eyes open. Also, although your footprints are marked in chalk on the floor, you mustn't keep looking down to see if you're standing on the tight spot. You must get used to having earnest young men rush up to you with a light meter, hold its lens against your cheeks, your forehead, your chin, to test the amount of light you reflect.
And then there's the matter of clothing. Don't think, if you're a man, that you'll make any impression on the television eye by wearing a raspberry shirt with a navy blue suit. Your image on the Kinescope will seem most conservatively clothed in oxford gray and white! But if you're a woman beware of a dark dress belted in red—the red fades out to white and your image will appear sawed in half. (This was one of the first television tragedies—the actress was doing some heavy dramatic work but her costume televised distinctly on the comic side.)
WHEN you have finished your performance don't let a sigh of relief escape you or turn to ask the director, "How did I do?" Very often the Iconoscope continues to pick up your picture for a few seconds after the act is over. And be artful which way you walk when you leave the piano. Another television picture—possibly of the announcer—may be act up only a few inches away from you. If you're not careful you'll step into it.
Just to add to the complexity of the thing, the iconoscope used for closeups, is always farther away from the subject than the one used for long shots. Announcers, for instance, are always shown in closeups and are televised by the "Ike." with telephoto lens which may be twice as far away as your own iconoscope. So, just because you don't see an "Ike" in front of a performer's face it doesn't mean his picture is tot on the air. He may be focused from clear across the room!
One of the television tricks which undoubtedly will be used increasingly often as program technique is further developed is the use of two iconoscopes for ore subject. First he may be shown at full length, then his picture will be brought gradually closer as the iconoscope on wheels is pushed toward him. And then, as it's done in moving pictures, the camera angle may be switched from full face to profile. Switching from one iconoscope to another is not done by the men in the studio but by the video (which means picture) engineer, siting high above the studio in a glass-enclosed balcony control room. He presses one button to put iconoscope No. 1 on the air, a second or third button to switch the pick-up to either of the other "Ikes."
A TELEVISION studio is perfectly silent when the program goes on the air. Because it's a small room equipped with a wandering microphone, no one in any part of it can afford to make a side remark.
How, then, does the television director direct?
He sits in the control room, a microphone beside him. This is connected directly with earphones which are worn at all times by the iconoscope cameramen.
"Get closer to John Doe. We're not getting his facial expression," the director may say to his mike. No matter how loudly he speaks he is heard only by one person who matters—the man who's actually taking the television picture. This man may relay orders to the artist, He gets them verbally from the program director then translates them into the pantomime that already has been established for radio broadcasting. Certain simple and well-known gestures convey such directions as speed up, slow down, get closer to the microphone, not so loud and many others.
Actual time spent in program demonstration is very small compared to the endless hours of testing—testing for lights, testing for iconoscope focus, testing for a thousand and one things that only a television engineer would understand. Engineers themselves frequently serve as subjects for this sort of televising. Then, when they’re tired, the “television "sweetheart" is brought out. She's cardboard and never gets tired. She is a life-size photograph of a beautiful bride. To date her face is better known over the ultra short waves than any other.
Of course there are many celebrities who take a turn at being televised just for a lark. Among the recent guest artists in NBC's television studio have been Cole Porter, who played some of his own compositions; E. T. Cunningham, president of RCA Manufacturing company; Dorothy Page of radio and the movies; Ed Wynn, Graham McNamee, Honeyboy and Sassafras. The Ink Spots, are, with Hildegarde, the nearest approach to television veterans. They have all apeared [sic] on several demonstrations.
No one can tell you when television will be a reality in the homes of America, but everyone at NBC can assure you of this—the new art will make great progress during this year of 1937. (Birmingham News)