Saturday, 5 August 2023

June 1931

Television was causing a bit of a ruckus on both coasts and the middle of America in June 1931. CBS was experimenting with a station in New York. In Los Angeles, Don Lee admitted his staff had been testing, too, except with an electronic system that didn’t rely on mechanical scanning discs like TV stations back east.

And in Chicago, television was the gimmick packing people into the big radio exhibition, with test broadcasts of a couple of different systems. The young inventor who came up with big screen television conducted a similar demonstration in New York later in the month.

At NBC, Deac Aylesworth and David Sarnoff were making television prognostications. The irony is NBC was doing very little with television. All its station in New York was airing was a model of Felix the Cat spinning around and around and around on a turntable.

Other stations were doing a little more. The Jenkins station in Passaic started cutting back on live programming to 15 minutes a day, but not after chopping up the silent version of The Wizard of Oz (1925) and airing it on three consecutive nights. Rudy Vallee appeared on the screen and it looks like George Jessel did, too.

Below are TV listings compiled from the New York Times and the New York Herald Tribune. They conflict in that one paper has W2XCR, the C. Francis Jenkins station, running an hour longer than the other. There are news snippings, including some from C.E. Butterfield’s daily radio column from the Associated Press. He wrote a feature story, explaining the difference between mechanical and electronic television (the former was dead within two years). The New York Sun devoted a whole page every Saturday to television, but issues from the mid-May to mid-June 1931 are not available. The Newspaper Enterprise Association Science Editor, Israel Kline, wrote a six-part feature story in June 1931 about television. Due to its length, we will not be posting it here.

One of the performers below is Tunis Erkelens. On a whim, I decided to look him up. I found a letter from him published in the December 1927 edition of The Etude magazine. He was a 16-year-old living in Wallington, New Jersey. At the time, he was already a theatre organist; his instrument had 15 traps and 44 stops. When he appeared on the air, he was teaching piano, working in an office in New York and playing the organ at the Wallington Presbyterian Church. Unfortunately, this story has a sad ending. Tunis died at the age of 21 on December 30, 1931 “after a brief illness.”

Monday, June 1, 1931
A series of broadcast sports interviews with television “accompaniment” is schedule to start on New York audiovisual stations WGBS-W2XCR next Saturday at 5:45 p. m. Jack Norman is to be the interviewer and his first guest speakers will be Jimmy McLarnin, welterweight boxer, and Ray Steele, heavyweight wrestler. It is intended to have the guests illustrate their accomplishments for the visual audience while the announcer describes what they are doing for listeners who do not possess a radio receiving eye. (C.E. Butterfield column, Associated Press)

W2XCR—New York (Long Island)—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Corinne Cooper, Songs
4:14—Josephine When, Monologues
4:30—Hernan Rodriguez, Guitar
4:45—Weight Reduction—Dr. Shirley Wynne
6:00-9:00—Same as WGBS.
6:00—Marion French, Contralto
6:15—Savit Spray Music
6:30—Dot Morrison
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Hebrew National Orphan Home—Talk
7:30—Almanac News
7:45—Flanagan Brothers, Songs
8:00—Slumber Boat
8:30—Wayne Orchestra

W2XCD—Passaic, N.J.—146m.-2050k.
(Synchronized Sound on 1604k)
9:00 p. m.—Dorothy Kane, piano.
*9:15—Red Riding Hood, Episode I.
9:30—Annalee Rose, piano.
*9:45—Modeling.
10:00—Experimental films.

W3XK—Washington—2065k
10:30 p. m.—Bamboos.

W2XBS—New York—2100k
2:00-5:00 p. m.—Silhouettes: talks.
7:00-10:00—Silhouettes: announcements.

W2XR—Long Island—2920k
(Sound on 1604k)
4:00-10:00 p. m.—Experimental hour.
5:00-7:00—Experimental animated films (on 2150k).

W1XAV—Boston—2870k
1:00-2:00 p. m.—Halftone pictures.
7:30-10:30 p. m.—Halftone pictures
* Film pickup.

Tuesday, June 2, 1931
LONDON (AP)—The London Herald says that an attempt will be made to broadcast by television the finish of the Derby at Epson Downs tomorrow. Baird televisor apparatus has been set up and is being tested in some preliminary races today.

LONDON (Late Flash)—The scenes at Epsom Downs on the eve of the Derby, including the finish of the 4 p.m. race, were sent to London by television today.
Glimpses of the crowds milling behind the rails, bookmakers busily accepting bets and horses pounding along the turf were transmitted to telephone wire to London and re-amplified.


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Kathryn Lewis, Songs.
4:15—Women’s United Synagogue
4:30—Mary Bongert, Soprano
4:45—Tottie Tells a Story
6:00-8:00—Same as WGBS.
6:00—Jolane Duo
6:15—String Quartet
6:45—Sports Talk
7:00—Meb and Mac
7:15—What’s New?—David Schenker
7:30—Night in Italy

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Same as WNJ.
*9:30—Red Riding Hood, Episode II
*9:45—Bleak House
10:00—Experimental films.

W3XK—Washington—2065k
10:30 p. m.—Bamboos.

W2XBS—New York—2100k
2:00-9:00 p. m.—Silhouettes: talks.
7:00-10:00—Silhouettes: announcements.

W1XAV—Boston—2870k
1:00-2:00 p. m.—Halftone pictures.
7:30-10:30 p. m.—Halftone pictures
* Film pickup.

Wednesday, June 3, 1931
A combination broadcast designed to demonstrate the possibilities of sound and sight as well as photographic transmission is planned for Wednesday evening [3] when a dinner is given aboard the French liner, Isle de France, at its dock in New York in honor of Steven Zukor, director of the Polyphonic Symphony society, New York.
Beginning at 9 o’clock, a number of radio artists will be at the studios of the audiovision stations WGBS-W2XCR, where they will entertain before microphone and television camera, both to be received on the boat.
At the same time, photographs of the artists are to be sent to the liner from Passaic, N. J., by means of a system developed by Capt. Oaho Fulton, of Vienna.

EPSON DOWNS (UP)—John A. Dewar’s Cameronian, a game little colt with a fighting spirit, shook off the driving efforts of his opposition in a thrilling stretch duel today to win the 148th running of the English Derby.
Television plus wireless telephony enabled approximately 5,000 owners of home receiving sets throughout Europe to see Cameronian win the Derby while they simultaneously listened to a British broadcasting company’s running commentary on the race. The result was something similar to a cinema “talkie.”
It was the first time television broadcast had been employed for an outdoor event.
Reception was marred at times, but there were occasional sharply distinct scenes. Experts expressed the opinion that the demonstration indicated it will be only a matter of time before televised outdoor programs will become commercially practical. Today’s broadcast was considered a success from an experimental standpoint, and it was felt to have paved the way to commercialization.
Through television, spectators at the instruments were given glimpses of the crowd, the parade of horses in front of the grandstand, and finally the stirring finish.
The scenes were visible in a small televisor window in each instrument, approximately two by five inches in size.
The Baird television studio instrument had too small a screen to enable recognition of the horses or distinguishing of numbers. Reception was picked up from Brookman’s Park and was witnessed by a group of newspapermen.


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Idle Roomers—Skit
4:15—Talk—Amy Bonner
4:30—Billie Davis, Songs.
4:45—At the Movies
6:00-8:00—Same as WGBS.
6:00—Kathleen Gordon, Soprano
6:15—Janet Burroughs and Eric Dressler—Skit
6:30—Television Trio
6:45—Sports Talk
7:00—Musical Angles
7:15—Theatre Topics—Harriet Menken
7:30—Grupo Antiallano Music

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Rachel Caputo, songs.
*9:15—Red Riding Hood, Episode III.
9:30—Rachel Caputo, songs.
*9:45—Goldie Locks.
10:00—Experimental films.

W3XK, W2XBS, W1XAV, W2XR as above

Thursday, June 4, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, Contralto
4:15—One-Man Band
4:30—Clair de Soleil Beauty Demonstrations
4:45—Over the Radio Waves
6:00-8:00—Same as WGBS.
6:00—Helene Vincent, Songs
6:15—Savit Spray
6:30—Studio Music
6:45—Sports Talk
7:00—Max Weiser, Violin
7:15—Law for the Layman—Albert Levin
7:30—Carroll’s Orchestra

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Alice Remsen, songs.
*9:15—Red Riding Hood, Episode IV.
9:30— Alice Remsen, songs.
*9:45—Kidnaped by Indians.
10:00—Experimental films.

W3XK, W2XBS, W1XAV, W2XR as above

Friday, June 5, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Two Lads of Melody
4:15—French Lessons—Thatcher Clark
4:30—Clair de Soleil Beauty Demonstrations
4:45—Eule Gambarelli, Songs
6:00-9:00—Same as WGBS.
6:00—Ship Ahoy Trio
6:30— Clair de Soleil Beauty Demonstrations
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Sports Chat—Jack Curley
7:30—Chamberlain Brown’s Stars of Broadway: Interview With Rudy Vallee and Otto Kruger; Sketch—In the Wilderness; Ina Haywood, Songs, and Others
8:00—G. Aldo Randegger, Piano
8:30—Educational Talk—Dean J. J. Dandreau
8:45—Kitty Borschman and Bernd Huppertz, Duets

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.— Red Riding Hood, Episode V.
*9:15—Saturday.
*9:45—Golf and How
10:00—Experimental films.

W3XK, W2XBS, W1XAV, W2XR as above
(W1XAV, 1 to 2 p.m. only)

Saturday, June 6, 1931
SAN FRANCISCO (AP) — Laboratory experiments looking to the transmission of television by means of electrical rather than mechanical scanning appear to be passing the preliminary stages.
In fact, Philo T. Farnsworth, 24-year-old engineer who has been investigating the possibilities of television through the use of special tubes in both transmitter and receiver, replacing scanning disks and neon lamps, believes his process is nearly ready for possible practical use. Plans also provide for possible broadcasting facilities.
Announcement by Television Laboratories, Inc., the organization with which Farnsworth is associated, was that radio pictures have been reproduced with all the detail of a newspaper half tone.
As far as clarity and flicker are concerned, it was added that the pictures were somewhat better than the early movies, with an intensity sufficient for possible enlargement up to four feet square.
Because a transmitted television signal is similar to that of sound, it has many of the interference properties that hinder reception of broadcast and other types of radio transmission.
There is also a tendency to a slight “sway” or fading in the reception of the pictures from left to right, but this, it was said, will be overcome.
In the laboratory tests pictures were received on a screen slightly larger than a foot square. This screen consists of ordinary tracing paper.
The screen can be removed and a larger picture obtained by turning the receiver toward a wall and focusing the image on a silvered screen or white cloth.
At the laboratory demonstration the picture was thrown on an ordinary kalsomined wall and increased to four feet square.
Previously the largo flat end of the receiving tube, a specially built vacuum device that replaces scanning disk and neon lamp, was used. With the improved method the picture is reflected by a mirror to the tracing paper screen.
A change in the scanning system also has been effected. Now the scanning spot is moved only from left to right instead of in both directions. The change was found to eliminate the blur that resulted from a failure to make the left to right picture superimpose itself directly upon that formed by the right to left movement of the scanning beam.


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls
4:15—Pasadena Serenaders
4:45—Speech Correction—William Peppard
6:00-9:00—Same as WGBS.
6:00—Arthur Allen—Sketches
6:15—Quinn’s Dublin Boys
6:30—Tales of Irving Hoffman
6:45—Sports Talk
7:00—Weiser Trio
7:15—Samuels Proteges.
7:45—Jack Norman’s Sports Celebrities—Jim Londos
8:00—Nita O’Neill, Songs
8:15—Character Analysis—W. E. Benton
8:30—Detective Stories—Plays

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.— Invisible Revenge.
*9:15—Chop Suey Louie.
*9:45—His Ups and Downs.
10:00—Experimental films.

W3XK, W2XBS, W1XAV, W2XR as above
(W1XAV, two transmissions again)

Sunday, June 7, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
6:00-9:00—Same as WGBS.
6:00—Musical Etchings
6:15—Cuadra’s Mexican Songs
6:30—Bufano’s Marionettes
7:00—Vladimir Radeef, Baritone
7:15—Dorothy Rosenthal, Violin.
7:30—Galician Serenaders
8:00—Barnum Orchestra
8:30—German Musicale

Monday, June 8, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Rasa Brothers Orchestra
4:30—Hernan Rodriguez, Guitar
4:45—Weight Reduction—Dr. Shirley Wynne
6:00-9:00—Same as WGBS.
6:00—Mildred Hartley, Contralto
6:15—Savit Spray Music
6:30—Dream Lovers
6:45—Sports Talk
7:00—Tips and Topics
7:30—Almanac News
7:45—Flanagan Brothers Program
8:00—Slumber Boat
8:30—Wayne Orchestra

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.— Wizard of Oz, Episode I.
*9:30—Built on a Bluff.
*10:00—Experimental films.

W3XK, W2XBS, W2XR, W1XAV as above

Tuesday, June 9, 1931
Dr. Robert Underwood Johnson, former American Ambassador to Italy and now director of the Hall of Fame of New York University, will be the subject of a television interview to be broadcast Friday [12] at 8:30 p. m. over Station W2XCR. The sound broadcast will be carried by WGBS. Dr. Johnson will read some of his poems and discuss the unveiling of the Woodrow Wilson Memorial at Posen, Poland, which he will attend. (Herald Tribune)

RCA will build three experimental stations for Television in the next year, one to be located on the Pacific Coast, according to a formal statement by David Sarnoff, president, issued on the coast. Other two will be on top of the new 50-story RCA Building at 570 Lexington avenue, New York, and on a still higher building in New York City. Height is declared an important factor in the transmission of sound pictures. Additional experimental stations may be located in other sections of the country, Sarnoff says.
When Television emerges from the trial stage it will be switched from RCA to NBC. (Variety)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Kathryn Lewis, Songs
4:15—Women’s United Synagogue League
4:30—Mary Bongert, Soprano
4:45—Tottie Tells a Story
6:00-9:00—Same as WGBS.
6:00—Jolane Duo
6:15—String Quartet
6:45—Sports Talk
7:00—Meb and Mac
7:15—What’s New?—A. David Schenker
7:30—Night in Italy
8:00—Salon Trio
8:30—Movieless Movies

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.— Wizard of Oz, Episode II.
*9:30—Shorty, Bogus Duke.
*10:00—Experimental films.

W3XK, W2XBS, W1XAV as above

Wednesday, June 10, 1931
DON LEE WILL TRY TELEVISION
Television of motion pictures will be attempted by Don Lee, Inc., it was revealed here and in Washington yesterday through a recommendation to the Federal Radio Commission that Lee be granted a license for a television station near Gardena. Plans of Lee’s company came to light when Examiner Walker made the recommendation in Washington.
It was admitted at Lee’s local station, KHJ, over which The Times broadcasts world-wide news, that experiments in projecting motion-picture film by television have been under way in the station’s laboratories for some time. “We do not want to create the impression, however, that television will be available from any of our stations in any short space of time,” Lee declared.
“A staff of television engineers is continuously at work in our laboratories conducting experiments.
“Ordinary motion-picture films are being used in these experiments, but the work is strictly experimental and a good deal removed from practical utility.
“Unscrupulous persons may attempt to take advantage of the public sale of television receiving apparatus.
“There are several basic principles involved in the design of these receiving sets and until something resembling a standardized unit is evolved I suggest that the public investigate very thoroughly before purchasing or investing.”
The first successful television image was cast in the Don Lee laboratories about three weeks ago under supervision of Federal Inspector Linden of this district, it was stated, at the local station.
The Federal Radio Commission is expected to act favorably on Walker’s recommendation. It was pointed out in Washington dispatches. This will mean that Los Angeles will have the first television station west of Chicago.
The type of radio vision station to be constructed will not operate with a scanning disk, nor will it project images from studios, according to Walker’s report.
Electrical scanning of motion-picture film will be employed instead. One of the reasons Walker urged the granting of the license was because the proposed station intends to carry on the development of this diskless type of radio vision transmission, the dispatches stated.
FAVORABLE COMMENT
Harry L. Lubeke, chief of the Don Lee radio station technical staff, received favorable comment in the examiner’s report, along with P. C. Tait and C. C. Campbell.
The proposed station is expected to cost about $18,000 and will operate on a 100-kilocycle band between the frequencies of 2850 and 2950 kilocycles, it was stated in Walker’s recommendation. (Los Angeles Times)



CHICAGO (AP)—Television pictures in black and white, reproduced with unusual definition and clarity on screens 15 inches square, two feet square and six feet square, were shown to radio editors and others last night.
It was another development of U. A. Sanabria, young Chicago engineer, who previously demonstrated the possibilities of the ten-foot screen. However, radio waves were not used, the connection between transmitter and receiver in the same room being by wire.
Comments of the viewers centered in the fact that such good results could be obtained, as only 45 lines were used in the pictures compared with the 60-line transmissions of most of the experimental television stations in the East. As a rule 60 lines give more detail than 45.
Naturally the smaller reproductions came out better than the six-foot pictures due to the fact there was a certain loss of light with the bigger screen.
The good definition obtained, it was explained, was due to the fact there had been a 20 times increase in detail through the use of regeneration in the transmitter. Sanabria has never tried the large screen on the air, but good results have been obtained with the smaller pictures in test transmissions via radio.
The transmitter was the usual set-up of scanning mechanism and photo-electric cells, with large ones being used.

CHICAGO (UP)—The Boston Red Sox can think of all kinds of arguments against the proposal of the Short Wave and Television Corporation that big league baseball games in Fenway Park, Boston, be televised.
Bob Quinn, president of the Boston club, put forward a few reasons in his reply to the television company’s offer.
“It has rained every Sunday, our club is in last place, and now you want me to let them see the game at home,” Quinn wired, “How do you suppose we are going to pay the players? If you can furnish me with a substitution for money, please let me know immediately.”


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Idle Roomers—Skit
4:15—Talk—Amy Bonner
4:30—Billie Davis, Songs.
4:45—At the Movies
6:00-8:00—Same as WGBS.
6:00—Musical Angles
6:15—Dud and the Duke, Songs
6:30—Louise Vermont, Contralto
6:45—Sports Talk
7:00—Theatregoing—Doug Brinkley
7:15—Theatre Topics—Harriet Menken
7:30—Grupo Antiallano Music

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.— Wizard of Oz, final.
*9:30—Ringling’s Rivals.
*10:00—Experimental films.

W3XK, W2XBS, W2XR, W1XAV as above

Thursday, June 11, 1931
A series of experimental television broadcasts will be started this week by engineers of the Columbia Broadcasting System, according to Edward K. Cohan, technical director. Eight “looking-in” points have been placed in the metropolitan area to gauge the clarity of reception. The sender is situated on the twenty-third floor of the WABC building, 485 Madison Avenue. (New York Times)

CHICAGO (AP)—Another of those rather convincing television demonstrations, this one with a receiver that puts the picture on a small screen, has come outside the radio trade show.
The outfit over which the pictures were picked up from the transmitter of 29XAP, companion short-wave station of WMAQ, owned by the Chicago Daily News, is designed for possible home use.
It has a small frosted glass screen at the top on which the radio pictures can be seen. This is four inches square. By removing the glass and placing a larger screen in front of the set, pictures up to two feet square have been reproduced.
The complete outfit is housed in a cabinet about three feet tall and placed on a small table.
The projection was made possible through the use of a lens disk only eight inches in diameter and a crater type of Neon lamp developed by Lloyd P. Garner, director of research of the Western Television Laboratories. It operates on only fifteen volts. Focusing apparatus is incorporated to clear up the picture when its size is changed.
Included in the reception was a full-length view of two young women dancing. By using two scanning systems it the transmitter, one scene could be faded out and another brought in, just like in the films.

WASHINGTON (AP)—Television may be just around the corner, but the Radio Commission intends to see that it makes the turn without skidding.
The commission has decided to hold public hearings on all applications for television broadcasting wave-length ass1gnments. Two such applications—by J’Seborne McClane and William T. Smith of New Orleans, and the Pioneer Mercantile Company of Bakersfield, Cal—will be heard by the commission tomorrow.
About twenty television stations are in operation. Permission has been asked to put six others on the air. With the flood of requests, the commission’s engineering division decided to recommend that all applicants be required to show they have something beneficial to offer.


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, Contralto
4:15—Joe Trent, Songs
4:30—Sotto Voce Girls
4:45—Over the Radio Waves
6:00-8:00—Same as WGBS.
6:00—Helene Vincent, Songs
6:15—Savit Spray Musaic
6:30—Symphony’s Rival
6:45—Sports Talk
7:00—Max Weiser, Violin
7:15—The Crime Situation—Judge Daniel F. Cohaian
7:30—Carroll’s Orchestra

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.—Capital Punishment, Episode I.
*9:30—Exploits of U-35.
*10:00—Experimental films.

W3XK, W2XBS, W2XR, W1XAV as above

Friday, June 12, 1931
ATLANTIC CITY, N. J. (AP)—The television era has definitely dawned, but television today is considerably of an experiment. M. H. Aylesworth, president of the National Broadcasting company, told the National Electric Light association convention here today.
“Technically and commercially, television today is just as much of an experiment, just as crude, yet just as promising as the feeble attempts at propagating entertainment by radio telephony prior to 1920,” he said.
Even after television has been developed to the point where receivers are simple and dependable, Mr. Aylesworth said, sight by radio will be utilized only as a supplement to sound broadcasting.
The immediate application of television will be the visual presentation of the broadcast artist.”


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Two Lads of Melody
4:15—French Lessons—Thatcher Clark
4:30—Edith Klein, Soprano
4:45—Speaking of Women—Edna McKnight
6:00-9:00—Same as WGBS.
6:00—Bill Reitz, Songs
6:15—Ship Ahoy Trio
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Sports Chat—Jack Curley
7:30—Chamberlain Brown’s Stars of Broadway
8:00—G. Aldo Randegger, Piano
8:30—Educational Talk—Dean J. J. Dandreau
8:45—Nathalie Boshko, Violin

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.—Capital Punishment, Episode II.
*9:30—Dream Doll.
*10:00—Experimental films.

W3XK, W2XBS, W2XR, W1XAV as above

Saturday, June 13, 1931
Preliminary tests of the new CBS experimental television transmitter, W2XAB, are now under way. The station is located on top of the chain’s New York headquarters, and will be on the air at various intervals to check up on signal strength, etc. Power is 500 watts.
It has not been determined when the regular experimental schedule will be put into effect. Apparently it will be some time after June 15 when it is hoped to be on the air with at least six hours a day of studio snapshots. (C.E. Butterfield column, Associated Press)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls
4:15—Norma Atwater, Soprano
4:30—Shirley Herman, Songs
4:45—Speech Correction—William Peppard
6:00-9:00—Same as WGBS.
6:00—Jean Riddel and Clinton Deane, Sketch
6:15—Quinn’s Dublin Boys
6:30—Tales of Irving Hoffman
6:45—Sports Talk
7:00—Max Weiser Trio
7:15—Samuel's Proteges.
7:45—Jack Norman’s Sports Celebrities
8:00—John Murphy, Tenor
8:15—Doris Blaul, Piano
8:30—Arcadia Orchestra

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
*9:00 p. m.—Capital Punishment, final.
*9:30—Slow Motion Baseball.
*9:45—Oceans of Trouble.
*10:00—Experimental films.

W3XK, W2XBS, W1XAV as above

Sunday, June 14, 1931
CHICAGO — The Chicago Federation of Labor affiliated with the American and Illinois federations of labor in the use of radio through station WCFL and its short wave auxiliary W9XAA has announced its entrance into television in conjunction with the Shortwave and Television Corporation of Boston. Present plans call for the construction of one of the latest type television transmitters in the new studios of the station In the furniture mart.
Pictures of the latest type, with sixty line twenty frame scanning, will be transmitted from the station as soon as sanction is received from the Federal Radio Commission. Application for license has already been filed. The announcement was made jointly by E. N. Nockels, general manager of the station, and Douglas Rigney, chairman of the executive board of the Boston engineering and manufacturing concern. (New York Herald Tribune)


W2XCR—New York—2035k
(Sound on WGBS)
6:00-9:00 p. m.—Same as WGBS.
6:00—Musical Etchings
6:15—Cuadra Mexican Songs
6:30—Salon Trio
6:45—Small Time, Playlet
7:00—Vladimir Radeef, Baritone
7:15—Alfred Wertheim, Violin.
7:30—Annette Wagner, Soprano.
7:45—Janet Burroughs and Locke Taylor, Sketch
8:00—Barnum’s Orchestra
8:30—Furguiele’s Artists

Monday, June 15, 1931
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Four Rasa Brothers
4:30—Hernan Rodriguez, Guitar
4:45—Weight Reduction—Dr. Shirley Wynne
6:00-9:00—Same as WGBS.
6:00—Berry Orchestra
6:30—Dream Lovers
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Theatre Topics—Harriet Menken
7:30—Almanac News
7:45—Flanagan Brothers Program
8:00—Slumber Boat
8:30—Salon Trio

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Fred Link, amateur transmitters.
9:15—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Tuesday, June 16, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Katharine Lewis, Songs
4:15—Women’s United Synagogue League
4:30—Mary Bongert, Soprano
4:45—Tottie Tells a Story
6:00-9:00—Same as WGBS.
6:00—String Quartet
6:15—Selbert-Wilson Music, With George Jessel
6:45—Sports Talk
7:00—Meb and Mac
7:15—What’s New?—A. David Schenker
7:30—Night in Italy
8:00—Ralph Leopold, Piano
8:30—Aviation—Lieut. Commander John W. Iseman
8:45—Elena Marisa, Soprano

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Benorick Trio.
9:15—Films.
9:30 p. m.—Benorick Trio.
9:45—Films.

W3XK, W2XBS, W1XAV as above

Wednesday, June 17, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Idle Roomers—Skit
4:15—Talk—Amy Bonner
4:30—Billie Davis, Songs.
4:45—At the Movies
6:00-9:00—Same as WGBS.
6:00—Musical Angles
6:15—Dud and the Duke, Songs
6:30—Louise Vermont, Contralto
6:45—Sports Talk
7:00—Theatregoing—Doug Brinkley
7:15—Zuna Schneiderman, Songs
7:30—Herma Menth, Piano
8:00—Debate: Prohibition—Bruce Sotkin vs. Harold Liff
8:30—John Murphy, Tenor

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Anne Pida, songs.
9:15—Films.
9:30 p. m.— Anne Pida, songs.
9:45—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Thursday, June 18, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, Contralto
4:15—Deacon Jazz
4:30—Etchings—William Cox
4:45—Over the Radio Waves
6:00-9:00—Same as WGBS.
6:00—Helene Vincent, Songs
6:15—New Yok Satellites
6:30—Symphony’s Rival
6:45—Sports Talk
7:00—Max Weiser, Violin
7:15—Transit Facts—Clarence M. Lewis
7:30—Carroll’s Orchestra
8:00—Jewish Little Symphony
8:30—Relativity—Rev. Edwin Curtis

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Lenore Struck, pianist.
9:15—Films.
9:30 p. m.—Lenore Struck, pianist.
9:45 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Friday, June 19, 1931
Recognizing rapid development being made by Don Lee Inc., in the projection of motion pictures via television, the Federal Radio Commission yesterday granted a license for construction of a radio vision station here, Washington dispatches state.
The license grant followed in line with the recommendation made several days ago by R. L. Walker, examiner for the commission, assuring Los Angeles the first station of this type west of Chicago.
It was indicated in Walker’s recommendation that the broadcasting equipment will be installed in a station near Gardena, but local offices of the broadcasting system are reluctant to announce anything definite on construction.
“As a result of the commission’s action we again say that the public should be very careful in the choice of television receivers or in any manufacturing investment,” Lee stated last night.
“Practically no standardization exists in the construction of television receivers. The receiver of one system of transmission cannot be used satisfactorily with the transmitter of another system. We have not authorized sale of any receivers for our system at this time, and since we employ the diskless electrical scanning method, it is obvious that disk receivers of any type will not operate with it.
“We regard our work although promising, as purely experimental—the category in which all television broadcasting is placed by the Federal Radio Commission at present.
“It is planned to have our television supplement our broadcasting service—not supplant it.
“Granting this permit should not be construed as an announcement that television will be broadcast from any of our stations in the immediate future. This will come as future developments are perfected. Announcement will be made to this effect in due time.”
Lee pointed out that when television is available present radios will not become obsolete.
Sound accompaniment for television can be received over standard sets, he explained.
“Combination receivers, supplying both light and sound, will become available, but the combining of these receivers in a single cabinet is no more necessary than is the single unit of a radio and phonograph,” it was declared by Harry R. Lubeke, director of the Don Lee television activities.
The first successful television image was cast in the local Lee laboratories less than six weeks ago. Ordinary motion-picture films are being used in the experiments.
The commission granted the loca1 station the right to broadcast with power of 500 watts and frequencies of 2100 to 2200 and 2850 to 2950 kilocycles. (Los Angeles Times)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Two Lads of Melody
4:15—French Lessons—Thatcher Clark
4:30—Helene Chappelle, Songs
4:45—Speaking of Women—Edna McKnight
6:00-9:00—Same as WGBS.
6:00—Ship Ahoy Trio
6:30—Selbert-Wilson Program with Ethel Norris
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Sports Chat—Jack Curley
7:30—Chamberlain Brown’s Stars of Broadway
8:00—G. Aldo Randegger, Piano
8:30—Educational Talk—Dean J. J. Dandreau
8:45—Edith Kline, Soprano

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Vincent Figarotta, pianist.
9:15—Films.
9:30 p. m.—Signe Springer, pianist.
9:45 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Saturday, June 20, 1931
“People I Have Shot" is the title of a series of four vision broadcasts by Harold Stein, photographer. As his guest for the first broadcast Mr. Stein will chat with Miss Dorothy Stone. The program will be given over WGBS and W2XCR Monday evening [22] at 8:30. (New York Sun)

Nathalie Boschko. concert violinist, and her sister, Victoria, pianist, will be televised by Jenkins station W2XCR during their recital over WGBS tomorrow evening [21] at 7:30. (New York Sun)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls
4:15—Benridge’s Orchestra
4:45—Speech Correction—William Peppard
6:00-9:00—Same as WGBS.
6:00—Frances Stevens, Songs
6:15—Quinn’s Dublin Boys
6:30—Tales of Irving Hoffman
6:45—Sports Talk
7:00—Max Weiser Trio
7:15—Samuel's Proteges.
7:45—Jack Norman’s Sports Celebrities
8:00—Katherine Giles, Soprano
8:15—Florenz Playreaders
8:30—Salon Trio

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—“Hop” O’Dell, songs.
9:15—Films.
9:30 p. m. —“Hop” O’Dell, songs.
9:45 to 10:30—Films.

W3XK, W2XBS, W1XAV as above

Sunday, June 21, 1931
Natalie Towers, the first girl to be selected by a network for television broadcasting, has signed an exclusive contract with Columbia.
The television beauty was born in Manhattan, where she graduated from Washington Irving High School. She then entered Wellesley, where she specialized in English and was active both in dramatics and sports. Before graduating last year she won the Davenport prize for the best reading and speaking voice.
Natalie Towers’ mother is a painter, a violinist and a trained singer. She started Natalie on voice lessons at an early age. Natalie also has studied piano for 12 years and has received dancing instruction from Ottokar Bartik, ballet master of the Metropolitan Opera Company. In the summer months of her last two years at college she played in stock at Boothbay Harbar, Me. (Pittsburgh Press)


W2XCR—New York—2035k
(Sound on WGBS)
6:00-9:00 p. m.—Same as WGBS.
6:00—Musical Etchings
6:15—Moralles Spanish Group
6:30—Irish Echo Boys
7:15—Vladimir Radeef, Baritone
7:30—Nathalie Boshko, Violin; Victoria Boshko, Piano
8:00—Suzanne Kenyon, Songs
8:15—The Toreadors
8:30—Nita O’Neil, Songs
8:45—Janet Burroughs and Locke Taylor, Sketch

Monday, June 22, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Rasa Orchestra
4:30—Hernan Rodriguez, Guitar
4:45—Weight Reduction—Dr. Shirley Wynne
6:00-9:00—Same as WGBS.
6:00—Blue Melody Ramblers
6:30—Dream Lovers
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Theatre Topics—Harriet Menken
7:30—Almanac News
7:45—Irish Program
8:00—Slumber Boat
8:30—People I Have ‘Shot’—Harold Stein

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Harold Brown, television.
9:15 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Tuesday, June 23, 1931
Birmingham, Ala., June 22.—Memphis, that far famed worst show town in America, is going to get a broadcasting station equipped with television. WMC, operated by “Commercial Appeal,” has applied to the Federal Radio commish, for a television permit Action is expected within 90 days.
If a favorable answer is received the station will spend $27,000 for improvements. And with television coming on, Memphis may be worser and worser. (Variety)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Kathryn Lewis, Songs
4:15—Claire de Soleil—Beauty Talk
4:30—Mary Bongert, Soprano
4:45— Women’s United Synagogue League
6:00-9:00—Same as WGBS.
6:00—String Quartet
6:30—Selbert-Wilson Music, With Lupe Velez
6:45—Claire de Soleil—Beauty Talk
7:00—Meb and Mac
7:15—What’s New?—A. David Schenker
7:30—Night in Italy
8:00—Wertheim Music
8:30—Aviation—Lieut. Commander J. W. Iseman
8:45—Diane Irvine, Soprano; Frank Gough, Baritone

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Miss Steffner, contralto; Miss Hudgins, piano.
9:15—Films.
9:30 p. m.—Miss Steffner, contralto.
9:45 to 10:30—Films.

W3XK, W2XBS, W1XAV as above

Wednesday, June 24, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Idle Roomers—Skit
4:15—Talk—Amy Bonner
4:30—Billie Davis, Songs.
4:45—At the Movies
6:00-9:00—Same as WGBS.
6:00—Musical Angles
6:15—Dud and the Duke—Skit
6:30—Marcia Wallach, Songs
6:45—Sports Talk
7:00—Theatregoing—Doug Brinkley
7:15—Herma Menth, Piano
7:45—Matty Medlin, Songs
8:00—Debate: Resolved: That Baumes Habitual Offender Law Be Advocated—Morris Kessler vs. Jules Grayer
8:30—John Murphy, Tenor
8:45—Nathalie Boshko, Violin

W2XCD—Passaic—2035k (Synchronized Sound on 1604k)
9:00 p. m.—Bonelley Boys.
9:15—Films.
9:30 p. m.—Bonnelly Boys.
9:45 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Thursday, June 25, 1931
Television programs will be broadcast to a vessel at sea for the first time next month while the United States liner Leviathan is making her short cruise to Halifax and return. Arrangements have just been completed for the installation of apparatus and the broadcasting of special feature programs to the ship, which will sail from New York July 23 and return four days later.
The Short Wave and Television Corporation of Boston and New York, owners and operators of stations W1XAV and W1XAU, will have its engineers, under the supervision of Hollis S. Baird, young short wave and television expert, on board to supervise the experiments. The same apparatus will be employed for the reception of high frequency programs from France, Germany and England and passengers will dance to music direct from these transmitters 3,000 miles or more away.
Steamship companies closely follow scientific developments on land and adopt them as soon as possible. The Leviathan was the first merchant vessel from which an airplane took off at sea. This was more than three years ago when Clarence Chamberlin hopped off in a plane from the vessel several hundred miles off New York and landed the ship’s mail in New Jersey.
The American liner also claims the honor of being the first merchant vessel to inaugurate a ship-to-shore commercial telephone service; the first from which a sustaining program was broadcast at sea and over a network of American stations, and the first to sail from New York with a brokerage office which receives quotations from stock exchanges in the United States. (New York Herald Tribune)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, Contralto
4:15—Deacon Jazz
4:30—Etchings—William Cox
4:45—Over the Radio Waves
6:00-9:00—Same as WGBS.
6:00—Helene Vincent, Songs
6:15—Calendar Sketches
6:30—Dorothea Edwards, Songs
6:45—Sports Talk
7:00—Edward Sibler, Baritone
7:15—Law for the Layman—Albert Levin
7:30—Carroll’s Orchestra
8:00—Jewish Little Symphony
8:30—Relativity—Rev. Edwin Curtis
8:45—Doris Blaut, Piano

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Anne S. Lane and Lillias Baxter, ballads.
9:15—Films.
9:30 p. m.—Anne S. Lane and Lillias Baxter, ballads.
9:45 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Friday, June 26, 1931
WASHINGTON—New England’s second applicant for authority to operate a television broadcasting station is the National Company. Inc., of Malden, which applied to the Federal Radio Commission today for a construction permit to erect a 150-watt station to operate in the television band of wavelengths between 2100 and 2200 kilocycles.
Shortwave & Television Corporation of Boston, now holding licenses to transmit television in the 2850—2950 kilocycle band and on the ultrashort waves, is the only other company in the New England states which has applied for the television broadcasting privileges. (Christian Science Monitor)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00— Helene Chappelle, Songs
4:15—French Lessons—Thatcher Clark
4:30—Sotto Voce Girls
4:45—Speaking of Women—Edna C. McKnight
6:00-9:00—Same as WGBS.
6:00—Ship Ahoy Trio
6:30—Selbert-Wilson Music
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Sports Chat—Jack Curley
7:30—Chamberlain Brown’s Stars of Broadway
8:00—G. Aldo Randegger, Piano
8:30—Are Higher Pharmacy Standards Necessary?—Dean J. J. Dandreau
8:45—Edith Kline, Soprano

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Walker Crommlin, songs.
9:15—Films.
9:30 p. m.— Walker Crommlin, songs.
9:45 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Saturday June 27, 1931
ENTERTAINERS who already have become established radio favorites figure largely in the plans of the Columbia Broadcasting System for its daily television experiments scheduled to begin in June. The experiments will be broadcast in the New York area on a wave band of from 2750 to 2850 kilocycles.
Few additions to the artist personnel are contemplated, one outstanding exception being Natalie Towers, youthful showgirl who so successfully passed preliminary tests that she was chosen expressly for work before television’s photoelectric cells.
On the whole, however, the performers who will be most called upon are those who already have sustaining programs on the Columbia network. Morton Downey and the Dodge twins, for instance, have had considerable stage experience along with their radio training and executives are planning to use them frequently.
Nevertheless, scores of applicants for positions in connection with the prospective experiments are received daily at the headquarters of the broadcasting system.
Edwin K. Conan, technical director, has announced that the television station, W2XAB, will utilize 60 line scanning, 20 frames per second, Standards. Equipment rooms and studios for the television work have been constructed on the twenty-third floor of the Columbia building at 485 Madison Avenue, New York. The actual equipment will be set in place within a fortnight. Work on erection of the doublet antenna on the building will be begun within a week, Mr. Cohan said.
Especially constructed receiving sets will be installed at strategic points around the Metropolitan area for “lookers-in” to determine the results of the experiments.
W2XAB, which will use 500 watts power, will be on the air six hours daily. (Christian Science Monitor)

Station WMCA of the Knickerbocker Broadcasting Company, is the latest New York City broadcaster to apply to the Federal Radio Commission for authority to install a television transmitter, to he operated in conjunction with its broadcasting activities. The application, filed June 18, asks for 1000 watts in the 2850-2950 kilocycle band. The applicant states that the object is to conduct regularly in this country the letest form of television experimentation developed by the Baird Television interests in England, France and Germany. Equipment, however, will be purchased and manufactured in this country through a subsidiary here called the Baird Television Corporation of America according to the application. (New York Sun)

Coincident with receipt of an application for a television construction permit from WGN of the Chicago Tribune, the Federal Radio Commission was informed that W9XAA, television broadcaster of the Chicago Federation of Labor's station, WCFL, will shortly install the Sonabria system of television. Station WCFL has held a 1,000 watt television license for more than a year, but suspended operations some time ago.
The commission also received an application from Purdue University, holder of a 1,500 watt television construction permit for W9XG, at West Lafayette, Ind., asking for an extension until next October 1 in the time set for the completion of that visual broadcasting station. (New York Sun)

Tom Van Dycke, Broadway producer, will present a regular weekly feature to be known as "Tom Van Dycke's Broadway Interlude" on Saturdays, commencing July 4 at 6:30 P. M. over WGBS and W2XCR. (New York Sun)

Dr. Sigmund Spaeth will make his television debut on Tuesday evening, June 30, at 8:45 P. M. over stations W2XCR and WGBS as the "Old Time Balladeer."
He will appear in the costume of the gay nineties at an old-fashioned square piano, with appropriate decorations of the period, all of which will be visible to those possessing television receivers. Strictly preserving the atmosphere of the time, he will present various ballads and popular songs of forty or fifty years ago. (New York Sun)


W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
3:00 p. m.—Film programs.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls
4:15—Wilson’s Orchestra
4:45—Speech Correction—William Peppard
6:00-9:00—Same as WGBS.
6:00—Peter Liversedge, Monologues
6:15—Quinn’s Dublin Boys
6:30—Tales of Irving Hoffman
6:45—Sports Talk
7:00—Eleanor Corey, Soprano
7:15—Samuel’s Proteges.
7:45—Jack Norman’s Sports Celebrities
8:00—Rietta Duval, Songs
8:15—Rosalind Florenz, Reader
8:30—Television Trio

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Tunis Erkelens, pianist.
9:15—Films.
9:30 p. m.—Tunis Erkelens, pianist. 9:45 to 10:30—Films.

W3XK, W2XBS, W1XAV as above

Sunday June 28, 1931
W2XCR—New York—2035k
(Sound on WGBS)
6:00-9:00 p. m.—Same as WGBS.
6:00—Musical Etchings
6:15—Spanish Music
6:30—Irish Echo Boys
7:15—Vladimir Radeef, Baritone
7:30—Silhouettes—Dora Jackson
7:45—Victor Turner, Xylophone; George Volkel, Piano
8:00—Three Guitars
8:15—The Last Word—Play
8:30—Nita Edwards, Songs
8:45—Snapshots, Skit

Monday, June 29, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Bessie Bickford, Songs
4:30—Hernan Rodriguez, Guitar
4:45—Weight Reduction—Dr. Shirley Wynne
6:00-9:00—Same as WGBS.
6:00—Blue Melody Ramblers
6:30—Dream Lovers
6:45—Sports Talk
7:00—Romantic Troubadour
7:15—Theatre Topics—Harriet Menken
7:30—Sotto Voce Girls
7:45—Innasail Trio
8:00—Slumber Boat
8:30—Kurley’s Orchestra

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Talk by Marsden.
9:15 to 10:30—Films.

W3XK, W2XBS, W2XR, W1XAV as above

Tuesday, June 30, 1931
W2XCR—New York—2035k—147.5 M.
(Sound on WGBS—1180kc)
4:00-5:00—Same as WGBS.
4:00—Kathryn Lewis, Songs
4:15—Women’s United Synagogue League
4:30—Mary Bongert, Soprano
4:45—Beverly Sitgrave, Reading
6:00-9:00—Same as WGBS.
6:00—String Quartet
6:30—Selbert-Wilson Music
6:45—Sports Talk
7:00—Meb and Mac
7:15—What’s New?—A. David Schenker
7:30—Night in Italy
8:00—Wertheim’s Music
8:30—Aviation—Lieut. Commander J. W. Iseman
8:45—Dr. Sigmund Spaeth, Songs

W2XCD—Passaic—2035k
(Synchronized Sound on 1604k)
9:00 p. m.—Edwardian Ensemble.
9:15 to 10:30—Films.
9:30 p. m.—Miss Steffner, contralto.
9:45 to 10:30—Films.

W3XK, W2XBS, W1XAV as above

What do TV fans think of programming? Here are letters from pioneer television DXers to the New York Sun, May 16, 1931.

Reception Improving
L. B. LOGAN, Brooklyn, N. Y.—Television programs still come over my receiver in good shape, and I observe considerable improvement in the last few months. Direct vision transmission from W2CXD in Passaic, N. J., comes over quite well. I get more detail than ever before. The talking pictures have always been picked up in my home, where I make nightly observations. Personally, this is my best station, and I feel that they have done some nice work in television. Their transmission is very good. I do not hesitate to invite persons to my home to see what is put on the air. They have expressed astonishment at the way the pictures come over. I am able to receive pictures without any ghost effects and can hold them for an hour or more. The sound programs have always been enjoyed by my entire family. We seldom miss a night's program. The set-up I am now using gives me a good size picture, about 4 inches by 4 inches. As many as eight persons have assembled around the machine at one time to look in on the programs. We seldom listen to the usual radio programs, inasmuch as we don't get a thrill out of them. What is needed now in television is better programs and more variety.

Enjoys Looking-In.
K. L. KRUSE, Astoria, L. I., N. Y.—Last evening with my machine I looked in on programs from W2XBS, W2XCR, both in New York city, and W1XAV in Boston. Looking in on W2XBS, one sees the stuffed dog revolving about. The pictures are well defined and come in great. Looking in at this station at any great length makes one turn the dial, as there is nothing of interest to look at. From W2XCR we get some very interesting subjects. It was only last week that I finished my homemade television set, consisting of six tubes, not including the rectifer and neon lamp. My scanner is one having a disk of sixty holes, while the motor is of the universal type with adjustable rheostat. This allows me to run the motor at almost any speed up to 1,800. My broadcast receiver is tuned to WGBS and my television receiver tuned to W2XCR when looking in on their programs. For the last few years I have always wanted to see what some of the artists looked like, and may I say that I was the most surprised person in the world after looking in on this station for two hours the other evening. The little skit between the girl and the boy friend registered as well as any talkie so did the girl who sang most of Victor Herbert's selections. The young woman who delivered the talk on "Best Books to Read" came over with good detail. W1XAV comes in fairly well, but his signal fades so badly that I only look in on their programs occasionally. W3XK comes in loud, but I am unable to scan its pictures as I only have a sixty-line disk. The announcer stated that beginning May 25 they will shift over to twenty pictures with sixty scanning lines.

Makes Own Set.
ARTHUR JOHNSON, East New York—Here is how television signals come in at my location. My set is homemade and built from a circuit which I secured from a radio magazine. The radio frequency stages employ three stages of tuned screen grid amplification, a power detector and a resistance coupled amplifier feeding a minus 50 type power tube. My scanner is a disk of sixty holes, a universal motor with a variable resistor, all contained in a neat box in which I have constructed an optical arrangement of two lenses which gives me a picture about 6 by 6 inches. W3XK and W2XBS are my best stations, although W2XCR comes in good but fades. W2XCD at night are by far the best from an entertaining standpoint. W2XR and W1XAV are also good, but I prefer to look in on W3XK best of all. The main reason for this is that with the forty-eight-hold [hole] disk and the motor speed of 900 r. p. m. it is easy to adjust so that I can regulate the motor so the programs when looking in will not drift and go off frame. Of course, when tuned to W2XR a slight push on the shaft of the motor by the thumb will bring them into synchronism. At times I can hold their programs in frame for hours with an adjustment of the motor now and then. I get quite a thrill from this and it makes my evenings interesting.

Wants More Programming Hours.
LOUIS REED, New York City — Television programs are improving immensely, as I have been an observer for the last few months. Of course, it must be understood that some programs are not as interesting as others, and, of course, one only has to turn the dial. My complaint, though, is that some of the stations should stay on the air longer. For Instance, W2XBS comes on at 7 P. M. and goes off at 10 P. M. This is one of my best stations. W2XCR has the best program for entertainment bar none, but is only on for two hours. I begin looking in at about 7 P. M. most every night, hut after a have to depend upon distant stations, such as W3XK, W1XAV and W2XCD. Is there any reason why the New York stations can't he on the air a little later in the evening?


And for your viewing pleasure, is the complete Wizard of Oz, shown in three parts on W2XCD.

Saturday, 29 July 2023

October 1939

Was television’s novelty wearing off near the end of 1939?

It would appear so. Only two stations in the U.S. were past the test stage and NBC’s W2XBS continued to tinker with its schedule.

TV proponent Will Baltin of the New Brunswick Daily Home News put it this way in his column of October 29, 1939:

Television may soon emerge from the slump in which it has found itself since mid-summer.... What brought about the drop isn’t definite, but television dealers apparently are correct when they say that lack of sufficient programs, plus high cost of receivers is the cause.

There was still extremely little incentive for a company to get into the TV station business. The FCC wouldn’t let operators collect money from advertising, meaning seemingly endless financial losses. NBC and other set-makers were going about the U.S., putting on what amounted to closed-circuit broadcasts at department stores and fairs but after they packed up and went home, there was no reason to buy a set because there were no channels to watch.

Below, you’ll find fewer stories and reviews as we look at television in October 1939. One name that stands out is Gene Kelly, long before he was a film star. Even in 1939, he was involved in experimental dance.

Monday, October 2
BOSTON, Oct. 2.—Total sales of television receivers in the New York City trading area in the last five months were less than 400 instruments, Harry Boyd Brown, national merchandising manager of Philco Radio & Television Corp., told the Boston Conference on Distribution here today. Sales of more than 2,000 receivers by next year would be “optimistic” while, he added, “we could easily be exaggerating if we prophesied more than 10,000 television Instruments in use in American homes by 1941.”
Television, Mr. Brown maintained, will have no effect on distribution until it reaches public usage; more specifically, not until a sufficiently large number of people are using television receivers to represent an influential unit of our population. He believed that it would be five to seven years before television would have any sizable influence on distribution. (Herald Tribune, Oct. 3)


Tuesday, October 3
2:30 P. M.—Red Barber, sports interview.
2:45—Film, "Shockproof."
2:55—Film, "Sky Billboard."
3:05—Film, "Fishing in the Fjords."
3:15-3:30—Cooking demonstration, "Making Crepes Suzette."
8:30-9:30—"The Butter and Egg Man," with Helen Twelvetrees, Florence Sundstrom, Theodore Leavitt, Anthony Blair, Zella Russell, James Swift, Arthur Lipson, Robert Pitkin, Neil Moore, Len Nence and Albert Downing.
Reviewed Tuesday, 8:30-9:40 p.m. Style—Legit. Reviewed on RCA Television Receiver. Station—W2XBS. National Broadcasting Co. is proving rather adept in doctoring plays for television production. Tuesday’s effort, George S. Kaufman’s The Butter and Egg Man, was produced by Reginald Hammerstein, his first job for NBC.
Yarn, a successful legit show years back, depicts a phase of the show business and is funny in its treatment of agents and shoestring producers. Hammerstein’s tele version ran some 70 minutes and In this time developed both the yarn and the characters.
The NBC producers seem to have worked out a satisfactory technique of focusing upon as few people as possible—usually those doing the dialog. In view of tele’s present state of development this is a necessity, even tho it imposes severe limitations on production. With this in mind, chief task in presenting these abbreviated legit shows is to attain a fluidity in imagery as well as a continuity in plot development. Experience in adapting legit for radio has already shown the way as far as cutting script is concerned. But maintaining visual atmosphere and integrity when handicapped by a necessarily small image presents a problem, ultimate solution of which will probably take a long time. Cameramen have apparently nixed mass scenes and keep the lens moving from one small group to another. This is sufficient to maintain general story plot and atmosphere but precludes development of more subtle production Ideas. Considering the general situation, however, the result is good. Cast included Helen Twelvetrees, Florence Sundstrom, Theodore Leavitt. An thony Blair and Arthur Lipson. Best of these was Blair as a vaude agent taking a flyer in legit; Leavitt, the yokel butter and egg man who finds love when he seemed set for a financial trimming, and Florence Sundstrom as femme appeal. Reception was fair, with facial images at times not very distinct. Paul Ackerman. (Billboard, Oct. 14)


GEORGE S. KAUFMAN’S merry comedy, “Butter and Egg Man,” designed to “show up the show business” did not show up television to good advantage. In the picture pick-ups one camera had a weak “eye. Halt or the performance appeared light-struck, while the pictures flashed by the good “eye” were sharp and clear.
Although Helen Twelvetrees, from the Hollywood tots, was headlined in the show’s cast, it was Theodore Leavitt as Peter Jones, the “Butter and Egg Man,” and Anthony Blair as Producer Joseph Lehman, who starred under the heat of the studio lamps. Miss Twelvetrees in a minor role, perhaps did not have a chance to reveal her telegenic qualifications.
The fast-running, amusing dialogue entertained the ear and held the telecast together, although the eyes were annoyed by the alternate good and bad pictures. Just as a sports announcer is vital at a baseball, football or prizefight telecast, so are interesting lines essential in a television dramas. Bright patter enlivens an otherwise dull show, for when television slip into a “silent movie” category, the eye soon begins to roam.
The telecastera heard the “Butter and Egg Man” say that “all you have to do in the show business is to give the public what it wants.” What is that? Peter Jones found the answer simple, “they always want the same.” Not so in radio or television. The audience has not been brought up that way.
Radio thrives on variety, not the same act over and over. Sameness kills a broadcast. Radio tolerates little repetition. Once a “butter and egg man” stalks on the ethereal stage for a one-night stand he cannot come back the next night and succeed as a tele-actor, as he can in the theatre, where the audience is limited and different at each performance.—O. E. D. Jr. (Times, Oct. 8)


Wednesday, October 4
2.30-3:30 P. M.— Brooklyn Dodgers, professional football team, in a scrimmage session at the New York World's Fair.
8:30-9:30— Variety hour, with Fernandez and Frednada, dancers; Jolly Bill Steinke, and television interviews conducted by Phyllis Creore, and Glenn Riggs.

New York—Two Columbia shorts have been set with NBC for television broadcasting. They are “There Goes Dusty” and a Screen Snapshots.
In return NBC will telecast two trailers of “Mr. Smith Goes to Washington,” one a one-minute film and the other three minutes. They will go on the air Oct. 11 and 18. (Hollywood Reporter, Oct. 4)


Thursday, October 5.
2:30-3:30 P. M.—Animal Show, Dr. Raymond L. Ditmars.
8:30-9:30—"The Night Cap," by Max Marcin and Guy Bolton, with Claudia Morgan, Douglas Gilmore, Harry Bannister, Percy Kilbride, Robert Light, Frank McNellis, Halbert Brown, George Lesoir, Clarke Chesney, Alfred Kappler.

Friday, October 6
2:30 P. M.—Clare Felt’s Kindergarten of the Air.
2:45—Film serial "The Lost Jungle," Episode VII.
3:05—Film, "Football for the Fan—the Wedge Play."
3:15-3:30—Dr. James Rowland Angell and Charles Sheeler, American painter, interviewed by Mrs. Edith Gregor Halpert.
8:30-9:30—Feature film, "Champions of the Gridiron" (Industrial, sponsored by General Mills, 1938-39).

Saturday, October 7
2:30-4:30 P. M.–Football Manhattan College vs. St. Bonaventure College, at Randall's Island Stadium.
The game was scheduled for the television wavelength of Station W2XBS, but a representative of the NBC said the mobile transmitter encountered “technical difficulties” at the field and the program had to be abandoned. (Times, Oct. 8)

Tuesday, October 10
2:30-3:00—Kitty Carlisle, Prof. Wei Chung-Loh and the Kim Loo Sisters in Chinese Independence Day ceremonies at the New York World’s Fair.
8:30-9:00—"Magazine Rack," a television revue, with the revuers, Virginia Verrill, Michael Loring, the Cabin Kids, Gene Kelly and Franzell’s Orchestra.
Reviewed Tuesday, 8:30-9:30 p.m. Style Revue. Reviewed on RCA television Receiver. Station—W2XBS.
NBC has been wondering about the future of vaude on television and has been trying to devise a means whereby acts can be presented to best advantage. This program was essentially variety, knit together into a revue, and was eminently successful as entertainment. The acts were good; the production idea was clever, and if NBC can generally combine these elements It will solve the variety-tele problem.
Program, called The Magazine Rack, was a satiric treatment of different national magazines in a series of sketches. One was devoted to Esquire, another to Vogue, pix and femme mags, etc. Foremost in these sketches were the Revuers, who first came into prominence via the Village Vanguard and who make up one of the most refreshing acts to it these parts. They have special lyrics, far and away above run-of-the-mill pop tunes and they have a sharp satiric sense. They are Judith Tuvin, Betty Comden, John Frank, Alvin Hammer and Adolph Green.
Besides the Revuers, show had Michael Loring and Virginia Verni singing. Miss Verril’s top tune was Why Does My Heart Go Boom, a lilting piece. But top vocal honors went to Loring, who also televises amazingly well and should have an inside track when the medium becomes a paying proposition.
Gene Kelly, tap dancer, appeared in a satiric sketch on types of dancers. His best were versions of ballet and sexy tappers. Music by Gregoire Fanzel’s Orchestra.
Technically, the Tuesday program again illustrated television’s inability to screen more than a few people advantageously. The Revuers, for instance, include five people; but when all five were shown the more subtle points of delineation were badly blurred. Image, too, was not always uniform in lighting.
With the exception of the Gene Kelly turn, the camera did not have to follow any particularly fast or confusing action, Kelly, doing a single, was followed all right. Camera work has definitely improved in one point; that is, faces of the cast no longer appear to be horribly yawning chasms. (Paul Ackerman, Billboard, Oct. 21).


Wednesday, October 11
2:30 P. M.—Charles LeMaire, fashion hints.
2:45—Film, "Power.”
2:55—Film, "Down the Gasoline Trail."
3:05—Film, "Greyhounds of the Deep."
3:15-3:30—Louise Irwin, exercise for beauty.
8:30-9.30—Charles Sheeler, American artist, interviewed by Sam Kootz; Madge Tucker's Radio Children; selected film subjects.

Tonight’s scheduled television broadcast of part of Max Gordon’s new musical show, “Very Warm for May,” which the National Broadcasting Company hoped would be a forerunner of regular television previews of Broadway shows in rehearsal, was abandoned yesterday by Mr. Gordon’s office because of Actors Equity’s demand for the equivalent of a full week’s salary for each performer participating in the single program.
While no formal comment was forthcoming from N. B. C., it was learned that the company’s department of television had intended to present a series of new Broadway shows in rehearsal in what would have been the first specific instance of sustained cooperation between the theatre and television. The shows would gain the benefit of the promotion, it was said, and N. B. C. would gain good television programs. Relations between the two industries, which may possibly become competitors, have occupied the attention of executives in the show business.
The N. B. C. indicated that it would hold its project in abeyance until the Broadway producers knew where they stood with the unions interested in television. Although Actors Equity has claimed the right to rule television and exercised it in this instance, the matter is at present a major issue before the Associated Actors and Artistes of America, A. F. of L. parent of actor unions.
A jurisdictional row over television started in May when regular programs were initiated in conjunction with the World’s Fair. The Screen Actors Guild and the American Federation of Radio Artists, besides Equity, believed they should have a say in the new entertainment field, at least until it became known exactly what form television might take. As a compromise it was decided to name a committee to administer television, but no such body has been appointed as yet.
Some union officials were disturbed because Equity did not notify the A. A. A. A. of the difficulties with the office of Mr. Gordon, who besides being a Broadway producer is general production director of television for N. B. C., and argued that such a stand as Equity’s could conceivably injure an industry not yet on its feet.
Robert Milford, general manager for Mr. Gordon, estimated that if Equity’s demand had been met it would have cost several thousand dollars, as he intended to use twenty-five performers, including dancers and singers. He said N.B.C. had been regularly using Equity members for its various television programs without paying any specified fee.
Mr. Gordon is expected from Hollywood tomorrow. (Times, Oct. 11)


A Columbia Pìcture trailer for “Mr. Smith Goes to Washington,” two Columbia shorts, Madge Tucker’s “Radio Children” and an interview with Charles Sheeler, photographer, by Sam Kootz were wbtituted for the Gordon musical. (Film Daily, Oct. 12)

Thursday, October 12
2:30 P. M.—Bob King, ventriloquist.
2:45 —Film serial, "The Lost Jungle,” episode VIII.
3:05—Film, "Blue Coal."
3:15-3:30—Richard Kent, “the Traveling Chef," with June Hynd.
8:30-9:30—"Jane Eyre" by Helen Jerome, with Flora Campbell, Dennis Hoey, Effie Shannon, Ruth Matteson, Carl Harbord, Lillian Tonge and Philip Tonge.
‘JANE EYRE’
With Flora Campbell, Dennis Hoey, Effie Shannon, Ruth Matteson, Daisy Belmore, Philip Tonge, Eleanor Bittis, John Clarke, Lorna Elliott, Mary Newnham-Davis, Paul Harbard, Byram Russell, Herbert Morrison, Naomi Campbell, Lillian Tonge, Olive Deering.
Dramatic Play
95 Mins.
Thursday (12), 8:30 p.m.
RCA-NBC New York
Around television headquarters in Radio City the opinion is that the broadcast of the dour Charlotte Bronte story is an approximation of the Hollywood manner of picturization. That is not too extreme a report of Anthony Bundeman’s televised presentation, although the showing was much overtime, running more than an hour and a half.
‘Jane Eyre’ was dramatized by Helen Jerome for Katharine Hepburn and the play was presented with her by the Theatre Guild. Tried out on the road two seasons back. Miss Hepburn was dissatisfied and asked Miss Jerome to make ‘revisions but no dice. Although ‘Jane’ did well on the tour Miss Hepburn refused to come to Broadway with it and the Guild decided to skip the whole thing. After watching the tragedy in television form, impression is that Miss Hepburn was canny. It might have been another ‘The Lake,’ instead of her currently smash comedy success ‘The Philadelphia Story’ (Shubert, N. Y.).
Bronte plays have been tried on the stage over here but none have clicked, despite London’s showings. There is too much of the moaning wind across the moors to make for entertainment. Essentially there is too much trouble motif in the stories to attract the average playgoer but as a television stunt, it was excellent.
As the performance proceeded it improved. The many problems of this experimental side of show business were obscured in the intensity of the acting. Stage lighting which hindered the early portion of the broadcast was more expertly handled thereafter with the close-ups particularly effective. Flora Campbell who played the title role was pictured with a hollow right cheek, either because the lights cast a shadow or a detect in make-up.
Miss Campbell wore the same frock throughout, although there is an extended period of time covered by the story. There were two intermissions, providing plenty of time for costume changes and even Scotch women have wardrobes.
Dennis Hoey had the part of Rochester whose demented wife occasionally escapes from her guarded wing of the house and whose eyesight is destroyed when he attempts to save her in a fire. Rather a heavy part but ‘Jane’ is essentially a woman’s play. He is called monsieur and it was pronounced almost the same as Eyre by the players, which was slightly confusing.
Miss Campbell has been in legit for some time. She stepped into ‘Jane’ on short notice when Margaret Curtis was forced out by illness, so her performance was exceptional. Last season she toured In ‘Angela is 22.’ Hoey had the same part in the stage version of ‘Eyre’ with Miss Hepburn. Among the other players who did well in the broadcast are Effie Shannon, Ruth Matteson, Daisy Belmore, Carl Harbord, Lillian Tonge and Philip Tonge. All are of the stage. Ibee. (Variety, Oct. 18)


Reviewed Thursday, 8:30-10 p.m. Style—Drama. Reviewed on RCA Tele vision receiver style TRK-12.
Aitho drama is now considered the best of present entertainment forms for television, NBC’s production of Helen Jerome’s version of Jane Eyre, the Bronte classic, strongly Indicates that the time of the dramatic presentations should be kept to a maximum of an hour. Jane Eyre ran 90 minutes, resulting not only in a definite eye strain but raising this question: Will people sit in a darkened room for an hour and a half to watch such shows? There’s something different in a theater or a movie house—excluding the eye strain, of course—that prohibits using them as parallels for comparison, to a television drama.
All told, however, Jane Eyre was a pretty good production, most of the faults being minor. At the same time there were several sock bits of direction—the first sight of the maniac; Jane talking to herself in the mirror; the close-up of the housekeeper (Effie Shannon) knitting, used near the end of the show to set the locale, and one or two others.
Flora Campbell played the lead only moderately well. In the tense moments she spoke much too quickly and thruout failed to cast her eyes directly at the character to whom she was speaking, a fault which television makes much of. She suffered, too, at times from either bad direction or bad camera, facial shadow making her look gaunt and drawn. Her right profile seems much the better. Dennis Hoey, the male lead, suffered from either slovenly sound direction or else doesn’t know how to use his voice at all times. Much of the time he boomed and bellowed to a bad level, overshadowing all other dialog. However, when he spoke quietly the mike showed he has a voice of resonance and pleasing masculine timbre. Hoey, with proper direction, undoubtedly can handle any television assignment. Supporting work was uniformly good, with Carl Barboard and Mary Newnham-Davs outstanding. Miss Newnham-Davis, playing with restraint and finesse, was probably the best of the entire cast.
Minor flaws in direction included obvious telegraphing of action several times; Miss Campbell’s wearing of the same gown thru the whole show, despite the time changes and an unwise selection of her coiffure, not particularly flattering. There were numerous occasions, also, when either the sound effect (wind) or musical background were up too much and several times one of the overhead mikes showed on the picture. The camera work, in most cases, was quite advanced, aitho once during pivotal action two of the main characters, one of whom was being directly addressed, was out of the picture completely. Jerry Franken. (Billboard, Oct. 21).


National Broadcasting Co. will start twice-daily announcements over local NBC stations today of television programs. Heretofore, television programs have received little publicity since few newspapers featured them. Occasionally, when telecasts of national importance have been made, they were announced in the sustainer news broadcasts, but regular features received no publicity over the air.
It was felt originally that sponsors of programs might object if their listeners were lured away to outstanding television features, but this objection apparently has been overcome.
Television programs for Tuesday evenings are being dropped and Sunday afternoon telecasts of professional football games will be added, beginning Sunday, Oct. 22. Another new feature will start Saturday, Oct. 21, at 9 P.M. when regular weekly boxing bouts from the Ridgewood Grove Arena, Queens, will begin.
First systematic effort to obtain audience reaction to television programs has started. Approximately 300 requests for weekly programs have been received in two days. Programs are sent together with postpaid card asking for a rating of excellent, good, fair or poor, for a list of 16 program items. (Motion Picture Daily, Oct. 12)


Friday, October 13
2:30-3:30—Model Airplane Meet, Bendix Airport, Bendix, N. J.
8:30-9:30—Motion picture anniversary program; historic films, “The Great Train Robbery” and “The Kiss”; James Kirkwood, June Lorraine, mimic; Marjorie Entero and Phillipe Borgia, dancers; Ramon Armengod, Mexican dancer.

Saturday, October 14
3:00-4:30—Football: C. C. N. Y. vs. Scranton University, Lewisohn Stadium.

Sunday, October 15
REVISION of NBC’s television schedule will drop Tuesday afternoon and evening programs and start each week off on Wednesday, but will add Saturday evening and Sunday afternoon telecasts to the schedule instead. Arrangements have been made to televise boxing matches in Brooklyn, 9 to 11 Saturday nights and home games of the Brooklyn Dodgers, pro football team, 2:30-4:30 Sunday afternoons. (Broadcasting, Oct. 15)

WLW, Cincinnati, conducted the first public television demonstration in the city recently when it arranged for installation of technical equipment, installed and manned by RCA, in a local department store. With iconoscopes on the fourth floor of the store, connected by coaxial cable with receivers on the ninth, the station furnished entertainment by studio talent during the six-day showing as well as arranging for talent from local night clubs and interviews with members of the Cincinnati Reds ball team. Peter Grant and Charles Woods, WLW announcers, were m.c.’s. (Broadcasting, Oct. 15)

UTE INDIANS of the Uintah and White River tribes of Eastern Utah recently performed ancient tribal dances and ceremonies for the television audience during a demonstration using the RCA portable equipment conducted by KDYL at the Paris Co. Department Store in Salt Lake City. After representatives of the two Ute tribes had performed the ancient “Bear Dance” and “Turkey Dance”, the 89-year-old chief of the Uintahs described in Ute sign language the coming of the whites to Utah. (Broadcasting, Oct. 15)

Tuesday, October 17
10:30 a.m.—Special showing.
Television images transmitted from the Empire State tower station W2XBS were viewed over Washington today by a group of observers flying at an altitude of 21,600 feet above the capital city in a United Airlines plane piloted by Richard Hoffman and Robert Hawley. The plane, carrying a standard RCA televisor giving an 8 by 10 inch picture, took off from North Beach airport early this forenoon and gradually increased its elevation in order to maintain a line of sight with the television station. Observers reported that the images remained clear and distinct throughout the 200-mile journey although the radio transmitter aboard aboard the plane caused slight interference when in operation. The picture was as bright and free from flickering when viewed over Washington as at the start of the flight near New York.
The television program prepared for the test consisted of talks by David Sarnoff, president of the Radio Corporation of America, and W. A. Patterson, president of the United Air Lines, who spoke from Radio City studios. Views of the North Beach airport were picked up by the mobile television unit and transmitted as part of the demonstration. Among the guests aboard the plane was Brig.-Gen. Delos C. Emmons, chief of the United States Army General Headquarters Air Force, who expressed himself as impressed with the military possibilities of television aboard planes. (New York Sun, Oct. 17)


Wednesday, October 18
2:30 P. M.—Visi-Quiz with Robert Eichberg.
2:45—Film, “The Texas Ranger.”
3:05—Film, "Pilgrimage Through Palestine."
3:15-3:30—Dr. Hugh Grant Rowell and Lisa Sergio on "How We See."
8:30-9:30—"The Dover Road," by A. A. Milne, with Charles Webster, Marjorie Clarke, Maurice Walls, Marie Carroll, Richard Janaver, William Thornton.
“The Dover Road”
Reviewed Thursday, 8:30-10:15 p.m. Style—Legit. Reviewed on RCA Receiver style TRK-12.
NBC’s evening studio shows are listed for a one-hour period, 8:30-9:30 p.m., but the time allotment seems to be flexible. Dover Road, for instance, ran over one and one-half hours, as compared to an average of two hours for regulation legit theater drama. This is too long for tele.
Granting the extra 30 or 35 minutes is very nice of NBC, and undoubtedly makes the task of adapting the program a comparatively simple one for the NBC staff, the more the show approximates a full-length legit drama the more NBC’s shortcomings’ become apparent when compared with straight legit. When a script is trimmed to one hour, those on the receiving end are likely to be much more sympathetic in view of the obvious and inherent difficulties.
In Dover Road the tele cast performed creditably, but the camera men, who have been generally showing an improvement, suffered something of a relapse. On occasion, as when three characters would sit at a table, only two and one-half would be visible. It seems, too, that some of the visual sharpness. In the earlier programme has been lost, but if this is so the loss has been accompanied by a corresponding increase in the technique of making the cast look reasonably like human beings. Those early shows presented a fearful array of faces.
Best of the cast of Dover Road Charles Webster, an old hand at radio drama and before that a legit actor. With this eclectic background, of course, Webster would naturally prove able, both in talking his lines and in the more subtle elements of acting usually forgotten or neglected by the run-of-the-mill ether thespian. He played Mr. Latimer, the lead, with the air of mystery and spiritual understanding required.
Others were Marjorie Clarke, who took second honors as Ann, and Maurice Wells, Marie Carroll, Richard Janaver and William Thornton. Paul Ackerman. (Billboard, Oct. 28)


TELEVISION’S first regular quiz show, Bob Brent’s Visi-Quiz, was started Oct. 18 by NBC as a regular Wednesday afternoon feature of the network’s video station, W2XBS, New York. Questions are chosen so that answers have to be demonstrated as well as spoken. (Broadcasting, Nov. 1)

New York—The tri-cornered jurisdictional dispute over television control among the Screen Actors Guild. Equity and American Federation of Radio Artists, was bought to a head yesterday [18], when all three organizations reached an agreement whereby they will share in the control and administration of the new field.
The fight for tele jurisdiction among the key unions of the Four-A’s has been going on for a long time, and the matter has been before the Four-A executive board for a number of months, with each union holding fast to its claim for control. SAC argued that it was entitled to the nod, since television process was at least 50 percent a film problem, while Equity carne forward with the contention that live performers were being used, and AFRA that it was a primary radio proposition.
Yesterday’s settlement was believed to have been brought about by action of NBC television officials, who appeared before Equity’s council and asked for sympathy and understanding in the development of television and in the firing of its wages and conditions. The whole argument arose the previous day when SAC notified NBC officials that all television films would have to be made under regular SAC contracts, covering rates and conditions.
Under the proposed setup SAC will have complete control of all films used in telecasting Equity and AFRA will tointly maintain jurisdiction over live performances through administration of a joint board, with Equity to hold the majority of members on the board. (Hollywood Reporter, Oct. 19)


Thursday, October 19
2:30-3:30 P. M.—Automobile review at World's Fair.
8:30-9:30—Variety Hour with Tarki, Japanese male impersonator; Ham Fisher, cartoonist; Patricia Donnelly, “Miss America of 1939”; Tex O’Rourke, master of ceremonies.

Friday, October 20
2:30 P. M.—Fur fashions.
2:45—Film serial, "The Lost Jungle," Episode IX.
3:05—Film, “Football—Kicking."
3:15-3:30—To be announced.
8:30-9:30—“The Milky Way," by Lynn Root and Harry Clark, with Claudia Morgan, June Blossom, Rosa Hertz, and James Corner, Alec Cross, Fred Stewart, Paul Porter, Lowell Gilmore, Benson Greene.
I. J. Fox presented a collection of rare and costly furs in an N. B. C. broadcast yesterday afternoon. Max Bachrach, well known fur authority, discussed the early history of trapping and primitive uses of furs, and answered queries about the nature and value of the rare pelts in the show.
Included in the collection were two Belvedere fox furs, the result of twelve years of experimentation in cross-breeding silver and white foxes, and valued at $4,000 a pair. Mr. Bachrach displayed a platinum timber-wolf fur which was seven feet in length, and referred to it as a “museum piece.” Other unusual pelts included a “blue haze” Arctic fox, an albino beaver, both white and blue muskrats, and the skin of a pure white mink which was trapped in the part of this country.
Among the coats displayed on mannequins were a three-quarter length mink and a costly Russian sable model. (Herald Tribune, Oct. 21)


‘THE MILKY WAY’
With James Corner, Alexander Cross, June Blossom, Ross Hertz, Claudia Morgan, Fred Stewart, Lowell Gillmore, Benson Greene, Paul Porter
Comedy Play
95 Mins.
Friday (20) 8:30 p.m.
RCA-NBC. New York
As a stage comedy ‘The Milky Way’ was a fairly successful show as presented at the Cort, N. Y., in 1934. Televised, the play drew many laughs as staged by Eddie Sobol, but again television itself was overtime and a strain on the eyes. Intermissions were not necessary, save to give the players a bit of rest.
It was the first stage performance so broadcast in which part of the story was projected in film form. Story is that of synthetic fighter, a boy who delivers the milk being turned into a pug against his will and copping the title. In the play a dressing room akin to those at Madison Square Garden was a scene. No attempt at that in the telecast, but a prize light was simulated.
That was the film portion of the performance in which part of the cast participated. Making of the picture caused a new problem for television for the Screen Actors Guild was in clined to protest, since the scale of pay is considerably under the Union’s minimums, The so-called contest is a one-punch affair, with the scrawny milkman kaoing the champ by butting him senseless. Ordinarily that is foul and would call for disqualification. However, it is the story, regardless.
Film ran around 500 feet and included a process shot of planes and railroad trains. Latter indicated the places that ‘The Cheese Champ,’ which was the original title of the play, fought a row of pushovers in the build-up for the title event. Use of the film was an adaptation of dubbing music and sound effects on motion pictures.
There were punches thrown in the telecast, and invariably the real champ was the victim. The socks were generally made by Speed, the trainer, who attempts to wallop Burleigh Sullivan, the milkman. Latter’s specialty was ducking with the comic result that the wrong guy took it on the chin. Ebee. (Variety, Oct. 25)


Saturday, October 21
2:30-3:30—“Wings Over the Nation,” Progress of American Aviation.
9:00—Boxing Bouts at Ridgewood Grove: Tony Marteliane vs. Bobby McIntyre, lightweights; Jerry Fiorello vs. Tommy Zano, welterweights; Hi-O Silver vs. Lulu Constantino, featherweights; Texas Lee Harper vs. Charley Barre, featherweights.
BOXING BOUTS
With Sam Taub.
Ridgewood Grove, Brooklyn
Two Hours
Saturday (21)
RCA-NBC, New York
Televising of boxing exhibitions as seen on the receiving minor Saturday evening was move than a stunt. It was excellent pictorial reporting. The broadcast did not measure up to motion picture recordings of fights in clarity, but looking at the direct action plus, the explanation of the commentator seemed rather exciting. Broadcast may be said to be in the shape of things to come.
It happened that the semi-final match ended in a knockout and right cross to the chin was directly in line with the camera. With the fallen boy lying on his face it was a cinch that he could not arise before the count of ten. As a matter of fact, the kid had to be aided to his corner. It was great for television.
Aside from the bouts the action of dapper Jim Crowley, the referee, rates him an actor, but he seemed entirely unconscious of being caught by the camera. The fights were of the club classification, meaning that the boxers are under the level of proficiency supposed to qualify them for appearances at major ring shows as those at Madison Square Garden. However, the excitement of the fans was just as genuine and faithfully recorded by the microphone. So that telecast onlookers may identify the boxers, one wears a band of white on the top of his trunks.
Of particular interest perhaps was the performance of Sam Taub, who has been on the air describing fight shows for years. Instead of the jargon-like jumble that was his style in attempting to tell every blow delivered, Taub spoke in measured tones and permitted the onlooker to see for himself what went on. Most of his comment was between the rounds. Improvement in the style of the radio fight reporter appears to place him for this kind of television commentation. Ibee. (Variety, Nov. 1)


IN COOPERATION with the Air Transport Assn., organization of 16 of the largest airlines and 20 major manufacturers of aviation equipment, NBC on Oct. 21 will start a series of one-hour televised programs designed to promote air travel. Plane models in the studio and movies will be used and noted figures in the industry will be interviewed. Erwin, Wasey & Co., New York, agency for the Assn., will assist NBC in the preparation and presentation of the series. (Broadcasting, Oct. 15)

TELEVISION’S first premium offer was made by the Air Transport Assn. over W2XBS, New York, on Oct. 21 during the first of a series of telecasts designed to promote interest in aviation and air travel. Model planes were offered free to the first six youngsters requesting them and 45 answers were received by Monday morning, first mail following the Saturday afternoon broadcast, including three phoned requests at the conclusion of the telecast. (Broadcasting, Nov. 1)

Although Columbia blows alternately hot and cold on its statements regarding television, owners of television sets were not surprised this week when audio signals were picked up from the networks transmitter on the Chrysler tower. The regular WABC programs were being used as test material for the 50-58 megacycle channel assigned to Columbia. Future plans for the station will not be revealed by the network but it to understood that tests on both audio and video channels will continue intermittently. (New York Sun, Oct. 21)

Sunday, October 22
3:30 P. M—Football: Brooklyn Dodgers vs. Philadelphia Eagles.
DODGERS VS. EAGLES
Professional Football
Sunday (22); 2:30 p.m.
RCA-NBC, New York
Mobile television unit which broadcast fights in Brooklyn Saturday evening was in action Sunday afternoon again in that borough to telecast the football game between the Dodgers and the Eagles from Philadelphia.
Again the broadcast was interesting and while the flight of the ball when kicked could not be followed by the camera, enough of the action was visible to keep the eye upon the receiving mirror. Here again the style of descriptive commentation was an improvement over the usually furious pace used in desctribing most sporting events by radio.
Game was held in the Brooklyn baseball park and several players formerly famous in college ranks were in action, attention being called to them as they participated in the important plays. Contest was close for a time, when the Philly aggregation tied the score, but later the Dodgers drew out to a decisive victory.
As the afternoon wore on reception was not as clear as when the sun shone. Indicated that the pro games are started too late for the shortening days but use of flood lights with which most ball parks are equipped should help telecast reception. Ibee. (Variety, Nov. 1)


For several weeks the television announcer at the microphone of the National Broadcasting Company at Radio City, at the conclusion of telecasts has invited the unseen audience to send in written requests for programs in advance. The motive is to shed some light on the size of New York’s tele-radio audience. To date, approximately 400 requests have been received. It is believed that in the metropolitan area there are between 500 and 1,000 tele-receivers. (Times, Nov. 22)

Wednesday, October 25
2:30 P. M.—Talk, Alice Maslin.
2:55— Film serial, "The Lost Jungle," Episode X.
3:05—Film, "Midsummer in Sweden."
3:15—To be announced.
8:30-9:30—Variety hour: John Frederick, hat designer; debut hour with Allen Prescott, Better Vision Institute.

Thursday, October 26
2:30-3:30—A mobile unit pick-up.
8:30-9:30—Film, "The Mutiny on the Elsinore," with Paul Lukas, Lyn Harding and others (Regal, 1937).

Friday, October 27 2:30-3:30—Film, "Pilot X."
8:30-9:30—"The Fortune Hunter," by Winchell Smith, with Gloria Blondell, Douglas Gilmore and Percy Kilbride.
‘THE FORTUNE HUNTER.’
With Lowell Gilmore, Percy Kilbride, Gloria Blondell, Maurice Burke, Hugh Cameron, Theodora Peck, Clarke Chesney, Maude Ream Stiver, James Swift
Comedy Play
55 Mins.
Friday (27) 8:30 P.M.
RCA-NBC. New York
In selecting a former stage success for revival by television the choice was hardly as fortunate as most others. Not that the performance directed by Warren Wade is of lesser standard but the play itself was outmoded.
‘The Fortune Hunter' was written by the late Winchell Smith, an author-manager who was teamed with John Golden. Between them they staged a flock of successes and became wealthy. 'Hunter' was well rated in its day but was hardly among Smith's top works.
Story has to do with a lad from the city who accepts a job in a country drug store, behind the soda counter. It is strong on the romantic side and one point in its favor is the comparative brevity of the telecast. Play was first stage hit scored by John Barrymore, then a kiddie.
That pert was played by Lowell Gillmore in the telecast, other players also mostly being from the legit. Percy Kilbride and Gloria Blondell, sister of the Coast star, were the other principal leads. Ibee. (Variety, Nov. 1)

Saturday, October 28
2:30-3:30—Progress of aviation.
9:00-10:00—Boxing matches, Ridgewood Grove Arena.
The second week-end program of televised sports events begins this evening with a card of boxing bouts at the Ridgewood Grove Arena, Ridgewood, Queens, followed tomorrow afternoon with a professional football game between the Brooklyn Dodgers and New York Giants at Ebbets Field. The success of similar features televised last Saturday and Sunday over W2XBS has convinced many observers that outside events such as these possess greater visual appeal than the majority of tailor-made studio shows, despite the difficulties encountered by the NBC Mobile Unit in getting enough light on the ring at the arena and combating the setting sun during the last quarter of the football game.
More Lights Needed.
The lack of sufficient light on the boxing ring made it impossible to distinguish the features of the contestants although the action itself was clearly defined at all times. This drawback was particularly noticeable last Saturday night when the black and purple trunks worn by the fighters registered alike on the television screen as black. A white tape attached to the side seams of one of the pairs of trunks would eliminate this difficulty in identification and add to the value of the entertainment.
One of the cameras in use at the boxing bouts, a newly developed orthicon replacing the earlier iconoscope, exhibited a bright unmodulated area in the center of the screen due to the formation of an ion spot on the camera's sensitive surface. Engineers explained that the fault was known beforehand but became noticeable in this instance because of the light intensity which was below the normal required by the camera tube.
With the days growing shorter NBC may decide to omit the last quarter of future gridiron contests. The heavy shadows cast by the high stands at Ebbets Field also tend to reduce the illumination required for ideal transmission.
It was also revealed that the brief interruption of the football transmission last Sunday was caused by trouble at the Empire State transmitter and not in the Mobile Unit working at Ebbets Field. (New York Sun, Oct. 28)


WHILE Arturo Toscanini was conducting the Brahms concerto for violin and ‘cello, boxers were on the air from Ridgewood Grove in Brooklyn. The music was on the standard broadcast waves. The gladiators were on the ultra-short waves and could be seen by television.
Simultaneously the New York area was being bombarded with a severe lightning storm. The bolts blasted the music to bits. There was not the slightest trace of the static on the ultra-short waves that carried the sounds from the roped arena. The only inkling in the television realm that an electric storm was raging was an occasional tipping of the picture out of the frame, but it came back in a flash. Now and then the terrific bolts shook the synchronizing signal that helps to hold the picture on the screen, and when that happened the picture momentarily blinked or sort of rolled out of the frame as if on a cylinder and then came right back. Nevertheless, as far as the clamor of the crowd and Commentator Sam Taub’s voice were concerned, the ultra-short waves were staticless.
The engineers explain that the power in the picture is not as great as in the sound, therefore a lightning bolt is more readily recognized by the image section of the receiver. Furthermore, this synchronizing signal that keeps the receiver and transmitter in step is comparatively a delicate impulse, and a heavy electrical crash upsets it and the picture, just for a second, flops out of the frame. (New York Times, Oct. 29)


Sunday, October 29
2.30-5:00—Football: New York Giants vs. Brooklyn Dodgers, at Ebbets Field.
8:30-9:30—Variety hour, with Capt. Bob Bartlett, motion pictures of his arctic explorations, and the television explorers.

The Don Lee television station, W6XAO, is now presenting telecasts from 8 to 9 p.m. every day, with matinees from 4 to 5 on Tuesday, Thursday and Saturday afternoons. On three of the evening telecasts there are live subjects; the other three consist of telecasting of motion pictures.
Station estimates there are about 600 television sets in Southern California homes at present, with programs being received within a radius of 30 miles of the station. (Hollywood Reporter, Oct. 30)


W. P. Lipscomb, British playwright and scenanist, who was the first producer of “live’ television broadcasts of full length plays in London, will discuss that effort and American possibilities in the field with Harry Lubcke, television director for the Don Lee - Mutual Broadcasting System, in a telecast over Station W6XAO at 8:30 tonight. (Hollywood Reporter, Oct. 31)