Saturday, 16 September 2023

August 1931

Another television station signed on during August of 1931. W2XAW was the General Electric’s station which eventually became WRGB. It didn’t have much of a schedule, simply simulcasting with WGY radio from 5 to 6 p.m. on Tuesdays and Thursdays.

The transmitter was turned on less than a month after CBS’ W2XAB went on the air. It, too, simulcast some radio shows and tried for something a little ambitious—a televised boxing match. It wasn’t much of one. Remote broadcasts weren’t possible and the TV cameras of those days couldn’t pick up much more than the upper half of person’s body and very little movement. The match wasn’t much of one, considering the restrictions imposed by TV in that era.

Most of W2XAB’s affairs were 15 minutes long. They featured a few of the network’s singing stars, as well as announcers. Two of them later worked for Fred Allen—Ken Roberts and Harry Von Zell, who spent his quarter-hour playing the mandolin! There is an appearance by Teddy Bergmann, later known as Alan Reed. Comedians Miller and Lyles had a weekly show. They were, more or less, Amos ‘n’ Andy before Amos ‘n’ Andy—and they were actually black. We’ve attached an article about them for you to read.

The Jenkins station in New York, W2XCR, continued to simulcast programming from WGBS. The other stations in the east had no live programming; including NBC’s W2XBS. Deac Aylesworth explained to one newspaper, in a lengthy article, why the company—which today leaves the impression it was a huge TV pioneer—was reticent to do much more than shoot Felix the cat revolving or a title card with the station call letters.

Here are the TV listings for the month. They’re from various sources. There are conflicts between the New York Times, Sun and Herald Tribune involving air hours and some shows, and some papers don’t mention stations other than W2XAB and W2XCR. Nothing appears for the DeForest station, W2XCD in Passaic; the company was having money trouble. DeForest had bailed. A lengthy article in the New York Sun on August 1st stated the NBC station, W2XBS, operated Monday through Saturday, with its transmitter in the Amsterdam Theatre Building in Times Square. And there is a list of applicants for new stations or frequencies.

Saturday, Aug. 1, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00—Experimental images.
8:00—Natalie Towers, songs.
8:15—Harry Von Zell, mandolin.
8:30—Kathryn Parsons, songs.
8:45—Reis and Dunn, minstrels.
9:00—Kenneth Roberts, Readings
9:15—“Syncopated History,” Henry Burbig, comedian.
9:30—“Hit of Tomorrow,” Florence Seibert, pianist; Artells Dickson, songs; talk, Louis Dean

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls.
4:15—Lily Leonhard, songs.
4:30—Vera Hurst, sketches.
4:45—Noah Ferris, songs.
6:00-9:00—Same as WGBS.
6:00—Quinn and Dublin Boys.
6:30—Van Dycke’s Interlude.
6:45—Sports Talk.
7:00—Dalma Denyee, songs.
7:15—“About New York.”
7:30—Robert Malone, tenor.
7:45—Television Trio.
8:00—Rose White, songs.
8:15—Sport celebrities, Freddy McGuire.
8:45—Helen Hoss, songs.

W2XBS (NBC), New York, 2100 kc
2:00-5:30—Silhouettes, talks. 7:00-10:00—Silhouettes, announcements.

W2XR (Radio Pictures/John Hogan), Long Island, 2950kc.
4:00—Cartoons. 5:00—Films (2150 kc. and 2030 kc). 7:00—Films (accompanied by coordinated sound through W2XAR, 1604kc). 9:00—Cartoons.

W3XK, Washington, 2035 kc.
7:00-9:00—Film. 10:30-11:30—Film.

W1XAV, Boston, 2870 kc.
1:00-2:00—Halftone pictures. 7:00-10:30—Halftone pictures.

The National Broadcasting Company is going into television for public entertainment and not as a laboratory experiment of interest only to those of its audience who may have a flare for mechanical puttering. Until such time as its television experiments may be considered a practical form of entertainment run in conjunction with its broadcasting, the N. B. C. will carry on its laboratory work without talking.
The date for the opening of its new television studios on the eighty-fifth floor of the Empire State Building has been tentatively set for January 1. At that time N. B. C. expects to be ready to bring televiaion out of the research laboratory for practical experimentation. The doors of the great combination laboratory at Camden will awing wide to reveal the closely guarded secrets which have for ao long been rumored secrets which, it is said, will revolutionize television broadcasting.
Engineers of the Radio Corporation of America, the General Electric and Westinghouse Manufacturing companies are combining forces and brains at Camden in an effort to be ready to meet N. B. C.'s demand for practical experimental television by the first of the year. There, it is said, has been developed an entirely different technic for television transmission and receiving—one in which the cathode ray and cathode tube will replace the scanning disc and neon tube used in the present experiments. The engineering achievements in the developing of this system are still one of R. C. A.’s most cherished mysteries, but it is reported that where most of the stations now operating are sending pictures on sixty lines, twenty frames a minute. W2XBS, the television station of the N. B. C., when housed in its new quarters will be able to send up pictures on as many lines as the broadcast standard will allow, with opinions varying from ninety to 120 lines as the possible standard to be adopted. The cathode system, permitting the increase in lines and resulting increase in the amount of detail carried, has overcome the handicap of insufficient light.
Working on Light Cells.
The experimentation which has been carried on with the light cells one of the weakest points of present day television, have resulted, it is said, in marked improvement. The pink glow with suffuses present broadcast pictures will be missing from the N. B. C. pictures of tomorrow, although just what hue will be used is another laboratory secret. It has not been possible to data to obtain a gas which will permit the showing of the pictures in black and white relief.
So much is known, but a whole lot more is left to the public's imagination by those carefully guarded laboratory doors. That the National Broadcasting Company has been severely criticized for an obviously apathetic attitude toward the subject of television in the past has not escaped unnoticed. This has been in the main inspired by N. B. C.'s reluctance to discuss its television experiments. M. H. Avlesworth, president of N. B. C., explains that his company’s lukewarm attitude toward the subject is inspired by the belief that television has not arrived at a point where oy may be acclaimed by the public as a practical means of entertainment.
Not Yet a Public Service.
"Television as it stands today is for the man who likes to tinker with mechanical devices for his own amusement," said Mr. Aylesworth. "It cannot, by the wildest stretch of the imagination, be declared a public service for the benefit of the vast audience which radio broadcasting has won. Until such time as it can be used for public benefit we are not interested in talking about it. I do not honestly believe that the radio audience is, or would be, interested in receiving pictures such as those as have marked the television experiments up to the present time. Moreover, the constant changes that have taken place and are continuing to take place in television broadcasting make it impractical for the average person to build a television receiver. It is essential that some standard be accepted before the public is led into spending money to build sets which the next day may have to be discarded.
'Moreover, as I view it, the public wants television pictures far in advance of anything which has been possible before this. One must remember that when radio first started there was nothing to be used in comparison except an inferior type of phonograph that wasn't much better than was radio itself. Today any attempts at television must bear the brunt of an instinctive comparison in the public's mind with talking pictures. In addition to this, the wonderful novelty of drawing something out of the ether is gone forever. People were awed by sound flying through apace where they won't bat an eyelash over pictures sent the same way—they will merely accept it as something that was to be expected. That attitude alone will make the picture far more critical of television man it ever thought of being of broadcasting, and the demand placed upon television will be that much greater.
That Corner Again.
"When I say that television 'is just around the corner' I mean that television as entertainment has not come yet. We have been broadcasting under the system as it is known today since W2XBS was licensed in April. 1928. Until televised programs can be carried into the home as practical entertainment with future experiments working toward the perfecting of, rather than the development of, an accepted system, I do not feel that television has 'arrived.'"
C. W. Horn, chief engineer of N. B. C, with an engineer's characteristic reticence, would admit little more than that some radical developments may be looked at when he has the new television station in the Empire State Building in working order. Mr. Horn will have charge of overseeing the installation of the new apparatus expected from Camden and will supervise the test programs sent from there.
“Our reason for wanting the Empire State station is that we have found that the height on an antenna in the heart of the section we are to serve is of primary importance,” Mr. Horn explained. “Using the mooring mast atop this building for our antenna means that we are high above anything else within our station’s radium, and we will be able to “shoot down” on New York city rather than have to go through the many steel structures in the congested business areas of the city. We have found, for example, that the buildings of downtown New York cast a distinct zigzag shadow, as does the shopping district fromThirty-fourth to Forty-second street. A television receiver located within the radius of these shadows is seriously affected. By “shooting down” on the city we will overcome, I believe, the handicap of those ‘dead’ places.
A Change of Direction.
"Our experiments have been practically the same as those of other stations now broadcasting so-called television pictures. We have not sought to combine sight and vision for the simple reason that we have never felt satisfied that we had at hand a practical means of transmitting pictures. In this, events have justified our belief, for after working for so long to bring one system up to a reasonable standard we have scrapped the entire system and developed television along an entirely different line.
“We cannot even now say that the new system will prove wholly practical when we have had the chance to test it out under existing conditions, therefore, even after we open our television studios the televised entertainment from there must be considered as practical experimentation. Broadcasting had a clearly defined standard established before it was released from the research laboratories, and from then on it was a case of perfecting a system and overcoming complications as they developed. The same will be true of television. Moreover, it is easy to create an illusion through sound alone where the eyes will not be deceived.
"The technical problems to be solved are problematical. We have found that in certain sections we receive two or three pictures of the same image. We have 'dead' spots that must eventually be penetrated. I believe that sound must eventually go into short waves, and that provides one of the greatest problems of all—where are all the waves that will be necessary to operate, say a chain of television stations, coming from? The engineering development is only a part of the picture of the television of tomorrow."
It was also pointed out by Mr. Horn that receiving sets for television must be developed in conjunction with the transmitters, as the structure of television is based on perfect synchronisation of the two. At the present time W2XBS has its transmitter in N. B. C.'s Times Square studio in the Amsterdam Theater Building. It operates on a frequency of 2,100 kilocycles or 143 meters from 2 to 5:30 and from 7 to 10:30 P. M. daily except Sundays. It is now using the same type of scanning system as all Eastern stations. A R. C. A. type receiver has been installed in the laboratory at 711 Fifth avenue. (New York Sun)


Annette Royak, Russian prima donna of the Petrograd Opera, will commence a series of three broadcasts over television station W2XCR and sound station WGBS, beginning tomorrow at 7:15 P. M. Her second appearance will be on August 9; her third on August 16. (Sun)

WASHINGTON, Aug. 1.—Having severed his connections with the De Forest Radio Company of Passaic, N. J., Dr. Lee De Forest, renowned as the father of radio because his invention of the vacuum tube made modern radio and its kindred arts possible, is now affiliated with the American Television Laboratories, Ltd., of Los Angeles, where he recently took up his residence. Dr. De Forest is vice-president of the company whose president is James W. Garside, formerly president of both the De Forest Radio Company and its subsidiary, the Jenkins Television Corporation.
Apply For High Power.
An application for authority to erect a new 10.000 watt television transmitter at Los Angeles, using the visual wave lengths between 2,000 and 2,100 kilocycles, has been made to the Federal Radio Commission, and will be the subject of a hearing before a commission examiner next autumn. Signing the application as engineer was Charles E. Huffman, formerly an engineer of the DeForest Radio Company. Perry Hull, 25 Broad street. New York city, is named as secretary of the company.
Use 78-Line Image.
The application states that the system being developed in California is a De Forest scanning system using twenty frames a second, seventy-five lines a frame. The scanning is horizontal clockwise, using both film and direct pickup. The application reveals that the American Television Laboratories, Ltd., giving its as 7160 Santa Monica Boulevard, Los Angeles, is incorporated both in California, and Delaware. The California corporation simply has 5,000 shares of common stock at $1 per share. (Sun)


Sunday, Aug. 2, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental images.
8:00—“Italian Idyll,” Sorey Orchestra.
8:30—Richard B. Harrison, readings.
8:45—George Beuchler, baritone.
9:00—“Half Hour on Broadway,” Lillian Taiz, soprano; Sam Jaffe, Gypsy Markoff, songs.
9:30—Coral Islanders, Hawaiian ensemble.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
5:00-9:00—Same as WGBS.
5:00—Irish Boys.
6:00—“Musical Etchings.”
6:15—Cissie Weston, songs.
6:30—Television Trio.
7:00—“Adventures.”
7:15—Annette Royak, songs.
7:30—Comedy, “Mr. Fresh.”
8:00—de Sola, piano.
8:15—“Daisy and Bob.”
8:30—Nita O’Neill, songs.
8:45—“Snapshots.”

Whenever a television station goes on the air one of the first essentials seems to be the selection of a “television girl,” one whose “well carved facial features produce favorably as a broadcast image.” Natalie Towers is “Miss Television” at station W2XAB, Dorothy Knapp represents W2XBS and Dagmar Perkins is the latest added to the ranks at W2XCR. (Orrin E. Dunlap, Jr., New York Times column)

Monday, Aug. 3, 1931
Monday, August 3, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Julian Mahoney, soprano.
8:15—Morton Downey, ministrel.
8:30—Colored Quartet.
9:00—Mary McCord, songs.
9:15—Television specialty.
9:30—The Lombardo brotherrs.
9:45—“Miss Television,” Natalie Towers.
10:00—Helen Nugent.
10:30—Television demonstration.
10:45—Artells Dickson, songs.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Elsie Duffield, songs.
4:15—Don Trent, impersonations.
4:30—Hernan Rodriguez, guitar.
4:45—Weight Reduction, Dr. Shirley Wynne.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—DeWitte’s Orchestra.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—Harriet Menken, theatre or Book Review, Edward B. Haches.
7:30—Flanagan’s Trio or Innasail Trio.
8:00—Samuel’s Proteges or Children’s Program
8:30—Kurley’s Orchestra.

WXBS (NBC), New York, 2100 kc.
7:00 to 10:30—Experimental program.

W2XR (Radio Pictures), Long Island, 2950 kc.
5:00—Films (2150 kc and 2920 kc).
7:00—Films (accompanied by coordinated sound through W2XAR, 1604 kc).
9:00—Cartoons.

W3XK, Washington, 2035 kc.
7:00 to 9:00—Film.
10:30 to 11:30—Film.

W1XAV, Boston, 2870 kc.
7:00 to 10:30—Films.

Combination sight and sound programs, with music and voice on an extensive network, start on a regular schedule at WABC-CBS next Sunday evening. Under this plan five or six of the network features each week will be taken into the television studios of W2XAB, the chain’s picture station, and the combination sent out together, sound on the regular broadcast channels and the sight on the short wave frequency of 2750. (C.E. Butterfield, AP radio column)

Tuesday, Aug. 4, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Ernest Naftzger hour, Raymond Torres, tenor; Vincent Sorey, violinist; monologues; Myndelle Louis.
8:30—Herman Oelrichs, "Handcuff Mysteries."
8:45—Dorothea James, comedy star.
9:00—Harry O’Neil, cartoonist.
9:15—Television waltz with Natalie Towers.
9:30—Art of cutting silhouettes with Beatrix Sherman.
10:00—Mary Charles, soprano.
10:15—Experimental Sketch comedy.
10:30—“Spanish Serenade.”

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Verdi’s Tiny Tots.
4:15—Adventures of Guiseppe and Luigi, sketch.
4:30—Mary Bongert, soprano.
4:45—Marie von Unschuld, piano.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Y. W. C. A. (String) Quartet.
6:45—Sports talk.
7:00—Meb and Mac.
7:15—Amusereel.
7:30—Night in Italy.
8:00—Helen Alexander.
8:15—Dagmar Perkins.
8:30—Digest Program, Mariska Aldrich, songs, others.

Other stations as above.

Up at CBS, Bill Schudt, jr., whose job it is to try different things before the photoelectric cells, has made plans to televise over W2XAB the magician, Nicola, doing his tricks. The first appearance is set for tomorrow night, with another one the following Wednesday night. (C.E. Butterfield, AP radio column)

Wednesday, Aug. 5, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Miller and Lyles, comedians.
8:15—Tony Wons’ Scrap Book.
8:30—Harriet Lee, contraltro.
8:45—“Meet the Artist.” Bob Taplinger interviews Harry Von Zell.
9:00—Paul Sisters.
9:15—Helen Nugent, contralto.
9:30—William Benton, talk: Character analysis.
9:45—Male quartet.
10:00—Three Dancing Girls.
10:15—Sports interview.
10:30—Helen Rowland, songs.
10:45—Frank Ruhf, tenor.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Bessie Bickford.
4:15—Amy Bonner, talk.
4:30—Billie Davis, songs.
4:45—At the Movies.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—“Aviation,” Lieut. Commander J.W. Iseman.
6:30—Lily Leonhard, songs.
6:45—Sports talk.
7:00—Doug Brinkley.
7:15—De Moralles Spanish Group or Naomi Shaw, songs.
7:30—Television Trio or Dance Orchestra.
8:00—Debate, Mathew Salzman vs. S. Stankey Kreautzer.
8:30—John Murphy, tenor.
8:45—Nathalie Boshko, violin.

Other stations as above.

Thursday, Aug. 6, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Brad and Al, comedians.
8:15—Television comedy, “Mr. Fresh.”
8:30—Emery Deutsch, the Wandering Gypsy.
8:45—Shadow boxing demonstration.
9:00—Musicale: Round Towners, male quartet; Natalie Towers; Dave Franklin, pianist; Grace W. White; skit.
10:00—Television demonstration, “Princess Kasimira.”
10:20—Betty Spogen, songs.
10:30—Nat Brusiloff Orchestra.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, contralto.
4:15—Deacon Jazz.
4:30—Etchings, William Cox.
4:45—Lottie Salisbury, sketches.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Calendar Sketches.
6:30—“Toyland,” children’s program.
6:45—Sports talk.
7:00—Arthur Newborn, songs.
7:15—Justice Brandeis Society.
7:30—Victor Turner, xylophone.
7:45—Classic Four.
8:00—Marguerite Austin, violin.
8:15—Television Trio or Zunia Schneiderman, bass.
8:30—Rev. Edwin Curtis, “Relativity.”
8:45—Suzanne Kenyon, singer.

other stations as above.

Friday, Aug. 7, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Charlotte Harriman, songs.
8:15—Poet’s favorites.
8:30—Boswell Sisters.
9:00—Television technical talk.
9:15—Stanley Davis, steel saw.
9:30—Mildred Johnson, contralto.
9:45—Billy Jordan, songs.
10:00—Hawaiian songs and music.
10:30—Artells Dickson, songs.
10:45—Adele Vasa, soprano.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Helene Chappelle, songs.
4:15—French Lessons, Dr. Thatcher Clark.
4:30—Your Voice.
4:45—“Speaking of Women,” Edna McKnight.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Ship Ahoy Trio.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—Amusereel.
7:30—Chamberlain Brown’s Broadway Stars.
8:00—Dean J. J. Dandreau, talk.
8:15—Elena Marisa, singer.
8:30—Enterpean Waves, G. Aldo Randegger, piano.

Other station as above

This television stuff is making progress. Took a looksee at W2XAB, the CBS television transmitter, the other night to see Nicola, the magician, perform. Although he did only one trick before the television camera because he said most of his stunts require apparatus too bulky, it came over pretty well. He held up a billiard ball before photoelectric cells while the air audience watched him change it into four balls and back into one again. (C.E. Butterfield, AP radio column)

Saturday, Aug. 8, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—“Miss Television,” Natalie Towers.
8:15—Harry Von Zell, mandolin.
8:30—Kathryn Parsons, songs
8:45—Reis and Dunn
9:05—Gloom Chasers.
9:15—“Cyrano,” reading.
9:30—Florence Seibert, poet.
9:45—Artells Dickson.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls.
4:15—Olga Aldrin, impersonations.
4:30—Aunt Dixie.
4:45—Noah Ferris, songs.
6:00-9:00—Same as WGBS
6:00—Quinn and Dublin Boys.
6:30—Van Dycke’s Broadway Interlude.
6:45—Sports Talk
7:00—Dalma Denyee, songs.
7:15—“About New York,” Edward Spranger.
7:30—Robert Malone, tenor.
7:45—Vera Hurst, sketches.
8:00—Rose White, songs.
8:15—Jack Norman’s Sport Celebrities.
8:45—Helen Hoss, contralto.

Other stations as above.

A prize fight, an exhibition affair, is going out by television next Thursday night.
Participants will be Benny Leonard, lightweight, and an opponent to be selected. The transmitting stations will be W2XAB for the pictures and W2XE for the sound. Both of the CBS chain.
The bout is to take place in the studio and is to go three rounds. For the sound audience, Ted Husing will give a blow-by-blow account.
Preliminary to the match a shadow boxing exhibition was televised this week, with Walter Cobb, heavyweight, performing before the photo-electric cells. (C.E. Butterfield, AP radio column)


At 4: 45 P. M. every Tuesday the scanners of W2XCR will pick up and send out over the air the makings of what is said to be the first educational series of programs to be broadcast by television. Mme. Marie von Unschuld of Washington has enough faith in this new medium of transmission to try it out as a means of reaching broader fields in the teaching of the piano.
She explained, "it has long been my dream to achieve the results with a large group that I have attained with the individual student. While at the present state of television the teaching of the piano is rather ambitious, it is not at all inconceivable that in the near future more and more of our instruction will be broadcast over the air." (Sun)


A series of vision-sound programs by Mme. Mariska Aldrich, formerly of the Metropolitan Opera and later with “The Miracle,” will be inaugurated at WGBC-W2XCR next Tuesday evening at 8:30. She will appear in Spanish costume and render a program of songs of that country. As guest stars she will have Marguerite Sylva, who will sing the Habanera song from “Carmen,” and Frank Gough, baritone. (Sun)

By a special vote of the commission majority, two of which were obtained by telegram in the absence of all but Commissioner Sykes on their vacations, the N. B. C. has been authorized to proceed at once with the construction of its 5,000-watt visual transmitter atop the Empire State Building. The station will use frequencies in the ultra- short wave band between 43,000 and 80,000 kilocycles (6.97 and 3.74 meters).
This leaves nineteen other applications for television channels now pending before the commission. Many are from broadcasters and all but two will he subjects of hearings before the commission examiners next autumn. The two are those of the Chicago Federation of Labor (WCFL) and the Pioneer Mercantile Company of Bakersfield, Cal., both of which have been recommended for wave-length grants by examiners i of the commission following hearings before the summer adjournment. The other pending applicants and the waves and powers they seek are:
Knickerbocker Broadcasting Company (WMCA) New York; 2850-2950 kilocycles, 500 watts.
Jenkins Television Corp. (in connection with WGBS, New York), 43000-46000, 48500-50300 and 60000-80000 kilocycles, 2,000 watts.
Easton Coil Company. New York; 2750-2850 kilocycles and 43000-46000, 48500-50300 and 60000-80000 kilocycles, 300 watts.
The National Company, Malden, Mass., 2100-2200 kilocycles, 150 watts.
Pilot Radio & Tube Company, Lawrence, Mass.; 2000-2100 kilocycles, 250 watts.
Monumental Radio Company (WCAO), Baltimore: 2000-2100, 2100-2200, 2750-2850 and 2850-2950 kilocycles, 500 watts.
Hochschild Kohn & Co., Baltimore; 2850-2950 kilocycles, 500 watts.
Chicago Tribune (WGN); 2850-2950 kilocycles. 750 watts.
Memphis Commercial Appeal (WMC), Memphis. Tenn.; 2850-2950 and 43000-46000 kilocycles, 250 watts.
J. S. McClane Company, New Orleans; 2000-2200 kilocycles, 100 watts.
WJR, Inc., Detroit; 2000-2100 kilocycles, 500 watts.
Kunsky-Trendle Broadcasting Corp. (WXYZ), Detroit; no frequency or power designated.
Crosley Radio Corp. (WLW), Cincinnati; 2100-2200 kilocycles, 1,000 watts.
Voice of St. Louis (KMOX), St. Louis; 2000-2100, 43000-46000. 48500-50300 and 60000-80000 kilocycles, 500 watts.
Greater St. Louis Broadeasting Company (KWK); 2850-2950 kilocycles, 500 watts.
Trav-Ler Manufacturing Corp.. St. Louis; 2300-2500 and 1750-2000 kilocycles, 500 watts.
Missouri Broadcasting Company (WIL); 2200-2300 kilocycles, 500 watts.
American Television Laboratories, Ltd., Los Angeles; 2000-2100 kilocycles, 10,000 watts.
Indiana Community Broadcasting Company, Hartford City, Ind. (Sun)


Sunday, Aug. 9, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental images.
8:00—“The Gauchos.” or Sorey Orchestra.
8:30—Parenti’s Singing Saxophones.
8:45—Myndelle Louis, concert artist.
9:00—“Half Hour on Broadway.” Talk, Major Ivan Firth; Jack Wilson, comedian.
9:30—French trio.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
5:00-9:00—Same as WGBS.
5:00—Irish Boys.
5:45—Victor Turner, xylophone.
6:00—“Musical Etchings.”
6:15—Cissie Weston, songs.
6:30—Cosma Vullo, soprano.
6:45—Whitman Trio.
7:15—Annette Royak, songs.
7:30—Flores Sextet.
8:00—Vincent de Sola, piano.
8:15—“Daisy and Bob.
8:30—Nita O’Neil, songs.
8:45—“Snapshots.”

Columbia Broadcasting System announces that effective today a number of its regular features would be televised over W2XAB while synchronized in sound over WABC and the usual network outlets. Because of television’s present limitations, these broadcasts necessarily must be limited to groups not exceeding four or five persons. Such group presentations or single acts as are scheduled over the network will be considered for visual broadcasting as well.
Today Tony Parenti and his singing saxophones will be carried both by the network and over the visual channel. On Monday the Bon Bons will be scanned while broadcasting at 6:30 p. m., and again on Tuesday at the same hour. Radio listeners tuned to WABC and W2XAB will hear and see the Boswell Sisters at 6:45 p. m. Thursday in the same week, and on Friday at 7:45 p. m.
The Hernandez Brothers, with Vincent Sorey, will perform the flying spot Frida at 7 p. m., while their sound synchronization is being carried over WABC and a large network. (Bill Key, Atlanta Constitution)


Application for a construction permit for a 250-watt visual broadcasting station, using sixty-line image transmission, has been filed with the Federal Radio Commission by Pilot Radio and Tube Corporation of Lawrence, Kansas.
This application marks the return of the Pilot company to the television field, in which it did considerable experimental work three years ago when it was located in Brooklyn. In the summer of 1928 it built the television transmitter used by station WRNY for the first picture broadcasting done in New York by a regular broadcasting station, and in the fall of the same year, at New York University, the first public demonstration of television in the east was staged. (New York Herald Tribune)


Monday, Aug. 10, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental images.
8:00—Bird and Vash, songs.
8:15—Charlotte Harriman, contralto.
8:30—Bon-Bons, quartet.
8:45—Doris Sharp, crooner.
9:00—“The Best Dressed Girl in Radio.”
9:15—Cookie Bowers.
9:30—Colin O’More, tenor.
9:45—“Dancing in the Dark,” Natalie Towers.
10:00—Helen Nugent, contralto.
10:15—Henry Burbig and Bob Taplinger, comedy.
10:30—Dorothy Zion, violin.
10:45—Artells Dickson, singing.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Elsie Duffield, songs.
4:15—Don Trent, impersonations.
4:30—Hernan Rodriguez, guitar.
4:45—Weight Reduction, Dr. Shirley Wynne.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—O’Byrne Orchestra.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—“Byways in the World War,” Capt. Bate Preston.
7:30—Innasail Trio.
8:00—Pages of Music.
8:30—Kurley’s Orchestra.

W2XAB, W2XR, W3XK, W1XAV, as above.

Tuesday, Aug. 11, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Ernest Naftzger hour: Girls vocal trio; Natalie Towers; Rollo Hudson, pianist; others.
8:30—Negro quartet.
8:45—Grace Voss, pantomimes.
9:00—Tap dancing and specialties.
9:15—Mary Charles, comedienne.
9:30—Beatrix Sherman, silhouettes.
9:45—Guy Austin, magician.
10:00—Three Dancing Girls.
10:15—“Humor Views,” Teddy Bergmann, comedian
10:30—“Coral Islanders.”

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Verdi’s Tiny Tots.
4:15—Adventures of Guiseppe and Luigi, sketch.
4:30—Mary Bongert, soprano.
4:45—Marie von Unschuld, piano.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Y. W. C. A. (String) Quartet.
6:45—Sports talk.
7:00—Meb and Mac.
7:15—Amusereel.
7:30—Night in Italy.
8:00—Helen Alexander.
8:15—Dagmar Perkins, talk.
8:30—Digest Program, Mariska Aldrich, songs; Frank Cough, baritone.

W2XAB, W2XR, W3XK, W1XAV, as above.

Wednesday, August 12, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Harriet Lee, contralto.
8:15—Tony Wons’ Scrap Book.
8:30—Miller and Lyles, comedians.
8:45—Baby Adele Kendler, songs.
9:00—Taplinger inreviews Tony Wons.
9:15—“Mirrors of Song,” Helen Nugent, contralto; Charlie Carlisle, tenor.
9:45—Nicola, magician.
10:00-Television Waltz with Natalie Towers.
10:15—Helen Rowland, contralto.
10:30—Herbert Polesie, comedian.
10:45—Jolly Jugglers or Scholz and Brae, songs.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Bessie Bickford.
4:15—Amy Bonner, talk.
4:30—Billie Davis, songs.
4:45—At the Movies.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—“Aviation,” Lieut. Commander J.W. Iseman.
6:30—Leif Erickson, baritone.
6:45—Sports talk.
7:00—“Theatregoing,” with Doug Brinkley.
7:15—Amerigo Frediani, tenor.
7:30—Children’s program.
8:00—Debate.
8:30—John Murphy, tenor.
8:45—Nathalie Boshko, violin.

Other stations as above.

A three-round bout by television—the lightweights, Benny Leonard and Jimmy Martin mixing it up—is something different in radio sight and sound for tomorrow night.
With the television studio of W2XAB, New York, fitted up to represent a ring, the exhibition fight is to start at 9 o’clock. It will be run like a regular scrap with Jimmy DeForest as referee.
An oral description of the event by Harry Vonzell [sic] will be sent out by W2XE. (C.E. Butterfield, AP radio column)


Thursday, August 13, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Brad and Al, comedians.
8:15—Experimental Television comedy.
8:30—Emery Deutsch’s Gypsies.
8:45—Boswell Sisters.
9:00—Tele-Musicale: Harriett DeGoff, songs; Dave Franklin, pianist; Natalie Towers; Daddy and Rollo; Johnny Downs.
10:00—Shadow boxing demonstration, Benny Leonard.
10:20—Abigail Parecis, artist.
10:30—Nat Brusiloff’s Maniacs.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, contralto.
4:15—Deacon Jazz.
4:30—Etchings, William Cox.
4:45—Lottie Salisbury, charactarizations.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Calendar Sketches.
6:30—“Toyland,” children’s program.
6:45—Sports talk.
7:00—Arthur Newborn, songs.
7:15—Justice Brandeis Society.
7:30—Victor Turner, xylophone.
7:45—“This Silly World,” talk.
8:00—Zunia Schneiderman, bass.
8:15—Victor Turner, xylophone.
8:30—Rev. Edwin Curtis, “Relativity.”
8:45—Suzanne Kenyon, singer

Other stations as above.

An exhibition boxing match was broadcast by television for the first time last night [13] from the Columbia Television Studios, 485 Madison Avenue. The fighters were Benny Leonard, the retired lightweight champion, who has recently announced his return to the ring, and Jimmy Martin, New York “Golden Gloves” featherweight champion.
The transmission was not entirely satisfactory. At times the figures and the action were fairly clear, but at others the fighters seemed to be struggling through a severe blizzard, with the added handicap of beards such as used to be worn by grizzled miners in the Klondyke.
Going from the audition room up to the actual place of combat disclosed a scene even more puzzling to old fight followers. In the small, crowded studio the two men fought in darkness lighted by intermittent flashes as though of rapid fire lightning. In the third round there was a loud thud, a groan, and Jimmy Martin was counted out, theoretically.
Benny Leonard then addressed the television audience, explaining that he believes he can come back because he has always “lived clean and fought clean.” When he retired, six years ago he said that he was doing it for the sake of his mother. Now, he says, his mother has come to have a more kindly feeling for the ring and is reconciled to his return.
Leonard’s trainer, Teddy Hayes, and Jimmy De Forrest, who refereed the match, also spoke. Jimmy Hayes acted as timekeeper. Mr. De Forrest and William C. (Wild Bill) Lyons recalled the Jeffries-Sharkey fight in Cone Island in 18 when the Edison kinetoscope was first used to film a prize-fight. (Herald Tribune, Aug. 14.)


Resplendent in a striped bathrobe of brilliant hues, hair slicked back but not quite covering a round, shiny bald spot on top of the pate, and with his face made up like a Ziegfeld chorus girl, Benny Leonard—the Benny Leonard that was—entered once more the the fighters' ring and fought for the honor of his one-time championship—and of television.
It was a gala occasion. The Columbia Broadcasting system was aglow with light and laughter and pretty girls. Strains of music slipped softlv from the studios, flowers blossomed in their vases on the desks of the hostesses; gentlemen attired in evening clothes and wilted collars, ladies in flowing skirts with tight bodices in front and nothing above the waist behind, passed in slow review down the corridors and up elevators while awaiting the big hour.
The news had gone forth far and wide that Mr. Leonard—the Mr. Leonard—undefeated lightweight champion at the time of his retirement, would return on this evening of evenings and stage a three-round bout with Jimmy Martin, who, it appears, a champion of the Golden Gloves and half the size of his not very large opponent, Mr. Leonard.
Suddenly a vast silence fell over the assembled guests—the silence that invariably comes before the big moment. A whisper of "Benny's arrived" went rapidly down the line and back again to the very doors of the one and only six by ten studio W2XAB brags at present. In which at the moment a tenor crooner was engaged keeping the television audience content by singing "It All Depends on You," and smiling in his best tooth paste advertising manner.
A Miniature Prize Ring.
And in the darkened studio, Bill Schudt and his valiant crew of fight assistants sought hastily to erect the first ring to be used for a televised bout. It was made of velvet ropes and highly polished brass posts. Once in place it was measured and found to allow each fighter to take two steps forward and two backward but not simultaneously. The referee was allowed two and a half steps with slight crowding of the fighters. The announcer got behind the piano and the spectators sat in one row of four chairs or stood in one row behind the chairs and tight against the wall. The seconds, finding no place in the ring or out of it, perched comfortably if precariously on the red velvet ropes.
On the outside the mob pressed close to the door. There was a slight commotion and little Jimmy Martin was discovered down near the floor somewhere trying to make his way into the studio. No brilliant bathrobe for Jimmy—he wore his blue serge coat buttoned tight across his manly chest and looked embarrassed when the ladies, catching sight of his bared legs and black sateen shorts, ventured an exclamation of delight.
Floored by Red Robe.
The floor of the fighters' dressing room opened and the commotion increased only to subside in awed silence as Benny Leonard—the Benny Leonard—made his graceful appearance in the doorway. A second later and the awe was shattered by a feminine shriek long and loud. A young lady made a dive in the direction of the startled Benny and the following exchange of words took place:
The young lady--Oh, oh, oh, you used red and I told you black.
Benny to T. L.—But I like red.
Y. L. to B. L.—But red won't take. I told you red won't take. I told you black, it's gotta be black. And you used the powder, not the liquor. I mean liquid, like I told you. You gotta use the liquid; the powder don’t take.
B. L., to Y. L.—But both are white, aren’t they?"
Y. L. to B. L.—Yeh, both are white, but the liquid takes and the powder doesn’t, and that's all I know about it. I told you. . . .
B. L. to Y. L. - All right, all right. I'll use the black and I'll use the liquid.
And with his trainer Benny Leonard—the fighter Benny Leonard—beat a retreat back into the dressing room. The curious guests turned to the young lady for an explanation. And here it is:
Lip Stick Must Be Black.
"I told him he hatta use black lip stick because, it's different in television from on the stage, and black is the only color that will bring out the detail of the lips. He used face powder, too, and that is no good at all. You gotta use white liquid—that is, a dark man does, so as to hide the trace of beard. The television eye picks up all these little things and you can’t be too careful."
So when Benny made his second appearance, he resembled a white face clown with black lips in relief. And then he faced his opponent in the ring.
Perhaps you heard the round-by-round description of the fight as broadcast over short wave station W2XE. Perhaps you saw the actual fight action as transmitted by television station W2XAB.
Short Count Wins.
It was as pretty a piece of shadow boxing as one might have wished to see. And with time up Little Jimmy slipped under the rope and out of range of the television apparatus, and the referee started at seven counted up to ten while holding Benny’s arm in midair.
Benny Leonard—the Benny Leonard—is still undefeated. Little Jimmy Martin, who may have been tapped slightly on the shoulder once or twice, is still champion of the Golden Gloves, whatever they may be. And Bill Schudt is still the world's only studio fight promoter.
Of such is the kingdom of television. (K. Treholm, New York Sun, Aug. 22)


Chamberlain Brown, casting agent and operator of a theatre in Mount Vernon, intends to make one of his periodic invasions of Broadway as a producer this season—and what’s more, his first offering will be a play he wrote himself. Entitled “Idle Tongues,” it will be played by Tom Hamilton, Emily Ann Wellman and others. Brown’s Mount Vernon tryout house is closed for alterations, so he will give his play a “stunt” tryout by television tomorrow. (Daily News)

Friday, Aug. 14, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—John Brewster, songs.
8:15—Poet’s favorites.
8:30—Joseph Laporte, violin or Roger Kinne, baritone.
8:45—Chick Farmer, yodeller.
9:00—“History of Television,” Everett M. Walker of the New York Herald Tribune.
9:15—Stanley Davis, steel saw
9:30—Earl Palmer, tenor.
9:45—Boswell Sisters.
10:00—Connie Boswell, songs.
10:15—Artells Dickson, songs.
10:30—Ruth Perrott, monologues.
10:45—Roger Kinne, baritone or string quartet.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Helene Chappelle, songs.
4:15—French Lessons, Dr. Thatcher Clark.
4:30—Your Voice.
4:45—“Speaking of Women,” Edna McKnight.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Ship Ahoy Trio.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—Amusereel.
7:30—Chamberlain Brown’s Broadway Stars.
8:00—Dean J. J. Dandreau, talk.
8:15—Elena Marisa, singer.
8:30—Enterpean Waves, G. Aldo Randegger, piano.
WCFL, Chicago, has been granted permission by the Federal Radio Commission to install television equipment. (Camden Evening Courier)

Saturday, Aug. 15, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—“Miss Television,” Natalie Towers, readings.
8:15—Bobby Trent, songs or Kathryn Parsons, songs.
8:30—Kathryn Parsons, songs or Les Reis and Artie Dunn, minstrels.
8:45—Reis and Dunn or Kenneth Roberts, readings.
9:00—“Spanish Melodies,” Hernandez Brothers (synchronized with WABC). Songs: “Cielo Andaluz,” “Tu,” Castlio No. 8,” “Limoncito,” “La Joie Madrelena.”
9:15—Stoopnagle and Budd with Henry Burbig.
9:30—Artells Dickson or Florence Seibert, pianist.
9:45—Kenneth Roberts, readings.

W2XCR (Jenkins Television), New York, 2035kc. (Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Julie Armbuster, monologues.
4:15—Aunt Dixie.
4:30—Joe Lenze, musical saw.
4:45—Charles Snitow, baritone.
6:00-9:00—Same as WGBS
6:00—Quinn and Dublin Boys.
6:30—Van Dycke’s Broadway Interlude.
6:45—Sports Talk.
7:00—Dalma Denyee, songs.
7:15—Marguerite Austin, violin.
7:30—Earl McVergh, basso.
7:45—Kent and Love, songs.
8:00—Louise Naylor, soprano.
8:15—Jack Norman’s Sport Celebrities.
8:45—Emelia Rosselli, soprano.

Other stations as above.

A dancing act by Maria Gamberarelli, known on the air as "Gamby"; a Punch and Judy show and first of a series of presentations by the Television Ghost will be included on the television program announced by the Columbia Broadcasting System for next week. Visual broadcasting will be over W2XAB, while sound synchronisation will be routed over the short wave station W2XR. Several of the musical televised programs will also be carried over WABC.
Frances Upton, former star of "Whoopee," will be the featured artist on the televised program tomorrow night at 9 o'clock. Real cowboys, the Lone Pine Rangers, will make their television debut on Monday night from the same studios, and Miss Gambarelli will be seen Tuesday night. The Boswell Sisters will be televised while their sound program is being transmitted over the Columbia System on Thursday night of the same week.
Charles Butterfield, radio editor of the Associated Press, will begin a new series of television talks on Friday at 9 P. M. (Sun)


SCHENECTADY, Aug. 15.—Believing the ultra-short wave bands of five meters and under offer great possibilities in radio, especially in television, Dr. E. F. W. Alexanderson, radio engineer of the General Electric Company, has arranged for broadcasting, one-hour programs twice a week over W2XAW, operating on five meters. These programs, the same as broadcast by WGY, will be sent out from 5 to 6 o’clock every Tuesday and Thursday afternoon.
“We have reason to believe that the frequency bands of these short waves are better, especially for television, because reflections, which cause fading and other disturbances, are less.” Dr. Alexanderson explained. “Special observations will be made while the tests are going on and we feel the data secured will prove valuable to the advancement of the radio art.” (Herald Tribune)


One of the most promising indications that television is on its way out of the laboratory is to be found in the increasing number of applications for wave grants and permits to erect television stations that are now reaching the Federal Radio Commission. At the rate these facilities are being applied for it will not be long before the commission will be confronted with a wave shortage as acute as that which has obtained for some time in sound broadcasting. It is apparent from the activity being shown in this new radio development that many companies are profiting from their broadcasting experience and are going after these valuable ether franchises before it is too late.
Not only are many individuals applying for television licenses, but established broadcasting stations and the largo national networks are now getting aboard radio’s new bandwagon. Twenty-two experimental television stations have already been authorized by the Radio Commission, and all but five of these are now operating on fixed schedules. Pictures (rom these visual broadcasters are being received by experimenters to the number of 10,000, it is estimated.
With 22 visual stations already on the air or authorized to be built, the Radio Commission in the last few months has also had applications for new television stations from WMCA, New York City; KMOX, KWK and WIL, St Louis; WXYZ and WJR, Detroit; WGN, Chicago; WMC, Memphis; WCAO, Baltimore; the National Company of Malden, Mass, and many others in different parts of the country from New England to California.
All of which means that the Federal Radio Commission, if it decides to allow the various applicants to go into the visual field, must make room on the wave lengths for them. It also means—especially if television receivers come on the market in great quantities in the next few years and television pictures are accepted by the public—that the commission will be asked to remove some at the inhibitions it now places on television. First, it will be asked to acknowledge television as being out of the experimental stage; secondly, it will have to license new television stations for local services much mon, freely than it now does; thirdly, it will probably have to move all or most of the television operators to the ultra-high frequency
bands, since the channels there can be used to such good advantage for purely local services and are more numerous. (Boston Globe, Aug. 16)


Tests of long distance reception of television will be made at sea on September 5 and 7 aboard the Cosulich motor liner Vulcania by engineers of Shortwave and Television Corporation, it was disclosed yesterday. The purpose of the tests, it is said, is to determine the efficiency of television broadcasting station reception at sea.
Walter S. Lemmon, president of the Short Wave Broadcasting Corporation, a subsidiary of the former company, will be in charge of the tests. On board the Vulcania special programs from the Italian broadcasting system are to be tuned in, this system being one of those which will probably relay programs for rebroadcasting in the United States this winter.
The tests follow closely those recently conducted board the steamship Leviathan when signals were picked up from coastal te1evion stations several hundred miles at sea. Vision receiving apparatus was installed aboard the Leviathan by engineers of the Shortwave and Television Company. (Herald Tribune)


WASHINGTON.—Broad claims that the Farnsworth system of television narrows to from one to 10 per cent, the width of the channels heretofore regarded as necessary for television wave lengths filed with the Federal Radio Commission by Television Laboratories, Ltd., of San Francisco.. The company is described in the application as a patent holding company exploiting the inventions of Philo T. Farnsworth, young Mormon inventor of Salt Lake City.
Farnsworth himself appeared before a television conference of the commission last winter to make the claim that he can narrow the existing 100-kilocycle band for visual transmission down as low as six kilocycles. Though he promised to demonstrate laboratory models before the commission within the ensuing month, nothing was heard from him since then except for occasional technical discussions of his system. This is the first application filed by any one for wave lengths on which it is proposed to employ his system, the laboratory work presumably having been confined to wire transmissions.
Philco Acquires License
The application states that $150,000 has already been expended by the Crocker interests of San Francisco on the Farnsworth development; that 10,000 of the 20,000 shares of no par stock have already been subscribed for and are now selling at $125; that twenty patents have been applied for and four issued, and that the Philadelphia Storage Battery Company of Philadelphia, manufacturers of the Philco Radio, has been licensed to use the patents.
It is proposed to erect a 1,500-watt station in San Franciaco using the 2,100-kilocycle frequency or such other channels as may be assigned. The Farnsworth system, according to the application, covers an "electrical scanning system, broad band amplifier and particularly a system for narrowing the spectrum required for transmitting a given amount of detail, the effective channel requirement being narrowed to from one to 10 per cent, that heretofore considered necessary."
The application is signed by B. J. McCarger, as president of the patent holding company, and names A. H. Brolly as chief engineer. Attached to the application are statements indorsing the Farnsworth system by Donald Lippincott, radio engineer and inventor and also a patent attorney; Ralph M. Heintz of Heintz & Kauffman, San Francisco manufacturers of ship and aircraft radio equipment, and Frederick Terman, author of technical books on radio subjects.
Others Apply for Vision Rights
To the fast-growing list of television applicants has been added another department store and another newspaper, both seeking authority to experiment on the television wave lengths. The Gimbel Brothers Television Development A Research Corporation of Philadelphia, organized as a subsidiary of the Gimbel Brothers department stores of New York, Philadelphia, Pittsburgh, Milwaukee and other cities, asks for the 2,100-2,200-kilocycle band with 500 watts, proposing to spend $30,000 for studios snd a "composite" transmitter sending sixty-line images at twenty frames per second in Philadelphia.
This is the second such application from a department store, another pending from Hochschild-Kohn & Co., of Baltimore. Gimbel Brothers own Station WIP, Philadelphia, but the Hochschild-Kohn A Co., has no broadcasting station. Application for authority to build a television station as an adjunct of Its Station WSB was also filed by the Atlanta Journal, which asks for 500 watts on the 2,000-2,100 and 2,750-2,850-kilocycle bands. The system to be used is not specified, but it is stated that $20,000 is the sum tentatively fixed to be spent on the experimental work. (Martin Codel, Sun)


NEW YORK, Aug. 15.—Television is in again this week with a couple of conflicting statements about its progress. While Edgar H. Felix, consultant of the Federal Radio Commission, published his cautious “Television, Its Methods and Uses,” Chamberlain Brown was broadcasting the complete performance of a play written by himself which he intends later to bring to the city as a regular production. He claims that the television performance will take the place of a try-out tour. It certainly took the place of a lot of preliminary advertising.
Felix, in his complete survey of the television field, claims that the public can’t expect much for several years yet. Altho great strides have been taken already, many radical improvements are still needed before telly can become scientifically accurate or an effective advertising and entertainment medium. Felix lists the main things which, to his mind, must be perfected before television can come. They include electrical transmission of audible frequencies, vacuum tube amplifiers, motion picture projection and photoelectric tubes.
Meanwhile, the Freed Television and Radio outfit is trying to determine the precise present effectiveness of television. They are planting receiving sets all over metropolitan district, including several in financial area, one in Chanin Building, one in Capitol Theater and in various of the suburbs such as Mount Vernon, Great Neck, Douglaston and White Plains. Accurate reports of reception at these various points will be made and compiled and. In addition, still shots of the reception at all hours of day and night will be taken, so that there can be a permanent record of present state of reception. (Billboard, Aug. 22)


Sunday, Aug. 16, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental sight programs.
8:00—“Spanish Serenade,” Sorey Orchestra.
8:30—Myndelle Louis, concert artist.
8:45—Don Bigelow, songs.
9:00—“Half Hour on Broadway,” Frances Upton, Raymond O’Toole and Hope Vernon, vocalists.
9:30—French trio.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
5:00-9:00—Same as WGBS.
5:00—Irish Echo Boys.
5:45—Harring’s Orchestra.
6:00—“Musical Etchings.”
6:15—Cosma Vullo, soprano.
6:30—Royaltonians Orchestra.
7:00—Jean East, songs.
7:15—Lavinia Darve, soprano.
7:30—Flores Sextet.
8:00—Vincent de Sola, piano.
8:15—“Daisy and Bob,” songs.
8:30—Harry Glaser, songs.
8:45—“Snapshots.”

Monday, Aug. 17, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental sight programs.
8:00—Dorothy Zion, violinist.
8:15—Charlotte Harriman, contralto.
8:30—Negro Quartet.
8:45—Doris Sharp, crooner.
9:00—“The Best Dressed Girl in Radio,” Mary McCord, talk.
9:15—Special television demonstration.
9:30—Guitar and songs; cowboy sketch.
9:45—“Dancing in the Dark” with Natalie Towers
10:00—Helen Nugent, contralto.
10:15—Henry Burbig and Bob Taplinger, comedy.
10:30—Pantomimes, Grace Voss.
10:45—Artells Dickson, singing.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Elsie Duffield, songs.
4:15—Don Trent, impersonations.
4:30—Joe Lenzer, musical saw.
4:45—Weight Reduction, Dr. Shirley Wynne.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Jeanette Valentine, soprano.
6:30—Hernan Rodriguez, songs.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—“Byways in the World War,” Capt. Bate Preston.
7:30—Innasail Trio.
8:00—Pages of Music.
8:30—Kurley’s Orchestra.

W2XBS, W2XR, W3XK, W1XAV as above.

Tuesday, August 18, 1931
W2XAB (CBS), New York, 2750kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Ernest Naftzger “Gossipers,” Jack Shannon and Marie Stoddard
8:30—Negro Quartet, Ravella Hughes, pianist. (sound over WABC). Songs: "Moan, You Moaners," "Steal Away," "I Found a New Baby," "Doin' the Rumba," by Miss Hughes.
By Miss Hughes.
8:45—Roslyn Green, songs.
9:00—“Punch and Judy,” Peter Williams
9:15—Ruth Delmar, contralto.
9:30—George Kelting’s Harmonica.
9:45—Major Ivan Firth, readings.
10:00—Maria Gambarelli, songs and dances.
10:15—John Brewster, specialties.
10:30—“Miss Television,” Natalie Towers.
10:45—“Songs of Spain,” Soledad Espinal.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Verdi’s Tiny Tots.
4:15—Adventures of Guiseppe and Luigi, sketch.
4:30—Mary Bongert, soprano.
4:45—Marie von Unschuld, piano.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Y. W. C. A. (String) Quartet.
6:45—Sports talk.
7:00—Meb and Mac.
7:15—Amusereel.
7:30—Night in Italy.
8:00—Helen Alexander, soprano.
8:15—Victor Turner, xylophone.
8:30—Digest Program, Mariska Aldrich and artists, songs.

Other stations as above.

Of all the artists used on CBS television broadcasts, none receive any salary for the work except Natalie Towers, the only girl holding a television contract from the network.
Rest of the artists used, and hundreds of them have already appeared over television, do so gratis. CBS has at its disposal for television its own talent, including under contract to Columbia Concert Corp., its subsid. Outside artists, frequently used be the network, are given a talk on benefits of appearing for sight-sound transmission, and, if willing, do so gratis. (Variety)


Wednesday, Aug. 19, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental sight programs.
8:00—Hazel Green’s Revue, songs and dances.
8:30—Tony Wons’ Scrap Book.
8:45—Harriet Lee, contralto, songs.
9:00—“Meet the Artist,” Bob Taplinger interviews Artells Dickson.
9:15—“Mirrors of Song” with Helen Nugent, contralto and Charles Carlisle, tenor.
9:45—“European vs. American Television,” A. Dinsdale.
10:00—Television ghost stories.
10:15—Helen Rowland, contralto.
10:30—“Miss Television,” Natalie Towers.
10:45—Frank Ruhf, tenor.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Bessie Bickford.
4:15—Amy Bonner, talk.
4:30—Billie Davis, songs.
4:45—At the Movies.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—“Aviation,” Lieut. Commander J.W. Iseman.
6:30—Leif Erickson, baritone.
6:45—Sports talk.
7:00—“Theatregoing,” Doug Brinkley with Donald Brian.
7:15—Annette Royak, songs.
7:30—Samuel’s Proteges.
8:00—Debate, Mack S. David vs. Harold Hechtman: Resolved Jury System be Abolished.
8:30—John Murphy, tenor.
8:45—Embassy Girls.

The second of the experimental three-round boxing bouts before television camera and microphone of W2XAB-W2XE-CBS at 9 p. m. Thursday is to have John McMillan, featherweight, as one of the participants. Next week the time of the bouts will be changed to Tuesday night.
Another series of television experiments, in which stage scenery and back drops will be used, start on this “picture” station Sunday night. The idea is to see what can be done in the way of duplicating a stage dramatic presentation. (C.E. Butterfield, AP radio column)


Thursday, Aug. 20, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental sight programs.
8:00—The Jolly Jugglers, Artie Scholz and Phil Brae.
8:15—Experimental Television comedy, "Twelve O'Clock"; Longfellow's Reveries.
8:30—Vincent Sorey, violinist.
8:45—Boswell Sisters (synchronized with WABC). Songs: "Take It From Me," "What Is It?", "Dancing in the Dark," "It's You."
9:00—Daddy and Rollo.
9:15—“Musical Cameos,” Helen Nugent and Ben Alley.
9:30—“Tele-Musicale,” Dave Franklin; Helen Withers, songs; Natalie Towers.
10:00—Experimental boxing match.
10:15—Elliott Jaffee, songs.
10:30—Abigail Parecis, artist.
10:45—Joie Nash, songs.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, contralto.
4:15—Joe Trent, songs.
4:30—Etchings, William Cox.
4:45—Lottie Salisbury, charactarizations.
6:00-9:00—Same as WGBS
6:00—Make-Up Lesson.
6:15—Calendar Sketches.
6:30—“Toyland,” children’s program.
6:45—Sports talk.
7:00—Jubilee Singers.
7:15—Justice Brandeis Society.
7:30—Rietta Duval, soprano.
7:45—“This Silly World,” talk.
8:00—Sylvio Cassi, sketches.
8:15—Elena Marisa, soprano.
8:30—Rev. Edwin Curtis, “Relativity.”
8:45—Suzanne Kenyon, singer.

Other stations as above.

Friday, Aug. 21, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental sight programs.
8:00—Harry Swan, specialties.
8:15—Poet’s Favorites.
8:30—“Hawaiian Shadows,” play.
9:00—“Looking at Television,” Charles E. Butterfield.
9:15—“Lighthouse for the Blind,” television demonstration.
9:30—Stanley Davis, guitar.
9:45—Boswell Sisters (synchronized with WABC) Songs: "Getting Superstitious," "A Little Less of Moonlight," "Faithfully Yours," "When Yuba Plays the Rhumba," "Sylvia." 10:00—Connie Boswell, songs.
10:15—“Television Hints For Swimmers,” Charles Speer.
10:30—Ruth Perrott, songs.
10:45—Barbara Maurel, contralto.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Jacques Belser, songs.
4:15—French Lessons, Dr. Thatcher Clark.
4:30—Your Voice.
4:45—“Speaking of Women,” Edna McKnight.
6:00-9:00—Same as WGBS
6:00—Make-Up Instruction.
6:15—Ship Ahoy Trio.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—Amusereel.
7:30—Chamberlain Brown’s Broadway Stars.
8:15—Marguerite Sylva, soprano.
8:30—Joseph Nopolis, tenor; George Dandria, baritone.

Other stations as above.

Saturday, Aug. 22, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental programs.
8:00—“Miss Television,” Natalie Towers, readings.
8:15—Kathryn Parsons, songs.
8:30—Les Reis and Artie Dunn.
8:45— Kenneth Roberts, readings.
9:00—Hernandez Brothers.
9:15—With Henry Burbig.
9:30—Florence Seibert, poetess.
9:45—Artells Dickson, songs.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls.
4:15—Dance Orchestra.
4:45—Aunt Dixie.
6:00-9:00—Same as WGBS
6:00—Quinn and Dublin Boys.
6:30—Van Dycke’s Broadway Interlude.
6:45—Sports Talk
7:00—Dalma Denyee, songs.
7:15—Marguerite Austin, violin
7:30—Earl McVergh, basso.
7:45—Kent and Love, songs.
8:00—Adele Reynard.
8:15—Jack Norman’s Sport Celebrities, Charles Retzloff, boxer.
8:45—Emelie Rosselli, soprano.

Boxing, wresting, dancing, a miniature musical comedy by Ned Wayburn, a puppet show by Peter Williams, a chess-playing demonstration by Edward Lasker, world famous master; pantomimes and introduction of the Television Ghost, first of his kind, are some of the features to be projected by the Columbia Broadcasting System's television facilities on its evening programs during the coming week.
Mickey Walker will face an unnamed opponent for three rounds when the experimental exhibition bout is broadcast from the studios at 485 Madison avenue, Tuesday, August 25, at 9:30 P. M. A miniature ring will again be constructed in the ice-cooled studio. Gong, warning whistle, blow by blow announcer and veteran referee, Jimmy De Forrest, will lend color and realism to the bout.
In its projection of wrestling matches and boxing bouts the Columbia System is experimenting constantly with different lenses and various tinted back drop screens to bring out clearer images and more lifelike images, according to W. A. Schudt, its acting director of television activities.
Chess By Television.
A giant chess board eight feet square with odd-shaped chessmen will be displayed for the unique demonstration by Edward Lasker. This will be part of an experimental broadcast arranged and directed by Major Ivan Firth and Gladys Shaw Erskine.
Opera miniature, featuring Joseph Liartel, in full costume, will be heard on Wednesday at 10:45, as lookers-in receive their first taste of opera by radio vision.
A chorus of six singing and dancing girls. Roscoe Grover, master of ceremonies, and tap dancing arts are all included in the first presentation of a musical comedy by television. Of course, it will be staged in limited form, due to the limitations of visual broadcasting. The presentation has been arranged by Ned Wayburn.
Drama in Costume.
An experimental television drama written and directed by Charles Henderson, with full makeup and stage setting, has been scheduled by Columbia's visual director on Thursday, August 27, at 8:15 P. M. Stookie Allen, cartoonist, will draw pictures of celebrities and sport stars while "you look" Thursday at 10.45 P. M.
Second in the series of talks by Charles E. Butterfield, radio editor of the Associated Press, on "Television Today" will be televised and broadcast Friday at 9 P. M. (Sun)


Sunday, Aug. 23, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental sight programs.
8:00—Vincent Sorey Troubadours, Gaucho costumes, with Louise Caselotti.
8:30—Myndelle Louis, concert artist.
8:45—Carle De Thomee and his dog.
9:00—“Broadway Hour,” Collette Sisters; Cynthia White, Jack Pepper, others.
9:30—French trio.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
5:00-9:00—Same as WGBS.
5:00—Irish Echo Boys.
5:45—Bob Harring’s Orchestra.
6:00—“Musical Etchings.”
6:15—Cosma Vullo, soprano.
6:30—Royaltonians Orchestra.
7:00—Jimmy McLaughlin, baritone.
7:15—Lavinia Darve, soprano.
7:30—Harvey and Bellis, sketch.
7:45—William Hoffman, baritone.
8:00—Vincent de Sola, piano.
8:15—“Daisy and Bob,” songs.
8:30—Memories of Yesteryear.
8:45—“Snapshots,” sketch.

Captain Bate Preston, who speaks via radio and television each Monday night at 7:15 over WGBS and its visual outlet, W2XCR, is a perfect specimen of the lean, hard-bitten British adventurer type we have come to accept in fiction and on the stage. Soldier, traveler, writer, lecturer, gentleman and scholar, he recalls ten years as magistrate in Borneo and the Malay states, in the heart of the tiger country, his only neighbors the Dyak head-hunters. But nowadays it’s headline hunting for him, a different topic each week, all grouped until the general title, “Byways of the World War”—and all provocative and exciting. (Herald Tribune, Mortimer Stewart column)

TELEVISION showmen are studying the art of make-up. Gaudy colors they find are not necessary in visual broadcasting. Simple color combinations are found best for half-tone reproduction, according to the latest experiments at W2XAB, operated by the Columbia Broadcasting System.
“We hope in future tests to eliminate all colors except black and white and a mixture to produce grays,” said Edgar Wallace, an engineer at W2XAB. “There is a popular misconception that by placing a red filter In front of a light more red is obtained, or by painting a substance with a blue pigment that more blue light is reflected. This is isn’t true. In the first case, only red rays are allowed to pass through the filter, and in the second case, only blue rays are reflected from the pigment. In other words, all the light is lost except that which is transmitted or reflected. More efficiency would be gained, I believe, by utilizing all the light in each case, the cells themselves would use the blue and red along with the other colors of the spectrum to which they respond.”
As to the results of the actual tests, William Schudt, the director, said that the red-headed girl and the brunette responded best to the photo electric cells when their skins had been treated with grease paint and powder. The red-headed specimen had a natural complexion of creamy pigment, but with a heavy sunburn. It was found that flesh-colored powder, brown lips and slightly shaded eyes gave best results. In a majority of cases where the subject was blond or red-headed, the usual movie make-up was found to be excellent for television projection.
Brunettes were treated with a heavy foundation of white, then creamy white powder, brown lips and slightly shaded eyes.
In curves of the face which have a tendency to throw the light in any other direction but toward the photo electric cells, heavy white powder is used to the extent of roughing the surface so that the angle of reflection is by some degree changed and reflected toward the photoelectric cells.
Tinted Screens Are Used.
“Fair-haired subjects naturally look better when a dark background is used,” Schudt asserted. “As a result we are utilizing a variety of backdrop curtains for television experiments.
“Aluminum, cream, black, white, gray and silver tinted screens are now used for various broadcasts with more than gratifying results. For example, when we projected the boxing match last week it was discovered that greater clarity of images could be had when a heavy black felt curtain was spread across the entire rear of the ring. It was necessary to shake considerable white powder made into the hair of the contestants since it was too dark to make any showing at all in the television camera. The slight contrast that the addition of white powder made saved the night and made history of boxing by television.
“Oft limes we use black cards with white letters for visual announcing since they seem to s1iov up better on receiver screens. But, this is only the beginning. We have many things to learn about make-up and color screens in television broadcasting. Fifty per cent of the programs will be devoted to this work without marring the quality of the broadcast.”
Toronto and Chicago are the latest cities to report clear reception of the Columbia Broadcasting System’s television station W2XAB, in New York. The Toronto observer said that he heard the sound over W2XE clearly, while the pictures came through with regularity and clarity not surpassed by any station he has received.
Chicago listeners regularly report both sight and sound reception. Many say that little or no interference is present from loc1 transmitters, so strong are the New York signals in that city.
Other reports are arriving from Pittsburgh, Buffalo, Boston, Schenectady, Camden, N. J.; Washington, Roanoke, Va.; Rochester, Syracuse and Baltimore.
The television stations W2XAB (sight), on 107 meters or 2,700 kilocycles, and W2XE (sound), on 49 meters or 6.120 kilocycles, are on the air daily from 2 to 6 P. M., Eastern Daylight Saving Time, and from 8 to 11 P. M. Saturdays and Sundays the afternoon schedule is unaltered, while the evening programs are from 8 to 10 P. M. (Herald Tribune)


NEW YORK (AP)—There may not be many television receivers in existence today, but the comparatively few are producing many an unusual experience.
For instance, there was the boy and his dad. Father was making a talk via short wave radio, at the same time being televised by W2XAB.
With the rest of his family the 3-year-old boy, one of the youngest lookers of the small television family hereabouts, was crouched before the televisor. The minute his father’s face flashed on the screen, located about 14 miles from the transmitter, the lad clapped his hands in glee and emphatically announced:
“That’s my daddy!”
His youthful eyes had not a bit of trouble recognizing the image, which was unaccompanied by sound because of trouble with the voice receiver.
Official Is Recognized
At another time W2XAB was testing without sound, and the face of Jesse Butcher, a CBS official, registered over the air.
There was no advance notice of this appearance, yet the image was realistic enough to warrant the looker to get on the telephone to notify Butcher he had been seen.
And again. A youthful radio writer was pulled unexpectedly before the television camera of W2XCR. Almost thunderstruck, he found it a hard task to produce worth for the sound transmitter of WGBS.
Yet in the television audience happened to be one of his co-workers, who quickly recognized his face and listened with a little more than average interest.
Distance Fans Report
It might be noted that W2XAB has received communications from both Chicago and Toronto reporting that station is being received there with unusual signal strength.
Most of the television fan letters, as in the early days of radio, treat of technical rather than program matters. They speak of the clarity of the image, describe reception condition, include details of the receivers used and ask questions about television.
It brings back the time when the principal theme of the fan mail was:
“Program coming fine. Heard you on an Umpty-Ump receiver.” (C.E. Butterfield)


Monday, Aug. 24, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental sight programs.
8:00—Studio Home Party.
8:30—Natalie Towers, dances.
8:45—Doris Sharp, crooner.
9:00—“The Best Dressed Girl in Radio,” Mary McCord, fashions.
9:15—Tap dancing, violin, Jack Fisher.
9:30—Charlotte Harriman, contralto.
9:45—Negro Quartet in costume with Ravenna Hughes, pianist (Syncronized with WABC). Songs: “St. James Infirmary,” “Joshua Fit de Battle of Jericho,” “Blues in My Heart,” “Wa Da Da.” “Etude in C” by Miss Hughes.
10:00—Virginia and Mary Drane, violin.
10:15—Helen Nugent, contralto.
10:30—Alice Raff, dramatic readings.
10:45—“The Singing Vagabond,” Artells Dickson.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00— Elsie Duffield, songs.
4:15— Don Trent, impersonations.
4:30—Joe Lenzer, musical saw.
4:45— Weight Reduction, Dr. Shirley Wynne.
6:00-9:00—Same as WGBS
6:00—Song recital.
6:15—Dorothy Rosenthal, violin.
6:30—Hernan Rodriguez, songs.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—“Byways in the World War,” Capt. Bate Preston.
7:30—Innasail Trio.
8:00—Pages of Music.
8:30—Kurley’s Orchestra.

W2XBS (NBC, New York), W2XR (Hogan, Long Island), W3XK (Jenkins Labs, Washington), W1XAV (Boston) as above.

Tuesday, Aug. 25, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental program.
8:00—Girls trio; Islay Benson, character artist; Louis Bia Monte, saxophonist; Ethel Parks Richardson, Hill-Billy songs in costume.
8:30—Teddy Bergman, clown.
8:45—Grace Voss, pantomimes.
9:00—“Punch and Judy.”
9:15—Tap dancing.
9:30—Exhibition boxing bout.
9:45—Chess playing demonstration.
10:15—John Brewster, specialties.
10:30—“Waltzing Through the Air.”
10:45—“Songs of Spain,” Soledad Espinal.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00— Verdi’s Tiny Tots.
4:15— Adventures of Guiseppe and Luigi, sketch.
4:30— Mary Bongert, soprano.
4:45— Marie von Unschuld, piano.
6:00-9:00—Same as WGBS
6:00—String Quartet.
6:15—Quartet.
6:45—Sports talk.
7:00—Meb and Mac.
7:15—Amusereel.
7:30—Night in Italy.
8:00—Helen Alexander, soprano.
8:15—Victor Turner, xylophone.
8:30—Digest Program, Mariska Aldrich and artists, songs.

Other stations as above.

Three men miraculously escaped injury at 7:45 o’clock last night, when a Waco biplane, piloted by Cecil Cossfrin of 1325 67th St., Brooklyn, dive into a collision with an automobile on Cross Bay Boulevard at First Road, near Broad Channel...
The plane tore down telephone and power feed lines leading to the aerials of the WABC radio station on Cross Bay Boulevard, putting the whole station out of commission for the night.
Beside station WABC, the accident also put out of commission station W2XE, the Columbia short-wave station connected with WABC, carrying sound synchronization with television from station W2XAB. (Daily News)


Wednesday, August 26, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental sight programs.
8:00—Harriet Lee, contralto.
8:30—Tony Wons’ Scrap Book.
8:45—Arthur Sorrenson, comedy and songs.
9:00—Interview with Nat Brusiloff by Bob Taplinger.
9:15—“Dancing Through the Air,” with Natalie Towers.
9:30—Glimpses of South America.
9:45—Folk Songs of old Scotland.
10:00—Ben and Helen.
10:30—Television surprises.
10:45—Opera Miniature in costume.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Bessie Bickford.
4:15—Amy Bonner, talk.
4:30—Billie Davis, songs.
4:45—At the Movies.
6:00-9:00—Same as WGBS
6:00—to be announced.
6:15—“Aviation,” Lieut. Commander J.W. Iseman.
6:30—Gosselin Sisters, songs.
6:45—Sports talk.
7:00—“Theatregoing,” Doug Brinkley.
7:15—Lavinia Darve, soprano.
7:30—Samuel’s Proteges.
8:00—Debate, Miss B. Jacobs vs. Vincent Delroy: Woman Is as Intelligent as Man.
8:30—John Murphy, tenor.
8:45—Embassy Girls.

Other stations as above.

Thursday, Aug. 27, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental sight programs.
8:00—Helen Rowland, contralto.
8:15—“Shadows of the Night,” sketch.
8:30—“How to Finger the Violin,” with Vincent Sorey.
8:45—Natalie Towers, Characterizations.
9:00—Wayburn’s Miniature, comedy.
9:30—“The Television Ghost,” mystery sketch.
9:45—Dave Franklin, songs.
10:00—Wrestling match.
10:15—Elliott Jaffee, songs.
10:30—Abigail Parecis, artist.
10:45—Stookie Allen, cartoons drawn while you look.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Marie Guion, contralto.
4:15—Joe Trento, songs.
4:30—Etchings, William Cox.
4:45—Lottie Salisbury, charactarizations.
6:00-9:00—Same as WGBS
6:00—to be announced.
6:15—Art Talk.
6:30—“Toyland,” children’s program.
6:45—Sports talk.
7:00—Sylvio cassi, sketch.
7:15—Justice Brandeis Society.
7:30—Minutollo Artists.
7:45—“This Silly World,” talk.
8:00—Zunia Schneiderman, Russian bass, with Television Trio.
8:15—Elena Marisa, soprano.
8:30—Rev. Edwin Curtis, “Relativity.”
8:45—Suzanne Kenyon, singer.

Other stations as above.

Television broadcasting as well as television receiving sets at a moderate price will be made shortly for American homes, it was announced here yesterday by Sydney A. Moseley of London, director of the Baird Television Corporation of Great Britain and America, at the local offices of the company, 145 West Forty-fifth Street.
“We propose to begin television broadcasting in a few weeks,” Mr. Moseley announced, “in cooperation with Station WMCA, as soon as the Federal Radio Commission grants its official sanction.” He added that the commission had expressed itself as being in favor of the project and that actual operations would begin as soon as formal notification was received from Washington.
Arrange for Receiving Sets.
Arrangements also are being made, Mr. Moseley said, for the immediate manufacture in this country of television receiving sets, to market at about $100, for installation in American homes. Many of the existing radio sets, he added, could be hooked up with a television device for receiving purposes.
The first television programs will consist of vaudeville and plays, and use will be made in their sight and sound transmission of the recent eighteen months of daily experimental broadcasts in London. In addition it is also intended to transmit a baseball game, allowing fans to watch their favorite players, at their homes or at their offices.
Mr. Moseley also announced the perfection in London within the last few days of a portable transmitting set, no larger than a moving picture projector, which marks, he said, a very important development in the art of television, making it possible to “tele-broadcast” events, such as the landing of big airships, prize fights and football games, in the same simple manner as it is now to broadcast them. Whether this development will do away eventually with the radio broadcaster, or at least limit his usefulness, is a matter that will be watched with great interest by all these interested in the future of the radio industry.
Portable Transmitter In Use.
“The situation in London has undergone a big change within the last few days,” Mr. Moseley said. “We have begun to transmit from the British Broadcasting Corporation’s studios with a portable transmitter, not much bigger than a moving picture projection machine. Yesterday I received a cable from London stating that the first transmission was very successful.
“We propose to bring this new transmitter over here for demonstrations within the next few weeks. We hope to “televise” a baseball game with this machine. The television spectators will see the players full length, and as much detail of the game as the British saw during the historic transmission this year of the English Derby at Epsom.”
The Baird company, Mr. Moseley added, is prepared to share these discoveries with American interests. During the past few days he has been in touch with big banking and broadcasting interests to make the necessary arrangements. Several offers have been made for the American licensing rights, and decision will be made within the next few days as to which of these will be accepted. (New York Times)


WASHINGTON, Aug. 27. — The Knickerbocker Broadcasting Company of New York City [WMCA] today applied to the Radio Commission for a new construction permit for a television station to use 500 watts power and a frequency of 46,000 kilocycles.
The RCA-Victor Company of Camden, N. J., asked for a license to cover the construction permit for station W3XAJ, for experimental purposes, using 500 watts power and very high frequency.
The Radio Corporation of America of New York City asked for license to cover construction permit of station W2XBB using 1,000 watts power and also using high frequencies.
W2XB of Long Island City, N. Y., asked permission to use two additional transmitters and WNBZ of Saranac Lake, N. Y., for a license to cover recent equipment changes. (New York Times)


Friday, Aug. 28, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental sight programs.
8:00—Four Eton Boys.
8:15—Peter De Lima, Poet’s Favorites.
8:30—Helen Haynes, songs.
8:45—Irwin Trio.
9:00—“Looking at Television,” Charles Butterfield.
9:15—“Lighthouse for the Blind,” talk on how the blind see.
9:30—Hawaiian Shadows.
10:00—Julia Mahoney, soprano.
10:15—“Hints for Swimmers,” talk.
10:30—Flora Starr Triest, songs; Sandro Rosati, violinist.
10:45—Harriet Lee, contralto.

W2XCR (Jenkins Television), New York, 2035kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Jacques Belser, songs.
4:15—French Lessons, Dr. Thatcher Clark.
4:30—Your Voice.
4:45—“Speaking of Women,” Edna McKnight.
6:00-9:00—Same as WGBS
6:00—to be announced
6:15—Ship Ahoy Trio.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—Amusereel.
7:30—Chamberlain Brown’s Broadway Stars.
8:00—Dean J. J. Dandreau, talk.
8:15—Marguerite Sylva, soprano.
8:30—Joseph Nopolis, tenor; George Dandria, baritone.

Other stations as above.

Saturday, Aug. 29, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 p. m.—Experimental programs.
8:00—“Waltzing Through the Air.”
8:15—Kathryn Parsons, songs.
8:30—Les Reis and Artie Dunn.
8:45—Kenneth Roberts, readings.
9:00—Sidney Boyd, songs.
9:15—Phil Maher, comedian.
9:30—Colonel Stoopnagle and Budd with Henry Burbig, comedians.
9:45—Artells Dickson, songs.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00—Prosperity Girls.
4:15—Royaltonians Orchestra.
4:45—Aunt Dixie.
6:00-9:00—Same as WGBS
6:00—Quinn and Dublin Boys.
6:30—Van Dycke’s Broadway Interlude.
6:45—Sports Talk
7:00—Dalma Denyee, songs.
7:15—Marguerite Austin, violin.
7:30—Jubilee Singers.
7:45—Kent and Love, songs.
8:00—Louise Taylor, soprano.
8:15—Jack Norman’s Sport Celebrities, Charles Retzloff, boxer.
8:45—Emelia Rosselli, soprano.

Other stations as above.

What is said to be the last word in direct pickup equipment is now being installed in the studios of television station W3XK in Washington, according to a statement from the Jenkins Television Corporation. Plans are being made to have the equipment ready for operation within ten days. The station operates on 2,050 kilocycles or 147 meters. (Sun)

The first million-dollar television broadcast will be staged at W2XAB, New York, on Tuesday night, Sept. 8, at 10 o’clock, when rare and historical gems from Cartier’s vaults worth more than that amount will be displayed before the photo-electric eye.
Natalie Towers, original television girl, will wear the gems. Ranging from pearl necklaces to emerald rings, the whole gamut of jewels and precious stones will be covered. Special emphasis will be placed on engagement rings, their evolution and fashions today. The display will start with a short pictorial history of the engagement ring. The history of stones used to plight troths will be told in words, while Miss Towers displays the romantic circles. The program will include a showing of other jewels—pearls, diamonds, rubies, emeralds—historical and modern, and many pieces of rare art from the private collection. (CBS release)


Sunday, Aug. 30, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental sight programs.
8:00—Louise Caselotti, Italian motion picture star, and Vincent Sorey
8:25—Scanning the Week, program resume.
8:30—Myndelle Louis, Australian concert soprano.
8:45—Modernistic Rhythm, Marion Weeks and Herbert Spencer, dancing.
9:00—“Half Hour on Broadway,” Viola Blaney and Kenneth LeRoy, singing dancing group.
9:30—Lone Pine Rangers, singing guitar group.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
5:00-9:00—Same as WGBS.
5:00—Irish Echo Boys.
6:00—“Musical Etchings.”
6:15— Cosma Vullo, soprano.
6:30—Rainbow Ensemble.
7:00—Jimmy McLachlan, baritone.
7:15—Two Dorothys.
7:30—Werner Strittmeyer, baritone.
8:00—Lavinia Darve, soprano.
8:15—“Daisy and Bob,” songs.
8:30—Harry Glaser, songs.
8:45—Studio music.

Monday, Aug. 31, 1931
W2XAB (CBS), New York, 2750 kc.
(Sound on W2XE, 6120 kc.)
2:00-6:00 Experimental sight programs.
8:00—“At Home Party,” Alvin E. Hauser and six entertainers.
8:30—Net Work Synchronization Test, The Bon Bons.
8:45—Doris Sharp, crooner.
9:00—“The Best Dressed Girl in Radio,” Mary McCord waring the latest Paris creations.
9:15—“Doing New York,” Barry Trivers and Ben Oakland, sketch.
9:30—Charlotte Harriman, contralto.
9:45—Natalie Towers in experimental ballet.
10:00—W. H. Crawford, interviewer.
10:15—Helen Nugent, contralto.
10:30—Anne Ensle, tap dance lessons.
10:45—“The Singing Vagabond,” Artells Dickson.

W2XCR (Jenkins Television), New York, 2035 kc.
(Sound on 1180 kcs)
3:00-4:00—Films.
4:00-5:00—Same as WGBS.
4:00— Elsie Duffield, songs.
4:15—Lyle Moore, baritone.
4:30—Joe Lenzer, musical saw.
4:45— Weight Reduction, Dr. Shirley Wynne.
6:00-9:00—Same as WGBS
6:00—Dunya, Russian songs.
6:15—Dorothy Rosenthal, violin.
6:30—Hernan Rodriguez, songs.
6:45—Sports talk.
7:00—Romantic Troubadour.
7:15—“Byways in the World War,” Capt. Bate Preston.
7:30—Flanagan Trio.
8:00—“Over the Gill to the Poor House,” play.
8:30—Kurley’s Orchestra.

W2XBS (NBC, New York), W2XR (Hogan, Long Island), W3XK (Jenkins Labs, Washington), W1XAV (Boston) as above.

Saturday, 9 September 2023

February-March 1940

It’s as if Joe Besser was playing the part of the F.C.C., screeching “Not so faaaaaast!” at the television industry.

NBC was making a big push around the start of 1940. It started airing hockey, basketball and other live sports. It mounted opera and plays—including Shakespeare. Actors Equity was on board. Venerable newsman Lowell Thomas was added to the line-up (although simulcasting with radio). It worked out the bugs in its relay system and started networking programmes to G.E.’s station in Schenectady, New York.

No doubt, the future General Sarnoff and his people thought the time was right to start selling TV sets to the current general public, and cut the price as an incentive. But the F.C.C. was making a tour, getting information about television before deciding whether to allow stations to go commercial. And it kept hearing about technical breakthroughs. Things weren’t settled. So the Commission put a temporary halt to letting TV stations earn some money from ads.

Most of the focus for February and March 1940 will be on NBC’s W2XBS. Little information was published about W6XAO in Los Angeles—not surprising considering the paltry numbers of TV sets there. The same with W2XB in Schenectady and W3XE in Philadelphia.

Thursday, Feb. 1, 1940
2:30—“Isle of Moen,” film.
3:10—“Let’s Go to the Zoo,” film.
3:20-3:30—“Over and Under,” film.
8:30-10:00—Wrestling Bouts at Ridgewood Grove Sporting Club, Sam Taub, announcer.

WILLIAM C. EDDY, NBC video effects man, has perfected a kaleidoscopic effect that is used for intermissions on television programs as the visual equivalent of musical interludes in sound broadcasting. Introduction of the device on recent telecasts from W2XBS, NBC video station in New York, resulted in numerous letters of praise from television audience. (Broadcasting, Feb. 1)

A short film featuring Edgar Bergen and Charlie McCarthy will be shown on the television program tonight over W6XAO, the Thomas S. Lee station. Film runs four and one-half minutes and was prepared and is sponsored by the Community Chest. (Hollywood Reporter)


Friday, Feb. 2, 1940
8:30-9:00—“June Moon,” play by Ring Lardner and George S. Kaufman.

Saturday, Feb. 3, 1940
2:30-3:50—“Little Men,” feature film with Ralph Morgan.
8:30-9:50—“Mill on the Floss,” feature film with Geraldine Fitzgerald, Frank Lawton and Victoria Hopper.

Regular relay of New York-originated programs to the Schenectady area, 130 miles away, is ready. A successful public test has been made, but no date has been set to begin day-to-day operation.
The first retelecast intended for general entertainment reception was coincidental with the visit of members of the Federal Communications Commission to Schenectady in connection with the hearing on television. The relay was carried by the General Electric’s new station, W2XB, which is undergoing its final checkup. Reception was described as good in the immediate area of the originating transmitter, the NBC station in the Empire State Building.
The program from New York is received at Schenectady direct on a special double-diamond-shaped antenna 400 feet across. An amplifier, part of the antenna system, increases signal strength 20 times before it is passed to a wire line feeding the relay receiver below the antenna. From there it is sent by a 10-watt transmitter to the main station, 12 miles from Schenectady, for general telecasting.
When it gets under way, W2XB plans to relay the full NBC schedule, in addition to programs provided by its own studio and film equipment. (C.E. Butterfield, AP column)


Sunday, Feb. 4, 1940
2:30-3:30—Soccer Game. Brookhattans vs. Irish-Americans at Starlight Park, Bronx.
8:30-8:50—A musical Televue of James Shelton’s “Our Town.” A dramatization in music of five of the composer’s songs, with Dorothy Bird and Robert Shackleton.
8:50-9:30—“The Long Christmas Dinner,” a play by Thornton Wilder presented by the American Actors Company.

Wednesday, Feb. 7, 1940
2:30—“Olympics in the Jungle,” film of native sports in rural Mexico.
2:40—“In Old New Orleans,” film study of the quaint Southern city.
2:50—“Burn ‘Em Up Barnes,” film serial Episode IX.
3:10—“Frontiers of the Future,” film showing exploration in the laboratories of science and industry.
3:20-3:30—Overture to “Der Freischuetz,” by Carl Von Weber. Played by the Paris Symphony Orchestra, film.
9:00-11:00—Elimination bouts at the New York Daily News Golden Gloves amateur boxing tournament at Ridgewood Grove Sporting Club. Sam Taub, announcer.

NEW YORK—One week’s salary for each member of the cast must be paid for televising a stage play, it was decided yesterday [6] by the Equity Council in a ruling on the show, “When We Are Married.” Two days of rehearsals will be allowed.
The producers applied to the Council for permission to telecast the play on February 25 and this was granted, on condition of the full week’s pay. Show will be telecast by NBC. (Hollywood Reporter)


Thursday, Feb. 8, 1940
2:30—“Sun Valley,” film. Winter sports at Idaho’s famed resort.
2:50—“Safari on Wheels,” film. Conquering the Sahara with modern trucks.
3:10—“March of Time.” “Uncle Sam the Farmer.”
9:00-11:00—Wrestling bouts at Ridgewood Grove Sporting Club. Sam Taub, announcer.

Friday, Feb. 9, 1940
2:30-3:50—“Bad Boys,” film feature, with Johnny Downes and Rosalind Keith.
8:30-9:30—“Charlotte Corday,” a play by Helen Jerome, with Lucille Watson, Jose Ruban, Frances Reid and Carl Harbord.

Saturday, Feb. 10, 1940
2:30-3:50—“Abraham Lincoln,” film feature in commemoration of Lincoln’s Birthday, with Walter Huston.
7:30-8:00—“Art for Your Sake,” studio feature, with Dr. Bernard Myers.
8:30-9:30—Ballroom dancing lessons, Finnish choir recital, talk on the works of the old masters.

Sunday, Feb. 11, 1940
2:30-4:00—Soccer Game. New York Americans vs. Baltimore Americans at Starlight Park, Bronx.
8:30-9:30—“Jitterdoodle Charades,” a guessing game devised by Norman McLaren, English artist. “Television Explorers’ Club,” a studio feature with Lewis Cotlow and his African films.

Wednesday, Feb. 14, 1940
2:30—“Know Your Money,” film produced by the U.S. Treasury Department.
2:50—“Burn ‘Em Up Barnes,” film serial Episode X.
3:10—“Café Con Leche,” film made in Puerto Rico coffee fields.
3:20—“Fire and Water,” film showing how forest fires are fought with the aid of modern transportation and equipment.
8:30-9:30—“Midweek Varieties,” studio presentation.

Thursday, Feb. 15, 1940
2:30—Meeting of the Associations of Junior Leagues of America, with Helen W. Leovy, president, and Helen Findley, secretary of the arts department.
2:45-3:30—“Electrifying New York,” film prepared by the Consolidated Edison Company.
9:00-11:00—Wrestling matches at Ridgewood Grove Sporting Club. Sam Taub, announcer.

Friday, Feb. 16, 1940
2:30-3:50—“Corsair,” film feature, with Chester Morris, Ned Sparks, Frank McHugh and Thelma Todd.
8:30-9:30—“The Perfect Alibi,” mystery play by A.A. Milne, with Agnes Doyle, William Mowry, Katherine Maskil, Maurice Wells and J.W. Austin. Directed by Thomas L. Riley.

Saturday, Feb. 17, 1940
2:30-3:40—“Thunderbolt,” film feature with Lobo, the dog, in a saga of the old West.
9:00-11:00—Boxing matches at Ridgewood Grove Sporting Club, Sam Taub, announcer.

Sunday, Feb. 18, 1940
2:30-3:40—“City Park,” film feature with Sally Blane.
8:30-9:30—Carveth Wells and his Malay Jungle films, and John Sloane, American artist, interviewed by Caroline Bergh.

Monday, Feb. 19, 1940
9:00-11:30—Finals of the Golden Glove amateur boxing tournament, at Madison Square Garden. Sam Taub, announcer.

Wednesday, February 21, 1940
8:30-9:30—“Highlights in the Women’s World,” an hour of variety with feminine accent.

TELEVISION station W9XBK, Chicago, owned and operated by the Balaban & Katz Corp., theatre chain, on Feb. 21 made its first experimental telecast from the State Lake theatre building which houses its studios. B & K channel is No. 2, 60-66 m.c. using 525 line picture. Antenna is vertical polarized. With equipment manufactured by the DuMont Labs., Passaic, N. J., and B & K engineers. William Eddy is station manager. (Broadcasting, Mar. 3)

Thursday, Feb. 22, 1940
2:30—“News Front of War,” a March of Time.
2:50—“Burn ‘Em Up Barnes,” film serial, episode XI.
3:10-3:30—“Repair, Supply and Relief,” film.
8:30—“Uncle Sam, Farmer,” a March of Time.
8:50-11:00— Wrestling matches at Ridgewood Grove Sporting Club. Sam Taub, announcer.

SCHENECTADY, N, Y., Feb. 22. (AP)—Successful television relay, with which engineers have struggled for years, was declared an actuality tonight by a General Electric Company official.
Solution of this chain, or rely, problem generally is credited with delaying widespread inauguration of television. Otherwise reception theoretically is limited to the visual horizon.
High in the Helderberg mountains, near Schenectady, engineers attacked the problem. For weeks a television station there has picked up and rebroadcast programs put on the air from atop the towering Empire State building in New York City.
Tonight Dr. W. R. G. Baker, manager of the General Electric television and radio department, termed the experiment “highly successful.”
“Within a short time,” he asserted, “people in Chicago may sec the sun set in New York while it still is high above the horizon in Chicago.”
Unlike radio chains, which deliver programs to stations for rebroadcast by wire, the predicted television would go into the nation’s homes by a series of aerial pickups and rebroadcasts.
Without chain operation, each television station must operate independently in a restricted area.
Explaining the experiment, involving receipt of National Broadcasting Company programs from New York City by a receiver 130 miles distant, and simultaneous rebroadcast by Station W2XB, Dr. Baker said advantage is taken of a “trough” created by the Hudson river through a mountain range.
Signals passing through the “trough” are halted by the mountain-top antenna, 1,800 feet above sea level. The station thus overcomes the “visual broadcast horizon” restriction by raising both receiving and sending antennas.
Dr. Baker explains the nearly level Mohawk Valley leading to the West provides a natural spacing of metropolitan centers to make a network relay from New York to Chicago practicable. “Similarly, he explains,” the network could be extended to Boston and New England.


Friday, Feb. 23, 1940
2:30-3:30—“Sensibly Young,” Fashion Show, in co-operation with the United Airlines, at LaGuardia Field.
8:30-9:30—“Prologue to Glory,” a drama by E.B. Ginty, with Stephen Courtleigh, Frances Reid, Ethel Wilson, Eva Condon and Elizabeth Malone. Directed by Anton Bundsmann.

Saturday, Feb. 24, 1940
2:30-3:30—“Emil and the Detectives,” feature film with George Hays and Mary Glynne.
8:30-9:30—“One Night Stand,” a streamlined variety show, written and directed by Donald Davis.

Lowell Thomas will combine television with his regular radio broadcasts on W2XBS. He’ll be seen and heard thrice weekly at 6:45 p.m. . . . congrats to Alfred H. Morton, NBC vice prexy in charge of television, for shifting the start of the afternoon studio programs to 3:30 p.m. They have hitherto gone on an hour earlier. This makes it easier for kids (but not for mothers) , who have been finding it somewhat difficult to squeeze television and school into the same afternoon. (Jo Ranson, Brooklyn Daily Eagle column)

PHILADELPHIA, Feb. 24.—Three new achievements in television research, described as “important steps forward in solving television’s fundamental problems,” were announced this week by William H. Grimditch, vice-president in charge of the Philco Radio & Television Corp.’s engineering laboratories.
The three Philco advances as described by Grimditch are: (1) Better television pictures; (2) plug-in television, and (3) discrimination against noise. To the public, Grimditch said, these advances will mean a better television receiver at lower cost.
Better tele picture is achieved by reception of a 605-line picture instead of the present 441-lines, giving a 30 per cent increase in picture detail. New 605-line pic has 24 frames per second in accordance with standard motion picture practice. Plug-in feature is reception based on vertical wave transmission permitting built-in vertical loop antennas. With the use of a built-in loop, diathermy and other electrical interference is reduced. One of tele’s most vexing problems has been diathermy interference.
While these advances are important steps forward, Grimditch states there is still “one big problem yet to be solved.” That is “A better, simpler, stronger and more reliable synchronizing system to prevent picture slippage.”
With 605-line television, Grimditch further stated, it will be necessary to make considerable adjustments and changes before receivers already on the market can pick up pictures of the improved type. Philco feels tele is still in the laboratory stage and is against freezing present standards and against limited licensing of television broadcasting stations. (Billboard, Mar. 2)


Sunday, Feb. 25, 1940
3:30-4:40—“Green Eyes,” film feature, with Shirley Grey and Charles Starrett.
8:45-10:45—Professional hockey: New York Rangers vs. Montreal Canadiens, at Madison Square Garden. Bill Allen, announcer.
If a puck were as large as a football, television’s first hockey match would have been swell. But although the capers of the skaters were visible, the televised game between the Rangers and the Canadiens, from Madison Square Garden, was hard to follow. (Ben Gross, Daily News column, Feb. 26)

Marjorie Evans, who is featured in “Songs by Marjorie” on WFIL, will be telecast in a special program on Wednesday [28] at the Philco experimental plant in this city. The telecast will be produced by Helen May Aldrich. (Philadelphia Inquirer)


Monday, Feb. 26, 1940
Edmund G. Kelly, of Passaic, has the distinction of being among the first Union College students to be broadcast over the General Electric Company’s television station, W2XB. Kelly sang with the octet of the Union College Glee Club in a special broadcast Monday night. Made up as for motion pictures, the group sang a series of classical and college songs. (Passaic Herald-Tribune, Feb. 29)

Tuesday, Feb. 27, 1940
SCHENECTADY, N.Y., Feb. 27 (AP)—Rockwell Kent, the artist, introduced a new twist to television programs last night [26] when he appeared on General Electric’s W2XB.
Mr. Kent insisted on knowing how he appeared to his television audience. There was much consideration among engineers until one hit upon the plan of placing a mirror beside the camera lens.
A temporary mirror was found and the show went on with Mr. Kent looking at the audience through the television camera and at the same time keeping an eye on himself in the mirror.
An official said the mirror will be part of the regular equipment henceforth.


Wednesday, Feb. 28, 1940
3:30—“Little Miss Cowboy,” film.
3:40-4:30—“Today We Build,” an FHA film on housing projects in Europe and America.
6:45—Lowell Thomas, news.
8:15-11:15—Intercollegiate basketball: Fordham vs. Pittsburgh, and New York University vs. Georgetown, at Madison Square Garden. Bill Allen, television announcer.

The re-enactment of the Tailwaggers award given to “Daisy,” the dog, will be televised tonight over the Lee Television System with Larry Simms, who appears in the Columbia “Blondie” series, accepting the award in place of the dog’s owner, Rennie Renfro, who is ill. (Hollywood Reporter)

Thursday, Feb. 29, 1940
3:30-4:45—“Three Waltzes,” French film feature with English sub-titles.
6:45—Clem McCarthy, news.
9:00-11:00— Wrestling matches at Ridgewood Grove Sporting Club. Sam Taub, announcer.

Friday, Mar. 1, 1940
3:30—“Jay Alia,” sports film.
3:40—“Burn ‘Em Up Barnes,” film serial, final episode.
4:00—“Construction of Three Small Houses,” am FHA housing film.
4:20-4:35—Thomas J. Watson, president of International Business Machines Corporation, receiving the Golden Gate Exposition plaque.
8:30-9:00—Variety: to be announced.

Saturday, Mar. 2, 1940
3:30-4:45—“Little Red School House,” juvenile film.
7:30-8:00—“Art For Your Sake,” Dr. Bernard Myers.
8:30-9:30—“Out of the Kaleidoscope,” Variety show.
9:30-10:30—IC-4A Track Meet.

Lowell Thomas is turning in good performances on the television channel. Chief criticism, however, comes from women, who say he isn’t as good looking as they imagined him to be. (Jo Ranson, Brooklyn Eagle column)

After the postman rings once or twice at No. 8 Birch Ave., in Chester Park, 5-year-old Charles Amato, who lives there, turns to his father, Mayor Dominic Amato of North Pelham (pop. 5,000) and says:
“Any mail for me?” You can scarcely blame Charles for expecting fan letters, considering his rapid progress since Dec. 2. On that date he played his accordion at a local affair. Last Sunday he was in the role of Pinocchio in NBC’s telecast from W2XBS. Now he’s taking screen tests, the movies are interested in what radio experts call his “unbelievable” talent, plus his photogenic quality. (Julia McCarthy, Daily News)


Sunday, March 3, 1940
3:45-5:30—Amateur Hockey: New York Rovers vs. Valley Field of Quebec, at Madison Square Garden. Bill Allen, announcer.
8:30-10:30—“When We Are Married,” a telecast of Robert Henderson’s production of J. B. Priestley’s comedy with Estelle Winwood, Alison Skipworth, J.C. Nugent, Tom Powers, Ann Andrews, Sally O’Neil and A.P. Kaye. Television direction by Thomas Lyne Riley.

Wednesday, March 6, 1940
3:30—“Miracles of Modernization,” an FHA film.
3:40—“Yours Truly, Ed Graham,” film.
4:00-4:30—Shoe Style Show.
6:45-7:00—Lowell Thomas, news commentator.
9:00-11:00—Boxing: Golden Gloves Tournament of Champions, at Madison Square Garden. Sam Taub, announcer.

Birds-eye views of Manhattan are scheduled to be flashed on television screens at 1:30 p.m. today [6] from a transmitter-equipped plane which is to take off from LaGuardia Field and transmit the pictures to the National Broadcasting Company station, W2XBS, atop the Empire State Building from where they will be telecast across the metropolitan area. The demonstration is designed to show the advanced nature of television development and to indicate some of the future possibilities of television in conjunction with aviation. (Brooklyn Daily Eagle)

SCHENECTADY, N.Y., March 7. (INS)—A radical development which may revolutionize artillery warfare was tested Thursday when an airline flying over New York City sent by television to Schenectady the scene over which it was flying.
The air view of Manhattan and vicinity, relayed by the National Broadcasting Company’s facilities, was so clear when receive at General Electric’s station W2XB here, even the waves in New York Harbor were distinguishable. Through similar devices in warfare it will be possible for a general far back behind the lines to watch his men attack, or for an artillery officer to spot the fall of his every shell.
Captain Isaac D. Van Meter, commander of the Schenectady army depot, termed it “an extremely significant development,” adding:
“It is likely to revolutionize artillery fire. It would take no time at all to get on a target.”

AIRPLANE TELECAST
45 Mins.
Wednesday (6), 1:30 p.m. RCA-NBC, New York

Those with television receiving sets were provided an early afternoon thrill last week when the first pictorial broadcast of the metropolis from the air was demonstrated. Start was from LaGuardia field. New York’s new flying field at North Beach, Queens.
Demonstration which may prove valuable from a military standpoint was accomplished by the teaming of RCA, NBC and the United Air Lines. New lightweight television apparatus was installed in the research ship of United. Marked a long step towards spot telecasting. Heretofore that type of televized broadcasts required two 10-ton trucks. Reception was sometimes vague because ground conditions were murky, but as the plane went back and forth over the city, crossing and recrossing the Hudson and East rivers, many landmarks were clearly seen, including the aquarium at Battery Park, the Statue of Liberty, buildings of the financial district, RCA building and Empire State from whence telecasts are sprayed on the air. Other familiar scenes included motor cars speeding along the westside express highway, liners at their docks and the elevated train lines. Views of the World’s Fair buildings added to the exceptional program, as did scenes over Central Park.
Ray Forrest, who announced the trip, kept up running comment. At times his voice was partly drowned out by the noise of the plane’s exhaust but the whirr of the propellers heightened the effect on the receiving end.
An added kick was provided by the sight of an accompanying plane, a regulation Douglas Mainliner used in transcontinental flights. The Douglas kept at the level of the telecast ship, about 100 yards away. It had a receiving set so that those aboard saw the pictures of their ship in flight. The Mainliner’s propellers appeared to be turning very slowly whereas they spin at the rate of 1200 revo1ution per minute. In flight propellers cannot be seen by the naked eye but electronic camera pictured the blades clearly. That is explainable by the fact that the camera snaps a picture every 60th of a second.
Reception on a plane was demonstrated several months ago when a broadcast from NBC registered on a set in a ship flying over Washington at a height of 22,000 feet. Telecast from the United ship was from 2,000 feet. Ibee. (Billboard, Mar. 13)




Thursday, March 7, 1940
3:30-4:40—“The Phantom Fiend,” thriller film, with Ivor Novello.
6:45-7:00—Lowell Thomas, news commentator.
8:45-10:30—Hockey: Boston Bruins vs. New York Americans, at Madison Square Garden. Bill Allen announcer.

Friday, March 8, 1940
3:30—“Washington, Shrine of Patriotism,” film travelogue.
3:50—“Cliff Friend,” musical film.
4:00—“Ten Minutes in Sweden,” film, with Eric Mann, narrator.
4:20-4:30—“Westminster Kennel Club Show,” a Newsreel Theater film record.
6:45-7:00—Lower Thomas, news commentator.
8:30-9:30—“Dangerous Corner,” a drama by J.B. Priestley, with Ruth Weston, Alexander Kirkland, Helen Craig, Barry Thompson and Helen Brooks. Directed by Edward Padula.

Saturday, March 9, 1940
3:30—The Children’s Matinee.
4:00—“Jasper National Park,” film travelogue.
4:15-4:30—“Sunday in Mexico,” film travelogue.
7:30-8:00—“Art For Your Sake,” with Dr. Bernard Myers, a radio-television feature.
9:30-10:30—Knights of Columbus track meet, at Madison Square Garden. Jack Fraser, announcer.

NBC will give away cash with “Minute Mysteries” which debuts next Saturday . . . Last Wednesday’s telecasting from an airplane over New York City was really something . . . According to O. B. Hanson, NBC chief engineer, the success of the demonstration was “little short of astounding.” The experiment was a sequel to a plan experiment conducted last October when a program transmitted from New York was received in an airplane flying above Washington, D. C., at an altitude of 22,000 feet. (Jo Ranson, Brooklyn Eagle column)

Residents of the New York area may look into television receiving sets next Wednesday, March 13, at 8:30 p. m., E. S. T., and see a typical mother and daughter shopping expedition in progress.
Telecast from NBC Radio City studio over station W2XBS and staged by the Tailored Woman, Fifth Avenue specialty shop, this unique fashion show will demonstrate how mother and daughter look over smart spring styles for a variety of occasions, try them on and make their selections.
Evening gowns for the matron and young girl will feature a purple chiffon with white daisy print to be worn by a gray-haired matron, a pencil-silhouette dinner costume in rough linen, a picture gown of rose print mull with matching parasol in the fashion of the Old South and cotton evening gowns of exquisite workmanship and original design.
Other costumes to be shown will be daytime and evening outfits for wedding guests, Molyneux’s casha and print suit with blouseback lumber jacket to be worn with this French designer’s fur jackets and various other models from the spring collection.
This television fashion show will be viewed in the salons of the Tailored Woman by clients of the shop as it is picked up by television sets placed there during the week. (Central New Jersey Home News)


Sunday, March 10, 1940
3:30-4:30—“The Glory Trail,” Western film feature, with Tom Keene.
8:00-9:00—Met Opera Program. Armand Tokatyan, Hilde Reggiani, Bruna Castagna, Frederick Jagel, Leonard Warren, others. Edward Johnson, master of ceremonies. Frank St. Leger, conductor.

Metropolitan Opera will go before television cameras for the first time today when Edward Johnson, general manager of the Metropolitan, and 10 stars of the opera participate in a premiere president by the National Broadcasting Company over Station W2XBS. The telecast will begin at 8 P. M., E. S. T. [10], and continue for one hour.
Mr. Johnston will be master of ceremonies for this program, the sound portion of which also will be heard over WJZ. He will make a brief appeal to televiewers for support of the Metropolitan Opera Fund.
The finale of the telecast, the first operatic venture to be undertaken by American television, will be Act of “I Pagliacci.” The setting in NBC’s television studio in Radio City will be molded after the Metropolitan’s mise en scene for the Leoncavallo opera, with a small outdoor theatre as the principal point of interest. Armand Tokatyan will he Canio, with Hilda Burke as Nedda and Richard Bonelli in the role of Tonio. Silvio will be sung by George Cehanovsky ane Peppe by Alessio de Paolis. Frank St. Leger will conduct.
Others to appear on the television opera concert will be Bruna Castagna, singing the Haanera from “Carmen,” and Licia Albanese ini Je dis que rien ne m’eprouvante, from the same opera. Frederick Jagel will sing the area [sic], Cielo e mar! from Ponchielli’s “La Gioconda,” and Leonard Warren will be heard in Largo al factotum, from “The Barber of Seville.” The quartette from “Rigoletto” will bring Jagel and Warren before the battery of NBC’S electronic cameras. (Philadelphia Inquirer)

The first U. S. A. television broadcast of Grand Opera took place Sunday (10), from a stage at NBC in Radio City and under the auspices of the Metropolitan Opera Co. The telecast proved that as yet, and probably for quite some time to come, Grand Opera does not lend itself to visual presentation on the air.
The telecast was conducted in conjunction with the Met’s drive for $1,000,000 to purchase its present home. The program was continually spotted with appeals for money from Gene Hamilton, the announcer, and Edward Johnson, general manager of the Met, who acted as commentator. With fewer than 1,000 television sets in existence this appeal couldn’t produce much.
The program presented consisted of two parts, the first being the usual concert platform, presentation with the singers appearing in formal dress, and the second a much abbreviated version of ‘Pagliacci’ in costume.
From a television standpoint, the first portion of the program was the best. It is unfortunate, but true, that motion pictures has injured television’s chances. The screen has led the public to expect good acting, and some degree of good looks. Most opera singers are too mature for the snakehips camera silhouette. The Met went to some lengths to use singers who were most nearly photogenic, but in comparison to what the screen has led the public to expect, the results were miser able. As a straight concert program, the spectator was less ill at ease, although the sight of wide open straining mouths, and stretched neck cord muscles, brought murmers of disapproval and a tendency to laughter.
Camera Trouble
In the ‘Pagliacci’ presentation, the lack of an adequate size camera forced the focus into a 10-15 foot dimension, causing any action on the tiny screen to be considerably lost. The exaggerated scenery-chewing opera-style acting of the singers seemed a throwback to the silent days of the screen.
The first portion of the program was presented against a silver curtained backdrop. The second portion, found an attempt made at a setting done in considerable miniature, and forcing the elimination of a large part of the act which normally contains chorus, and donkey with a cart, etc.
The actual singing was just fair. The program opened with Bruna Castagna singing the ‘Habanera’ from ‘Carmen’ adequately, but without the life and zest that the aria calls for. Frederick Jagel followed with a well sung ‘Cielo e mar’ from ‘Gioconda.’ Lucia Albanese’s Michaelia’s aria from ‘Carmen’ did not come off well, with shrill top tones and not so good French, spoiling the effect on one hand, and extremely ridiculous facial grimaces on the other. Leonard Warren sang a pretty good Largo al Factotum from the ‘Barber of Seville,’ and the first half closed with a poor rendition of the quartet from ‘Rigoletto’ with Jagel, Castagna, Warren and Hilde Reggiani. Here the screen was unable to absorb four singers at one time, and was forced to concentrate on two at a time. Then followed ‘Pagliacci.’|
Bonelli, Tokatyan Okay
The singing in ‘Pagliacci’ was featured by a well sung Prologue by Richard Bonelli, and ‘Vesti La Guibba’ by Armand Tokatyan. It was spoiled by Hilda Burke’s yowling as Nedda. The soprano’s voice was unpleasant in the upper register, where it also fell short of the required top tones. George Cehanovsky, as Silvio, mugged the camera in great style, turning Miss Burke’s head from the lenses and grinning vociferously into them. The program closed with another appeal for money.
Until the size of the screen can be considerably enlarged, and close-ups are abolished, or singers taught to act, television will have to take a back seat to opera at actual performances, or in films. The supposedly excellent sound, as a result of the coordination between screen and voice, another feature advertised by television was lacking. The recording was no better or worse than in an ordinary radio performance. (Variety, Mar. 13)


Tuesday, Mar. 12, 1940
At 11 o’clock this morning, the Philco Radio and Television Corp. will telecast two United Charities films from the television studios, and at 2:30 P. M. Margalo Gilmore, appearing here this week in “No Time for Comedy,” will open the penny safe in front of Wanamaker’s Chestnut st. entrance. (Philadelphia Enquirer)

New York, March 12 (AP) — Radio Corporation of American announced today a $200 reduction in the price of television receivers an increase in the National Broadcasting company’s picture program schedule, and plans for a relay to link New York and Philadelphia.
Altho the announcement did not mention this point, it was learned that a refund probably would be made to purchasers of receivers at the original price.
The announcement was made at a meeting of dealers at which plans were discussed for a campaign to put 25,000 rece1ver in New York area homes within the next 12 months, compared with 1,500 to 2,000 sets in operation now.
The price cut would reduce the $600 receivers with an 8 by 10 inch screen to $395 and other models in proportion. Installation costs also are to be lowered. The television network to Philadelphia, it was stated, would be a start towarc1 linking other nearby cities. Among cities which may be included later would be Washington, to permit televising of the next presidential inauguration.


Wednesday, March 13, 1940
3:30-4:30—“Cheating Blondes,” film with Thelma Todd.
6:45-7:00—Lowell Thomas, news commentator.
8:00-8:15—Fashion Show.
8:15-11:15—Basketball, semi-finals of the national intercollegiate invitational tournament, at Madison Square Garden.

Thursday, March 14, 1940
3:30-4:40—“Wolves of the Underworld,” feature film, with Godfrey Tearle.
6:45-7:00—Lowell Thomas, news.
8:45-10:45—Hockey, Boston Bruins vs. New York Rangers, at Madison Square Garden.

Friday, March 15, 1940
3:30-4:40—“Yellow Cruise,” film travelogue.
6:45-7:00—Lowell Thomas, news.
8:30-9:30—“Julius Caesar,” play in modern dress, with Stephen Courtleigh as Brutus, Patrick Ludlow as Cassius, Judson Laire as Caesar, Muriel Hutchinson as Portia, Douglas Gilmore and Evelyn Allen.

Television Review
Reviewed Friday, 8:30-9:30 p.m. Style—Drama. Reviewed on RCA Receiver TRK 12.
Only the desire to experiment can justify NBC’s television production of Shakespeare’s Julius Caesar in modern dress. To see a group of actors parade around In military garb that makes them resemble a gang of Kremlin or Berlin fanatics and then to hear them deliver the Bard’s classic lines is as farcical as was Tony Galento’s grappling with Romeo and Juliet. The difference is that the Galento stunt was admitted as such, while this television production is supposed to be, presumably, an advance in a new dramatic form. If the Shakespearean form must be advance, which is debatable, it had best be left to mountebanks, of which the theater has enough, or else it should be done the whole hog. If there’s to be a modern dress let there be the modern idiom. If there’s to be modern dreas and modern idiom then it’s not Shakespeare, which is as it should be. After all, he was a pretty good playwright.
There were few changes, among them having Caesar riddled by bullets, omitting the “unkindest cut.” This scene is supposed to be pretty exciting, but it came over with all the thrill of a bowl of oatmeal, which may also be said of the entire production. Shakespeare brings out the ham in most actors, and even a pig would have blushed had he been of a mind to take in a television show on Friday evening (15).
Part of the modernization, which was effected by Wallace Wade, was to use motion picture footage to depict crowd and war scenes and to use the noises these scenes carry as background during several speeches, notably those of Brutus and Mark Antony at the funeral. The sound production was pretty bad there.
Only Patrick Ludlow as Cassius managed to play with any success, while Stephen Courtleigh as Brutus and Judson Laire as Caesar were vapid. Atrocious performances were those of Eric Mansfield as Casca and Douglas Gilmore as Antony. Others in the cast included Evelyn Allen, Stefan Schnable, Arthur Anderson, Francis Cleveland, Leslie Austen, Grant Gordon, Jack Parsons and Richard Coogan.
Now, now, Bill, stop spinning around like that. Franken. (Billboard, Mar. 23)


Saturday, March 16, 1940
2:30-4:00—St. Patrick’s Day Parade on Fifth Avenue.
7:30-8:00—“Art For Your Sake,” radio-television feature with Dr. Bernard Myers.
8:30-9:30—Variety, with Roy Post and “Minute Mysteries,” a new audience participation game; Winifred Osborn on “Bridge Made Easy;” the Chocolate Eclairs harmony team, others.
FIRST PRIZE contest for televiewers will start March 16 on W2XBS, New York, with NBC offering $25 for the correct answers to 15 questions based on a 10-minute mystery film which will be telecast. Contest, a pictorial version of the “Minute Mysteries” newspaper series, will be given a four-week test by NBC, which has scheduled it at 8:30 p.m. Saturdays. Question cards will be mailed in advance to set-owners receiving NBC’s program service, with the network expecting that the contest will add a quantity of new names to its list. (Broadcasting, Mar. 15)

Sunday, March 17, 1940
3:30-4:30—“Man of Sentiment,” film feature, with Marian Mash, Owen Moore and William Bakewell.
8:30-9:30—Sunday Varieties, with Tex O’Rourke’s Round Up, featuring famous personalities, and the Explorers’ Club program, with Commander Donald MacMillan and his Arctic films.

The recent telecast from Radio City of J.B. Priestley’s comedy, “When We Are Married,” played by the Broadway cast, has been voted the most popular production yet performed, according to viewer surveys. With three as a perfect mark, the play is rated 2.85. “Jane Eyre,” with a standing at 2.76. Of the 1,350-odd ballots mailed weekly to set owners by the NBC, about 33 per cent or approximately 450 are returned, offering a barometer of program popularity. (New York Times)

Plans for giving Philadelphia regular television broadcasts are now under way by the National Broadcasting Company, with the announcement that application for the construction and operation of a television transmitting station in this city were filed last week with the Federal Communications Commission. “R. C. A. Communications, Inc., shortly will file applications to cover television relay service between New York and Philadelphia, supplementing the radiotelegraph and facsimile service, which the company now renders,” said David Sarnoff, president of RCA and chairman of the Board of the National Broadcasting Co. The construction of the television relay system between New York and Philadelphia,” continued Sarnoff, “will enable these two great metropolitan centres to exchange programs and the varied forms of education and entertainment made possible by television.” Relay systems will be built in other cities following the initial step between New York and this city. (Philadelphia Inquirer)


Monday, March 18, 1940
9:00-11:00—Golden Gloves Tournament, intercity championships, at Madison Square Garden. Sam Taub, announcer.

Wednesday, March 20, 1940
3:30-4:40—“End of a Day,” French film feature, with Louis Jouvet, Madelaine Ozeray, Victor Francen and Michel Simon.
6:45-7:00—Clem McCarthy, news.
8:50—The Reporter, news feature.
9:00-10:00—“Juggernaut,” film feature with Boris Karloff.

A new program service for owners of television receivers will be introduced tonight [20] at 7 o’clock in which regular network radio programs are to be broadcast on the sound channel of W2XBS when the sight-sound station atop the Empire State Building is not projecting pictures into the air, the National Broadcasting Company announced yesterday.
The plan, as outlined by Alfred H. Morton, NBC vice president in charge of television, calls for the use of the sound channel three hours each night at such times as television programs are not scheduled. With the addition of sound transmissions, he said, television sets would be operable about twenty-five hours a week. Visual programs are on the air five days a week for an average of fourteen hours.
“For some time now we have felt that television’s high-fidelity sound channels could be made more serviceable both to televiewers and to families owning late model radio sets equipped to receive the sound portion of telecasts,” Mr. Morton said. (New York Times)

NBC introduces the Esso Television Reporter over W2XBS today (Wednesday), with William Spargrove on the announcing assignment. Series’ routine will consist of news dispatches, news photos, maps and graphic diagrams. It will be a weekly event, 8:50-9 p.m.
Unlike Esso’s radio programs, the television stanza will have a musical background, supplied by an organist. The plug will include demonstrations of the varìous Esso products. Marschalk & Pratt is the agency. (Variety, March 20)


Thursday, March 21, 1940
3:30—“Country Fair,” a film record of the famous Danbury Fair.
3:40—“Broken Earth,” film musical.
3:50-4:30—“The Continent is Bridged,” a film on the nation’s telephone system.
6:45-7:00—Lowell Rhomas, commentator.
8:45-10:45—Professional Hockey, Stanley Cup play-off matches, at Madison Square Garden.

Friday, March 22, 1940
3:30-4:30—“Cloistered,” a documentary on convent life.
6:45-7:00—Lowell Rhomas, commentator.
8:30-9:30—“The Passing of the Third Floor Back,” a drama by Jerome K Jerome, with Mildred Natwick, Charles Bryant, Sylvia Field, Muriel Starr and Zolya Talma. Directed by Donald Davis.

WASHINGTON (U.P.)—National Broadcasting Co. yesterday [22] applied to the Federal Communications Commission for authority to construct three new television stations and five new high frequency broadcast stations.
Television stations would be located in Washington, Philadelphia and Chicago, the high frequency units in Washington, Cleveland, Chicago, Denver and San Francisco. Latter would be for frequency modulation, a new system of broadcasting not affected by static.


Saturday, March 23, 1940
3:30-4:30—“The Adventures of Chico,” a document film on Mexican peasant life.
7:30-8:00—“Art For Your Sake,” a radio-television feature, with Dr. Bernard Myers.
8:30-9:30—Katherine Dunham and her Negro dance group in “Trophies,” a panorama of primitive West Indian dances; also “Minute Mysteries.”

WASHINGTON—The immediate future of commercialized television received a sharp setback here on Saturday [23], when the Federal Communications Commission suddenly revoked, until further notice, its recent order permitting limited television commercialization starting Sept. 1. At the same time, the FCC ordered a further hearing, beginning April 8, to determine whether research and experimentation of higher standards of television transmission are being duly retarded by RCA through its promotional activities.
“The current marketing campaign of RCA is held to be at variance with the intent of the commission’s television report of February 29th,” it was stated. “Such action is construed as a disregard of the commission’s findings and recommendations for further improvement in the technique and quality of television transmission before sets are widely sold to the public.
“Promotional activities directed to the sale of receivers not only intensifies the danger of these instruments being left on the hands of the public, but may react in the crystallizing of transmission standards at present level. Television is here to stay, but conceivably present day receivers may, for practical purposes, be gone tomorrow.”
HOLLYWOOD—The stop-order on commercialization by the FCC is a blow to television officials here, who were rushing plans for the September start. A check-up also reveals that manufacturers of receiving sets have been stepping up production to meet increased demands.
At the present time only a few hundred sets are in circulation in this area, most of these owned by picture people. In all, it has been estimated, there are no more than 1500 such sets all over the country. Current purchase price of teleceivers is $395 plus additional cost of about $50 for installation. Local factories have been trying to bring down that cost to less than half that amount, with television heads feeling that unless more sets are available to the public it will be more difficult to interest commercial sponsors. (Hollywood Reporter, Mar. 25)


Sunday, March 24, 1940
11:30—Protestant Easter service, Dr. Samuel McCrea Calvert officiating, with music by the Westminster Choir under the direction of Dr. John Finley Williamson.
12:00—Easter Parade on Fifth Avenue. Amelia Umnitz and Jack Fraser, announcers.
12:30-1:00—Roman Catholic Easter service, the Rt. Rev. Mons. Fulton J. Sheen officiating. Music by the Paulist Choristers, under the direction of Father William J. Finn, C.S.P.
3:00—Rockefeller Center Choristres, under the direction of John R. Jones, in an Easter concert at Rockefeller Center Plaza.
3:30-5:00—“King of Kings,” Cecil B. DeMille’s motion picture production.
8:30-9:30—NBC Pages and Guides on Broadway, a minstrel show; also Televues Picture Contest.

LAKE PLACID, N. Y., March 24. (AP)—An Easter service reached the top of Whiteface Mountain, third highest peak in the Adirondacks, by sight and sound today when three weather observers, snowbound since January, “went to church” by television.
The devotions came to the weather-locked meteorological station from the television studios of the National Broadcasting Company in New York City through General Electric’s new television relay station near Schenectady, N. Y. Total airline distance of the telecast was about 250 miles. The three-man staff of the observatory maintained by Rensselaer Polytechnic Institute and New York University saw and heard service conducted by Dr. Samuel McCrea Cavert of the Federal Council of Churches of Christ in America, and a mass celebrated by the Right Reverend Monsignor Fulton J. Sheen of Catholic University. They also saw the Fifth avenue Easter parade.
Engineers hauled equipment to the weather station by ski, toboggan and snowshoe over four miles of impassable mountain highway and drifts 25 feet deep.


Tuesday, March 26, 1940
WASHINGTON—NBC officials state that a television station in Washington is not an immediate prospect. The projected television network will first be tried out in New York and Philadelphia and if it should prove successful, an outlet will be sought in the district.
NBC is definitely pushing plans for a television network and considers Washington a key city in the projected network, it was said, but it is too early, however, to predict when this will take place. (Hollywood Reporter)


Wednesday, March 27, 1940
3:30—“Aesop’s Fables,” film.
3:40-4:40—“Fighting Trooper,” film feature with Kermit Maynard.
6:45-7:00—Lowell Thomas, news commentator.
8:30-9:30—“See-Hear,” a visual digest of the news of the month by Leopold Atlas and Anton Bundsmann.
9:30-9:45—News feature.
“See and Hear,” an impressionistic monthly review of news, devised by Leopold Atlas and Anton Bundsmann, had its premiere on television station W2XBS last night [27] (8:30 to 9:30). Here is a real novelty, employing puppets, motion picture sequences, montage effects and episodes enacted by living actors. An outstanding production, marked by poetic feeling and dramatic imagination . . . It made the sponsored telecasting of news, which followed, seem very pale and undramatic. (Ben Gross column, Daily News, Mar. 28)

Thursday, March 28, 1940
3:30—“Florida’s Golden Harvest,” film.
3:50—“Yankee Doodle Goes to Town,” film.
6:45-7:00—Lowell Thomas, news commentator.
8:30-9:30—“Happiness C.O.D.,” film.

Friday, March 29, 1940
3:30-4:30—“Thanks for Listening,” film feature, with Pinky Tomlin.
6:45-7:00—Lowell Thomas, news commentator.
8:30-9:30—“A Good Place to Visit,” documentary program.

Steve Sekely, noted European director, will stage two hour-long television broadcasts from LA Station W6XAO, the first on March 29. (Pittsburgh Press, Mar. 24)

CHICAGO’s only television transmitter, W9XZV, owned and operated by Zenith Radio Corp., celebrated its first anniversary on the air March 29. The station has transmitted experimental visual programs on a five-days-weekly schedule during the year. Although a number of television receivers manufactured by Zenith have been loaned to experimenters and technicians in the Chicago area for observation and suggestions, E. F. McDonald Jr., president of the company, has announced that Zenith will not manufacture receivers for sale to the public during the present stage of television. (Broadcasting, Apr. 15)

Saturday, March 30, 1940
3:00-5:00—Intercollegiate baseball: Fordham University vs. St. Peter’s College, at Fordham Field. Jack Starr, announcer.
7:30-8:00—“Art for Your Sake,” a radio-television feature, with Dr. Bernard Myers.
8:30—Carveth Wells, explorer, on “Tamest Africa, or Debunking Big Game Hunting.”
9:00-9:30—Variety.

Sunday, March 31, 1940
3:30-4:40—“Man in the Mirror,” film.
8:45-10:30—Finnish Relief Fund track meet, Madison Square Garden. Taisto Maki, Finnish runner, competes against America’s bets three-milers: Gregory Rice, Don Lash and Joe McClusky.

Saturday, 2 September 2023

January 1940

At the start of 1940, NBC had the TV audience in the Eastern U.S.—what little of it there was—all to itself.

W2XBS on Channel 1 was the only station in the broadcasting regular programming. CBS’s W2XAX and Philco’s W3XE in Philadelphia may have worked out a time-sharing agreement for their frequency, but both were still testing things.

Figures were revealed about how much NBC was spending on its television station, how many sets there were in the New York area, and what people liked to watch. The station was on Wednesday through Sunday, with a few variety shows, remotes for boxing and wrestling, and an awful lot of old films.

The only other station on the air was W6XAO, broadcasting one hour a night, six nights a week, with two and a quarter hours Wednesday and Friday nights and an added midday hour on Wednesdays, according to a story by Associated Press writer John Lear on Jan. 21st.

Du Mont wasn't ready to broadcast, but signed a deal with Paramount which, after the war, proved to be a disaster, as the F.C.C. treated them as a joint entity and restricted the number of station licenses they could have.

Here are the listings for W2XBS from various newspapers in the viewing area and a few articles. Billboard also included a couple of reviews.

Monday, Jan. 1, 1940
PASADENA (AP)—The annual tournament of roses parade was witnessed by more than a million persons Monday, but other hundreds saw it for the first time by television. Portable equipment, including a camera with a telephoto lens, flashed synchronized sight-sound images nine miles to television station W6XAO in Los Angeles, from where it was relayed on a television channel to several hundred receivers in the Los Angeles metropolitan area.
Thomas S. Lee, station owner, said the numbers of “lookers” telephoned the reception was excellent, despite cloudy weather and some rain during the parade.


Wednesday, Jan. 3, 1940
(Video, 45.25 mc., Audio, 49.75 mc.)
2:30 p.m.—March of Time, “Soldiers With Wings,” film
2:50 p.m.—“Burn ‘Em Up Barnes,” film serial
3:10 p.m.—“Chile,” film travelogue
3:20 p.m.—“The Brown Bomber,” film
8:30 p.m.—Tex O’Rourke’s Round Up; James J. Walker, Al Trahan, Harry Hershfield, Fields and Hall, Felix Adler, Lejaren Hillier, John Norman.

Television Review
Reviewed Wednesday, 8:30-9:30 p.m. Style—Variety. Reviewed on RCA receiver. Station—W2XBS.
Wednesday’s NBC tele program was dedicated to the campaign against infantile paralysis. In the interests of President Roosevelt’s birthday celebrations program Included appearances by ex-mayor of New York James J. Walker, Harry Hershfield, Felix Adler, Al Trahan, Lejaren Hiller, Fields and Hall and emsee Tex O’Rourke.
O’Rourke has appeared over tele before. His manner is suave and polished. Walker, too, was impressive, photographing well and giving an eloquent discourse on the matter in hand. Felix Adler, noted circus clown, appeared in make-up, together with Johnny Norman, a victim of paralysis. Adler’s sequence was brief and somewhat touching. He and the kid are the subjects of a photograph by Hiller to be used for the campaign.
Hershfield took over O’Rourke’s emsee spot for a while, proving as adept on tele as he is at banquets. He spoke interestingly of cartoonists, drew a picture of Abe Kabibble and brought on Walker. The trio, O’Rourke, Walker and Hershfield, all proved terrific tele material.
Al Trahan, introed as the reincarnation of vaudeville, did an amusing turn at the piano, showing to better advantage than Fields and Hall, whose novelty piano and singing turn proved of small interest. Fields and Hall photographed all right, but needed sharper material.
Technically, program indicated that the NBC producers are becoming more expert in presenting talent to the best advantage. Most of those appearing on this show, for instance, were impressive. Lighting and photography, too, seem to be consistently better than in television’s earlier stages, and acts apparently no longer have to worry about looking like monstrosities owing to brutal delineation of facial contortions. Ackerman. (Billboard, Jan. 13)


Thursday, Jan. 4, 1940
2:30 p.m.—“With Love and Kisses, film with Pinky Tomlin
8:30 p.m.—Wrestling Bouts from Ridgewood Grove Sporting Club

Friday, Jan. 5, 1940
2:30 p.m.—Baby Awards with Allen Prescott.
8:30 p.m.—“Ethan Frome,” with Robert Allen, Anne Revere.
A disappointed father of triplets attempted to wring the neck of a stuffed stork during a television program staged by Allen Prescott over W2XBS yesterday afternoon (2:30). Prescott awarded cash prizes to several men who became fathers on New Year’s Day. But the wife of Daniel S. Wordsman gave birth to triplets early on Jan. 2, thus excluding him from the $750 cash award, which would have been his had the stork been on the job a few hours earlier. So, when Daniel saw the stuffed bird before the television camera, he expressed his displeasure in a forcible manner. (Ben Gross, Daily News, Jan. 6).

Saturday, Jan. 6, 1940
2:30 p.m.—“Children’s Corner,” film
2:45 p.m.—“The City,” film
3:25 p.m.—“Valse Brilliante,” film
9:00 p.m.—Boxing Bouts at Ridgewood Grove Sporting Club

Sunday, Jan. 7, 1940
2:30-3:30—“Wings Over the Nation” from La Guardia Field
8:30-9:30—Sunday Varieties: Wing’s Spelling Bee, newsreel theatre usherttes vs. managers; Frank Crumit and Julia Sanderson.

Consummation of the purchase of 23 acres of a mountain top at Hollywood’s’ northern edge, by the Don Lee Broadcasting System from Hollywood Hills, Inc., as site for a television station was announced during the week by Lewis Allen Weiss, vice-president and general manager of the broadcasting organization representing Thomas S. Lee. The land was acquired for approximate1y $1000 an acre, Weiss said. Ninety-nine year leases a1so were obtained for rights of way over adjoining land for a paved road to be built to the television station area by the new owner of the site. The purchased site is situated above the high rise where the Hollywoodland sign stands and is stated to be next to the highest point in the Hollywood hills region. An ordinance recently adopted by the Los Angeles City Council permits construction of the planned television station stated to be the only unit of its kind thus far proposed for location west of Kansas City, it was pointed out by Weiss. The site gives wide view of Los Angeles and the San Fernando Valley. (Los Angeles Times)

Tuesday, Jan. 8, 1940
CHICAGO—The first application for a theatre chain to run a television station has been filed with the FCC by Balaban and Katz. The firm is seeking the permit to operate a station in this city. (Hollywood Reporter).

Monday, Jan. 9, 1940
WASHINGTON, Jan. 9 (AP)—The Communications Commission authorized General Electric Company today to establish four experimental television broadcast stations. Two would be in Schenectady, N. Y., one in Albany, N. Y., and one in Bridgeport, Conn.

Wednesday, Jan. 10, 1940
2:30-3:30—Wings Over the Nation.
8:30-9:30—“A Night in Old Vienna,” operetta based on the life of Franz Schubert, with Beatrice Lind, soprano, and Mario Berini, tenor; Louise Irwin, exercises for beauty; Van Grona dancers.

Television Review
Reviewed Wednesday, 8:30-9:30 p.m. Style—Variety. Station—W2XBS. Reviewed on RCA Television Receiver.
NBC tele show Wednesday included brief operetta -type presentation titled In Old Vienna, a session of fencing, and a fashion show during which Louise Irwin, of Best’s Department Store, illustrated calisthenics whereby ladies might keep themselves trimmed down to svelte proportions.
As entertainment, program was somewhat dull, but technically it was interesting. In Old Vienna, for instance, had sustained singing periods by Beatrice Lind and Mario Berini, with camera making extensive use of close up shots. From the visual angle, the singers’ appearances were uniformly good; but the voices were okeh the presentation as a whole failed to jell owing to slowness of pace and action. This failing is very often present in old-fashioned operettas, and the genre has lost much of its vogue on the legitimate theater stage. Sets, however, were very well done, and gave the impression of being more than just a window dressing. In addition to the singers, presentation had the Von Gronas, mixed dancing team, who did a pavanne and other turns in Interesting fashion.
Fencing business, done by George Santelli, Nicholas Murray and Ralph Marson, all champions, was an active piece of business and entertaining. Fashion show was so-so, but Miss Erwin’s calisthenics stint provided some unexpected humor. Plugs were given manufacturers of costumes and also Best’s. Ackerman. (Billboard, Jan. 20)


SCHENECTADY, Jan. 10 (AP)—The General Electric Co. announced today it would open within the next three months a television broadcast transmitter a top Indian Ladder, in the near-by Helder Hills.
Chester H. Lang, manager of broadcasting, said the building to house the transmitter has been finished and awaits only the installation of the high-powered equipment. It is located atop a 1,500-foot hill sixteen miles from Albany and will cover Schenectady, Troy, Albany, Saratoga Springs and the surrounding country.
Lang said the Federal Communications Commission already had licensed the company to construct an experimental station and that work was well under way.
The television studio, Lang added, will be built in the quarters occupied by radio station WGY before that station moved to its new home.
The company announced it would put two sizes of home television receivers on the market this spring.


New York.—Wall street traders see Paramount’s entrance into television through the Dumont Television Corp., in which Para has dumped $50,000, and stands ready to kick in with $200,000 more on a ten-year note. Since Para mount showed its hand In the deal, Class A stock has bounced from $12 to $27 a share in over the counter trading. The Street regards as the tipoff the corporation’s report that it is contemplating piping local news events and film features direct from local transmitters to theatres. Paramount’s hand in the deal will be the production of film, using studio talent, and televising it into theatres with plenty of ballyhoo angles stressed for the exhibitor.
Dumont’s transmitter is located at Passaic, N. J., and goes on the air in ten days, sharing time with NBC’s Empire State transmitter. Experimentation will be carried on, with Paramount execs being advised of all angles in order to mesh studio activity when the time is ready to spring out into the open on the deal.
Paramount’s original investment was $50,000 for which it received a $36,000 ten-year note bearing three percent interest and $14,000, or all outstanding shares of B stock. In addition, Paramount has options to buy the remaining 42,000 shares of B stock at par value, which is $1 a share. In return for the option, Paramount has agreed to lend Dumont all, or any part, of $200,000 for ten years.
Dumont’s capitalization consists of 2000 shares of $25 par value preferred 6 percent stock, of which 1200 shares are outstanding. 56,000 shares of Class A stock of $1 par value, all outstanding, and 56,000 Class B $1 par value of which 14,000 shares are outstanding. The funded debt consists of $16,000 in 6 percent debentures due 1945, a $17,000 secured 6 percent note payable in 1942, and the $36,000 Paramount note.
Class A and B stock shares alike in the company dividends and each class elects three directors. Wall Street reports that the company is breaking even this year, which makes it probably the only television company able to show such results. (Hollywood Reporter, Jan. 10)


Thursday, Jan. 11, 1940
9:00-11:00—Wrestling at Ridgewood Grove Sporting Club, Sam Taub, announcer

Friday, Jan. 12, 1940
2:30—“Puppet Love,” film.
2:50—“Burn ‘Em Up Barnes,” film serial, episode five.
3:10—“Thistledown,” film.
3:20-3:30—“Canal Gypsies,” film.
8:30-9:30—“Meet the Wife,” play by Lynn Starling.

Saturday, Jan. 13, 1940
2:30-3:40—“Slalom,” film feature.
9:00-11:00—Boxing at Ridgewood Grove Sporting Club, Sam Taub, announcer.

Sunday, Jan. 14, 1940
2:30-3:45—“Spy of Napoleon,” film with Richard Barthelmess and Dorothy Haas.
8:30-9:30—Varieties, featuring Television Explorers, with John Williamson and his undersea motion pictures, and television debuts, with Ray Forrest, master of ceremonies.

NEW YORK, Jan. 15, (UP)—The first television broadcast from a night club took place today [14] but more people saw the performers in the flesh than viewed them on the screen.
The broadcast, demonstrating the mobility of the National Broadcasting Company’s television equipment, marked the first time in the United States that an entertainment bill was transmitted from a building other than the one occupied by experimenting studios, according to NBC officials.
They are investigating the feasibility of television broadcasts of entertainment in the city’s night spots when the company begins its regular broadcasting service in the spring.
An iconoscope camera was rolled into the Cafe Francais, adjoining the Rockefeller Skating pond, and a half hour variety program was broadcast. Then the camera was moved outside to pick up a figure skater swirling around the pond.
There are “several hundred” television receiving sets in the Metropolitan area, officials said, but even if they were all turned on. more people saw the pickup being made than received the actual broadcast. Several thousand Sunday strollers surrounded the ice rink and nearly 100 crowded into the small cafe.
The broadcast got under way shortly after 3 o’clock when Phyllis Welsh, blonde actress known as the “television hostess” stepped in front of a microphone, and as the camera whirled, announced the first act. A tap dancing team beat out time on chairs and on the floor with a pair of drum sticks, and they finished the act with the man beating a cymbal on his girl partner’s head.
Then Frank Gaby, a ventriloquist, exchanged banter with his wooden-headed dummy. Fats Waller sang and played the piano, and the show closed with Sheila Barrett reciting the misfortunes of the “Southern Girl.”
The camera and the lights, two clusters of “birdseye” focusing lamps and a Klieg, were rolled outside to pick up Vivi-Anne Hultsen, youthful Swedish figure skating champion.
The program was produced by Warren Wade, who sat out of range of the camera, and listened to the program by telephone as it was received in the RCA building.


Monday, Jan. 15, 1940
IMPETUS recently given television through announcement Jan. 3 by RCA of plans to market transmitters to broadcasters, received official cognizance of the FCC with the appointment of a committee to study the whole subject and prepare recommendations. Commissioner T. A. M. Craven, former chief engineer, was named chairman. Other members are Thad Brown and Norman S. Case.
The Commissioner announced that the application of the Milwaukee Journal Co., operating WTMJ, to inaugurate an experimental television service to test public reaction, had been referred to the committee. Along with it the Commission referred the proposed standards for television transmission and reception submitted by the Radio Manufacturers Assn. several months ago, after long deliberation by its engineering committee.
The Milwaukee Journal has contracted for the purchase of an RCA 1,000 watt television transmitter—the first to enter the field under the new RCA policy. The application looks toward revision of FCC regulations to permit setting up an experimental program service for home reception as a test of “looker interest” in visual programs. Under existing rules the Commission requires research and technical experimentation by all those holding experimental television licenses [BROADCASTING, Oct. 15, Nov. 1, 1938].
Regarding the proposed television standards of RMA, the FCC stated that a number of manufacturers and experimenters have expressed opposition to their promulgation. (Broadcasting, Jan. 15)


Wednesday, Jan. 17, 1940
2:30-3:30—Views and interviews at La Guardia Field.
8:30-9:20—Dodson’s Hollywood Monkey Stars; Better Vision Show; Televiews Picture Contest.

Thursday, Jan. 18, 1940
9:00-11:00—Wrestling at Ridgewood Grove Sporting Club, Sam Taub, announcer
The crisis in the city’s water supply was demonstrated forcibly in a combined radio and television broadcast last evening (WJZ-W2XBS-6:15) (Ben Gross, Daily News)

RKO has tossed its hat into the television ring, and will be first with a bid for recognition as producer of film entertainment expressly slanted for television with indications yesterday pointing to a tieup with RCA-NBC telecasting activity.
Opening move of RKO involves “Gunga Din,” which will have its world premiere next Tuesday. Working under advisement of NBC television researchers and engineers, the studio is assembling a 1000-foot version of “Gunga Din” solely for telecasting purposes at NBC’s Radio City Film is expected to get its initial television on release in March, when NBC is slated to resume a regular television broadcasting schedule. It will serve a double purpose as entertainment and research material.
The RKO television version of “Gunga Din” will be made up of sound and film assembled and given laboratory treatment according to formulae prescribed by research experts in the use of film on the air. For the most part it will tell its story in closeups, arid two and three-shots.
Pandro S. Berman is supervising preparation of the television product, and has assigned Henry Berman to its editing. The assembly will include inspection to secure sharp, contrasting pictures. which will then be given special treatment to permit television transmission with maximum clarity and effect Due to the condensation of the play to a 10-minutes it will include bridging titles in addition to accompanying dialog.
Though film has frequently been used in television, this is the first effort made in the U S to produce a program under controlled processes specifically devised to yield maximum effect and results.
RKO’s entrance into this field is deemed highly significant in view of predictions made repeatedly that television will be a heavy user of Hollywood product when the sight-sound broadcasting medium reaches expected exploitation. (Hollywood Reporter, Jan. 18)


Friday, Jan. 19, 1940
2:30-2:52—“Ski Chase,” film.
2:52-3:10—“Burn ‘Em Up Barnes,” film serial.
3:10-3:20—“China,” film.
3:20-3:30—“Community Life,” film.
8:30-9:30—“The Gorilla,” play

Television Review Reviewed Friday, 8:30-9 p.m. Style—Drama. Station—W2XBS. Reviewed on RCA Television Receiver.
National Broadcasting Co. drew an old hoke meller, The Gorilla, out of the closet for this program. The Gorilla was performed by a cast including some very good legit names, but reception was marred by a flickering screen and poor sound. Past reception of NBC programs has been fairly satisfactory as to lack of flicker, but Friday presentation was definitely below palr on this angle. Sound, which has been uniformly good thus far, was also deficient, showing a tendency at times to die down to practically a whisper.
Excepting these failings, show was interesting in its use of sets and phonus effects, latter including the disappearance of people in a cloud of smoke. Camera, too, managed to get as many as six of the cast on the image with good results, including facial clarity.
Top actors were Percy Kilbride, as Gerrity; Robert Shayne, as Marsden; John Cherry, as Simmons; Ralph Kellard, as Stevens Cast included A. C. Van Home, Victoria Cummings, Tony Tully, Ben Laughlin and Olvesta Polk. Ackerman. (Billboard, Jan. 27)


Saturday, Jan. 20, 1940
2:30-3:47—“Reaching for the Moon,” film featuring Douglas Fairbanks, Sr., Bebe Daniels and Edward Everett Horton.
9:00-11:00— Boxing at Ridgewood Grove Sporting Club, Sam Taub, announcer.

Sunday, Jan. 21, 1940
2:30-3:42—“School for Husbands,” film feature with Rex Harrison, Diana Churchill, June Clyde and Romney.
8:30-9:00—“Babes in Arms,” a musical comedy.

LOS ANGELES, Jan. 21,—Deal to aid television on the Coast was set this week by Lewis Alien Weiss, head of the Don Lee network. Only hitch in current plans is whether manufacturing plant contacted can turn out receivers to retail for $175. Don Lee net has reportedly made a deal with the American Television Corp. Present plans call for the manufacturing plant to have its engineers here in 30 days or less to study conditions. If tests conducted at that time are satisfactory to Weiss and Harry Lubcke, televish engineer for the web, new service will be started and sets put on sale. If deal goes thru as anticipated, American Television is to turn out 1,000 sets a month. There are now approximately 100 televish sets in this locality receiving regular Don Lee hear and see programs. Don Lee web will have to change its facilities for handling 441-line pictures. Station is flow using 330-line images. Lubcke and his staff have been working converting the present equipment so that it will synchronize with the Videor sets. It is reported that a Coast theater chain is interested in Don Lee television for its houses. Name of the chain was not disclosed. (Billboard, Jan. 28)

Tuesday, Jan. 23, 1940
Don Lee Broadcasting will expand its television activity beginning next Wednesday with a special series of educational programs which it will release in four Southern California schools through the cooperation of the L. A. Board of Education Television receivers will be installed at USC, Pomona College and the Polytechnic high schools at Los Angeles and Long Beach.
Thomas S. Lee, president, has authorized a series of both live and film programs to be telecast over W6XAO in the new program group. Hollywood Television Society is also associated with the educational series. (Hollywood Reporter, Jan. 23)


Wednesday, Jan. 24, 1940
2:30-3:30—“Wings of a Nation,” an aviation program from La Guardia Field.
8:30-9:30—Midweek Varieties, with Commissioner William Fellowes Morgan, Jr., The Arctic Girls in a “frozen alive” demonstration, Minstrel Show and a preview of the Beaux Arts Ball.

Thursday, Jan. 25, 1940
9:00-11:00—Wrestling at Ridgewood Grove Sporting Club, Sam Taub, announcer

Friday, Jan. 26, 1940
2:30—The March of Time, “Battle Fleets of England,” film.
3:10-3:30—“Carrie Jacobs Bond,” film.
8:30-9:30—“The Impossible Mr. Claney,” a play by John Brownell.

Saturday, Jan. 27, 1940
2:30-3:40—“Sing While You’re Able,” film feature with Pinky Tomlin.
9:00-11:00— Boxing at Ridgewood Grove Sporting Club, Sam Taub, announcer.

NEW YORK, Jan. 27.—National Broadcasting Co. is likely to increase its talent budget for television soon, probability being that the increase will come at the same time, or soon after RCA reduces price of receivers and embarks on a promotion campaign to sell more sets. Feeling at NBC currently is that a talent splurge, including higher salaries, will be a necessary corollary of the promotion campaign in that it will raise the level of live shows. Price cut is due momentarily.
Meanwhile representatives of the talent unions met in committee this week and worked out a plan for administering television for a six-month period. According to Walter Greaza, Actors’ Equity executive and member of the tele committee, this plan is already agreeable to Equity and stands a good chance of being inked by Screen Actors’ Guild and American Federation of Radio Artists as soon as minor details are worked out.
Plan does not settle the tri-cornered jurisdictional squabble over tele, but simply provides for an administrative body of five to regulate the field. This body would be composed of one member each from Equity, SAG, AFRA and Chorus Equity, and these four would pick a fifth. Controversies between members of the administrative body would be settled by two out of three vote of the three boards of SAG, Equity and AFRA. Agreement would be in force for at least six months, at the end of which time any time of the unions could abrogate it within 30 days.
Plan does not attempt to settle the jurisdiction, and Actors’ Equity makes it plain that it is still reserving jurisdictional rights over tele. According to Greaza, it would be ill-advised to embark on a jurisdictional fight now.
If pact is inked committee will try to improve conditions but will probably not try to negotiate a signed agreement with NBC—just a verbal understanding. According to Greaza, AFRA is not in favor of taking hasty measures, and he, Greaza, feels the same way about it, particularly in view of his knowledge of NBC’s side of the story. Some of the existing abuses, however, are regarded as quite bad, a prime example being the case of the telecast of The Milky Way. Cast, says Greaza, rehearsed 72 hours over a period of 15 days, and even those who had 50 sides had a salary top of $50.
Greaza’s talks with Mark Woods, NBC treasurer, indicated that NBC wanted an appropriation of $1,000,000 a year for television but succeeded in obtaining only $650,000. Of this a certain definite allocation was put aside for technical and other costs, and the leftover went for talent. NBC has tried to do as many shows as possible with this money, and Wood pointed out that if salaries were raised the number of shows would drop. Greaza and the committee are trying to avoid this and instead are trying to persuade the execs to put aside a definite sum for talent in keeping with talent’s importance in relation to costs of other items.
* * *
In a report on telecasting submitted by Alfred H. Morton, NBC vice-president in charge of tele, to the Federal Communications Commission’s tele hearings, the following facts were brought out: Weekly cost of programing W2XBS is $15,000, including overhead items; there are 2,000 receivers in the New York area, with an average audience of 8,000; audience when polled by NBC indicated that studio features, led by dramatic shows, were most liked on tele, with a rating of 2.63 out of a possible score of three; special events rated at 2.11, films at 1.96 and film shorts at 1.75; Jane Eyre took the nod as the best program since the beginning of television; 67 different advertisers co-operated with NBC in presenting 148 programs in eight months. These advertisers represented 16 major industries. Hours devoted to shows with ad tie-ups rose from 6.5 in May to 11.4 in December. (Billboard, Feb. 3)


WASHINGTON, Jan. 27 (INS)—Television, radio’s name for seeing as well as hearing the ether waves, made its bow in the nation’s capital today and, in the somewhat astonished words of the first witnesses, was “just like the movies.”
Sixty members of the Washington newspaper corps sat wide-eyed before four television sets in the darkened lounge of the National Press Club auditorium, and heard as well as saw the “actors” a mile away. They may well have been sitting in a moving picture theatre, enjoying a Hollywood product, so similar to the cinema was the performance.
The Natonal Broadcasting Co., which put the show on, even engaged the services of a former thespian to become the first “televiactor” in the capital’s history. He was Speaker William B. Bankhead of the House of Representatives, father of the glamorous stage star, Tallulah, and no mean hand on the boards himself in an earlier day.
Standing on the wide and wind-swept lawn in front of the imposing marble Department of Agriculture building, Mr. Bankhead faced microphone and iconoscope camera and, in a southern drawl, allowed that television “is going to make a lot of members of the House get their feet down off the desks and quit chawin’ tobacco.”
A mile away, in the Press club, the press guffawed. Whereupon, Mr. Bankhead remarked that the bitter (for Washington) weather was forcing him to relinquish the stage to some one more inured to the cold—Representative Edith Nourse Rogers, Republican representative from Massachusetts.
The broadcasting company made a festive occasion of this realization of a photographer’s dream, which began way back in 1817 when Baron Jons Jacob Bertzelius, a Swedish pharmacist, discovered that a strange element he named selenium, would transmit electricity better in the light than in the dark.
Attendant insisted on presentation of invitations at the door, and there was a red carnation and a pamphlet history of television for each guest as he left. Cars were ready at the street entrance to transport guests to the scene of transmission at the Agriculture building. Most of those present availed themselves of the opportunity despite the cutting wind and below-freezing temperatures.
The television sets, themselves, looked just like your radio and mine. Console models, each had the lid lifted to about two-thirds open. The under side of the lid was a mirror, which comprised the “screen.” The images of the televisactors were reflected from a 7 by 10-inch oblong sunk in the face of the set, alongside the familiar dials.


Sunday, Jan. 28, 1940
2:30—Skating at Rockefeller Center Pond.
8:30—Variety program, featuring Ben Yost’s Variety Eight, Hopi Indian songs and dances, and Paul Wing’s spelling bee, with eight secretaries.

Monday, Jan. 29 1940
WASHINGTON, Jan. 29.—That the inauguration of the next President of the United States would be transmitted by television was announced today by the National Broadcasting Company during a demonstration here of the RCA system of television.
The possibility of “televising” such events as the inauguration of a President only recently has been made possible by the development of mobile television stations, operating with the so-called all-electronic system, C. B. Hanson [sic], chief engineer for NBC, explained.
The announcement came in reply to a question by Senator Lundeen of Minnesota, who was making an appearance before the NBC television camera for the benefit of Congressional colleagues gathered before receivers at the National Press Club, more than a half mile distant.
The announcer referred the question to an NBC official, who revealed the company’s plan to have a television broadcast of the ceremonies in January, 1941. (NY Times)


Wednesday, Jan. 31, 1940
2:30—“How to Improve Your Photographs,” Nicholas Haz, fellow of the Royal Photographic Society.
2:45—“Burn ‘Em Up, Barnes,” film.
3:05—“Imprisoned Freshness by Birdseye,” film.
3:15—“The Right and Wrong of It,” feminine hats and hair-dos presented by Elizabeth Watts.
8:30—A documentary telecast by the B. and O. Railroad.
9:00-11:00— Preliminary bouts of the Golden Gloves amateur boxing tournament at Ridgewood Grove Sporting Club, Sam Taub, announcer.